The Ideologies of Theory: Vol 1 Situations of Theory

FREDRIC JAMESON

Routledge

‘Every now and then a book appears which is literally ahead of its time ... The Political Unconscious is such a book ... it sets new standards of what a classic work is.’ – Slavoj Zizek In this ground-breaking and influential study, Fredric Jameson explores the complex place and function of literature within culture. A landmark publication, The Political Unconscious takes its place as one of the most meaningful works of the twentieth century. First published: 1983.

The Political Unconscious: Narrative as a Socially Symbolic Act

Literature & Fiction

History & Criticism

This book brings together key essays and excerpts from the broad spectrum of Frederic Jameson's writings, providing an accessible introduction to the intricacies of his thought and uncovering new and exciting aspects of his work.

The Jameson Reader

Essays & Correspondence

Blackwell*publishers

"The Political Unconscious is a major work, and it should be read by historians, social scientists, and philosophers, as well as by literary scholars."-Hayden White"A major work of critical theory . . . The Political Unconscious integrates and refines a vast body of theoretical work, demonstrating a superb mastery of the field of contemporary criticism. The result . . . is a compelling, forceful argument in favor of the primacy of Marxism over contending strategies of interpretation."-Nineteenth-Century Fiction"Monumental . . . . Its learning and range of references are exceeded only be the imperial embrace of its complex argument, whose elaboration never imposes a sacrifice of clarity. . . . Indispensable for all university and college libraries."-Choice

Cornell University Press

The Ideologies of Theory Essays 1971-1986 (2 Volumes)

wlad-godzich

Jeffrey Kittay

Univ of Minnesota Pr

Now in paperback, Fredric Jameson&amp;;s most wide-ranging work seeks to crystalize a definition of &amp;;postmodernism&amp;;. Jameson&amp;;s inquiry looks at the postmodern across a wide landscape, from &amp;;high&amp;; art to &amp;;low&amp;; from market ideology to architecture, from painting to &amp;;punk&amp;; film, from video art to literature.

Postmodernism, or, The Cultural Logic of Late Capitalism (Post-Contemporary Interventions)

Arts & Photography

Duke University Press Books

A Deleuzian Century?

Michel Foucault’s suggestion that this century would become known as “Deleuzian” was considered by Gilles Deleuze himself to be a joke “meant to make people who like us laugh, and make everyone else livid.” Whether serious or not, Foucault’s prediction has had enough of an impact to raise concern about the potential “deification” of this enormously influential French philosopher. Seeking to counter such tendencies toward hagiography—not unknown, particularly since Deleuze’s death—Ian Buchanan has assembled a collection of essays that constitute a critical and focused engagement with Deleuze and his work. Originally published as a special issue of South Atlantic Quarterly (Summer 1997), this volume includes essays from some of the most prominent American, Australian, British, and French scholars and translators of Deleuze’s writing. These essays, ranging from film, television, art, and literature to philosophy, psychoanalysis, geology, and cultural studies, reflect the broad interests of Deleuze himself. Providing both an introduction and critique of Deleuze, this volume will engage those readers interested in literary and cultural theory, philosophy, and the future of those areas of study in which Deleuze worked. Contributors. Ronald Bogue, Ian Buchanan, André Pierre Colombat, Tom Conley, Manuel DeLanda, Tessa Dwyer, Jerry Aline Flieger, Eugene Holland, Fredric Jameson, Jean-Clet Martin, John Mullarkey, D. N. Rodowick, Horst Ruthrof, Charles J. Stivale

Politics & Social Sciences

Buchanan, Ian

Jerry Aline Flieger

Eugene Holland

Manuel DeLanda

John Mullarky

Philosophy

Michel Foucault’s suggestion that this century would become known as “Deleuzian” was considered by Gilles Deleuze himself to be a joke “meant to make people who like us laugh, and make everyone else livid.” Whether serious or not, Foucault’s prediction has had enough of an impact to raise concern about the potential “deification” of this enormously influential French philosopher. Seeking to counter such tendencies toward hagiography—not unknown, particularly since Deleuze’s death—Ian Buchanan has assembled a collection of essays that constitute a critical and focused engagement with Deleuze and his work. Originally published as a special issue of South Atlantic Quarterly (Summer 1997), this volume includes essays from some of the most prominent American, Australian, British, and French scholars and translators of Deleuze’s writing. These essays, ranging from film, television, art, and literature to philosophy, psychoanalysis, geology, and cultural studies, reflect the broad interests of Deleuze himself. Providing both an introduction and critique of Deleuze, this volume will engage those readers interested in literary and cultural theory, philosophy, and the future of those areas of study in which Deleuze worked. 
Contributors. Ronald Bogue, Ian Buchanan, André Pierre Colombat, Tom Conley, Manuel DeLanda, Tessa Dwyer, Jerry Aline Flieger, Eugene Holland, Fredric Jameson, Jean-Clet Martin, John Mullarkey, D. N. Rodowick, Horst Ruthrof, Charles J. Stivale

Postmodernism: or, the Cultural Logic of Late Capitalism

Verso

Polygraph 25: Music and the Modes of Production traces how musical syntax and structure change in relation to the forces that shape how we produce and exchange the means of our subsistence. Please email polygraph@duke.edu if you are having trouble acquiring this issue.

Polygraph 25: Music and the Modes of Production

Brian Kane

Kurt Blaukopf

Jay Hammond

Karim Wissa

Murray Dineen

Matt Dineen

Joe Varghese Yeldho

Seth Kim-Cohen

S. Alana Wolf

Polygraph: An International Journal of Culture and Politics

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Books by FREDRIC JAMESON