[Teilhard de Chardin] de Lubac S.J., Henri. The Eternal Feminine: A Study on the Poem by Teilhard de Chardin. Followed by Teilhard And The Problems Of Today. London, Collins, 1971. 14 cm x 21.5 cm. 272 pages. Original hardcover with original dustjacket in protective Mylar. Excellent condition with minor signs of external wear. Includes for example the following essays: 'In Honour of Our Lady' / Teaching on Love and Marriage / 'The Evolution of Chastity' / Teihard's Use of Analogy / The History of Love / Teilhard's Symbolism / A Personal God / Tradition and Obedience etc.

Eternal Feminine: A Study of the Poem by Teilhard de Chardin Followed by Teilhard and the Problems of Today

De Lubac, Henri

Religion & Spirituality

See notes

Paderewski

ZAMOYSKI, Adam

A Fairly Dangerous Thing

HILL,REGINALD

Mystery, Thriller & Suspense

From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present.   As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America’s most widely read and admired writer on art.  In this book:  nearly a hundred of his finest essays on the subject.   For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes—astute, vivid and uninhibited—on dozens of famous and not-so-famous artists.  He observes that Caravaggio was “one of the hinges of art history; there was art before him and art after him, and they were not the same”; he remarks that Julian Schnabel’s “work is to painting what Stallone’s is to acting”; he calls John Constable’s Wivenhoe Park “almost the last word on Eden-as-Property”; he notes how “distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.”  He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic).   Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded.  His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market—its inflated prices and reputations, its damage to the public domain of culture.  There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate.  And as a finale, Hughes gives us “The SoHoiad,” the mock-epic satire that so amused and annoyed the art world in the mid-1980s.   A meteor of a book that enlightens, startles, stimulates and entertains.

Nothing If Not Critical : Selected Essays on Art and Artists

Arts & Photography

HUGHES, ROBERT

History & Criticism

Life on the Wing: Remarkable Birds and their Extraordinary Lifestyles

ULLMAN,Magnus (text) & OSTLING,Brutus (photos)

Photography & Video

The Communal Experience; Anarchist and Mystical Counter-Cultures in America

VEYSEY,Laurence

The ecological citizen;: Good earthkeeping in America (Perennial library, P211)

Dirck Van Sickle

Illusionless Man: Fantasies and Meditations.

Literature & Fiction

Wheelis, Allen

Short Stories & Anthologies

Runaway Ralph

Cleary; Beverly

Introduction to Switching Circuit Theory

Engineering & Transportation

Givone, Donald D.

Engineering

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