From the grandly historic to the poignantly human, from battlefield violence to the gentle pleasures of peace, In Our Time captures the past fifty years of the world in over three hundred memorable photographs, including many in color.As the distinguished historian William Manchester explains in his provocative text, the book is a distinctive blend of reporting and art that inevitably engages the heart and mind of the viewer. Each picture is a comment upon our experience of the twentieth century.The photographers represented here all belong to Magnum, a collective founded in 1947 to give photojournalists artistic freedom and control over the rights to their work. Magnum's archives are a repository of the masterpieces of photography of the past half-century.Not since the landmark photographic exhibition "The Family of Man" have so many brilliant photographs documented such a range of human experience.

'IN OUR TIME: WORLD AS SEEN BY ''MAGNUM'' PHOTOGRAPHERS'

Arts & Photography

Fred Ritchin

Magnum Photos

Jean Lacouture

william-manchester

Photography & Video

Andre Deutsch Ltd.

From a Brazilian mine where 50,000 men haul heavy sacks of dirt up and down ladders in search of a nugget of gold, to a former lake in western Africa, where starving people walk over its surface of sand, photographer Sebastian Salgado explores the lives of the planet's often-ignored people.

Sebastiao Salgado An Uncertain Grace /anglais

EDUARDO GALEANO

Thames&Hudson

In 1984 Sebastião Salgado began what would be a fifteen-month project of photographing the drought-stricken Sahel region of Africa in the countries of Chad, Ethiopia, Mali, and Sudan, where approximately one million people died from extreme malnutrition and related causes. Working with the humanitarian organization Doctors Without Borders, Salgado documented the enormous suffering and the great dignity of the refugees. This early work became a template for his future photographic projects about other afflicted people around the world. Since then, Salgado has again and again sought to give visual voice to those millions of human beings who, because of military conflict, poverty, famine, overpopulation, pestilence, environmental degradation, and other forms of catastrophe, teeter on the edge of survival. Beautifully produced, with thoughtful supporting narratives by Orville Schell, Fred Ritchin, and Eduardo Galeano, this first U.S. edition brings some of Salgado's earliest and most important work to an American audience for the first time. Twenty years after the photographs were taken, Sahel: The End of the Road is still painfully relevant. Born in Brazil in 1944, Sebastião Salgado studied economics in São Paulo and Paris and worked in Brazil and England. While traveling as an economist to Africa, he began photographing the people he encountered. Working entirely in a black-and-white format, Salgado highlights the larger meaning of what is happening to his subjects with an imagery that testifies to the fundamental dignity of all humanity while simultaneously protesting its violation by war, poverty, and other injustices. "The planet remains divided," Salgado explains. "The first world in a crisis of excess, the third world in a crisis of need." This disparity between the haves and the have-nots is the subtext of almost all of Salgado's work.

Sahel: The End of the Road (Volume 3) (Series in Contemporary Photography)

Sebastião Salgado

Orville Schell

Lélia Wanick Salgado

University of California Press

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Books by Fred Ritchin