Upside Down: A Primer for the Looking-Glass World

In a series of mock lesson plans and a "program of study" Galeano provides an eloquent, passionate, funny and shocking exposé of First World privileges and assumptions. From a master class in "The Impunity of Power" to a seminar on "The Sacred Car"―with tips along the way on "How to Resist Useless Vices" and a declaration of the "The Right to Rave"―he surveys a world unevenly divided between abundance and deprivation, carnival and torture, power and helplessness. 
We have accepted a "reality" we should reject, he writes, one where poverty kills, people are hungry, machines are more precious than humans, and children work from dark to dark. In the North, we are fed on a diet of artificial need and all made the same by things we own; the South is the galley slave enabling our greed.

Business & Money

EDUARDO GALEANO

Economics

Picador

In 1984 Sebastião Salgado began what would be a fifteen-month project of photographing the drought-stricken Sahel region of Africa in the countries of Chad, Ethiopia, Mali, and Sudan, where approximately one million people died from extreme malnutrition and related causes. Working with the humanitarian organization Doctors Without Borders, Salgado documented the enormous suffering and the great dignity of the refugees. This early work became a template for his future photographic projects about other afflicted people around the world. Since then, Salgado has again and again sought to give visual voice to those millions of human beings who, because of military conflict, poverty, famine, overpopulation, pestilence, environmental degradation, and other forms of catastrophe, teeter on the edge of survival. Beautifully produced, with thoughtful supporting narratives by Orville Schell, Fred Ritchin, and Eduardo Galeano, this first U.S. edition brings some of Salgado's earliest and most important work to an American audience for the first time. Twenty years after the photographs were taken, Sahel: The End of the Road is still painfully relevant. Born in Brazil in 1944, Sebastião Salgado studied economics in São Paulo and Paris and worked in Brazil and England. While traveling as an economist to Africa, he began photographing the people he encountered. Working entirely in a black-and-white format, Salgado highlights the larger meaning of what is happening to his subjects with an imagery that testifies to the fundamental dignity of all humanity while simultaneously protesting its violation by war, poverty, and other injustices. "The planet remains divided," Salgado explains. "The first world in a crisis of excess, the third world in a crisis of need." This disparity between the haves and the have-nots is the subtext of almost all of Salgado's work.

Sahel: The End of the Road (Volume 3) (Series in Contemporary Photography)

Arts & Photography

Sebastião Salgado

Orville Schell

Fred Ritchin

Lélia Wanick Salgado

Photography & Video

University of California Press

Genesis, the first volume in Eduardo Galeano’s Memory of Fire trilogy, is both a meditation on the clashes between the Old World and the New and, in the author’s words, an attempt to rescue the kidnapped memory of all America.” It is a fierce, impassioned, and kaleidoscopic historical experience that takes us from the creation myths of the Makiritare Indians of the Yucatan to Columbus’s first, joyous moments in the New World to the English capture of New York.

Memory of Fire

Literature & Fiction

Quartet Books

Genesis, the first volume in Eduardo Galeanoâs Memory of Fire trilogy, is both a meditation on the clashes between the Old World and the New and, in the authorâs words, an attempt to rescue the kidnapped memory of all America.â It is a fierce, impassioned, and kaleidoscopic historical experience that takes us from the creation myths of the Makiritare Indians of the Yucatan to Columbusâs first, joyous moments in the New World to the English capture of New York.

Genesis (Memory of Fire)

Contemporary

Open Veins of Latin America: Five Centuries of the Pillage of a Continent

Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx.
Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe.
Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably.
This classic is now further honored by Isabel Allende's inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.

History

Monthly Review+press

This first-of-its kind collection of short nonfiction showcases the second-person point of view. Contributors contemplate a wide range of topics, including pregnancy, death, sexuality, regret, desire, incest, birds, coming of age, dreams, planetary motion, memory, transgendered children, music, house remodels, dating and relationships, the 1980s, interrogation and torture, last wills & testaments, accidents, technology, art, parenthood, dogs, dance, food, anxiety, physics, and writing. Includes essays by: Marcia Aldrich, Jenny Boully, Steven Church, Joan Connor, Alice Elliott Dark, Eduardo Galeano, Margot Kahn, Kim Dana Kupperman, Nick Lantz, Amy Leach, Paul Lisicky, Sonja Livingston, Rebecca McClanahan, Brenda Miller, Penelope Schwartz Robinson, Mimi Schwartz, Dustin Beall Smith, Elizabeth Stone, and Linda Underhill

You. An Anthology of Essays Devoted to the Second Person

Kim Dana Kupperman

Rebecca McClanahan

Marcia Aldrich

Jenny Boully

Joan Connor

Alice Elliott Dark

Margot Kahn

Nick Lantz

Amy Leach

Paul Lisicky

Sonja Livingston

Brenda Miller

Penelope Schwartz Robinson

Mimi Schw

Steven, Church

Essays & Correspondence

Welcome Table Press

Days and Nights of Love and War

"Days and Nights succeeds not only because of its socio-political authenticity and lyrical style but because of its interweaving of anger and tenderness, elation and sorrow." --The Nation Days and Nights of Love and War is the personal testimony of one of Latin America's foremost contemporary political writers. In this fascinating journal and eloquent history, Eduardo Galeano movingly records the lives of struggles of the Latin American people, under two decades of unimaginable violence and extreme repression. Alternating between reportage, personal vignettes, interviews, travelogues, and folklore, and richly conveyed with anger, sadness, irony, and occasional humor, Galeano pays loving tribute to the courage and determination of those who continued to believe in, and fight for, a more human existence. The Lannan Foundation awarded the 1999 Cultural Prize for Freedom to Eduardo Galeano, in recognition of those "whose extraordinary and courageous work celebrates the human right to freedom of imagination, inquiry and expression." Originally published in Cuba, Days and Nights of Love and War won the Casa de las Américas prize in 1978.

Biographies & Memoirs

Leaders & Notable People

Mirrors: Stories of Almost Everyone

Historical Study & Educational Resources

Penguin books.India

Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx.
Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe.
Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably.

Serpent's Tail

Will be dispatched from UK. Used books may not include companion materials, may have some shelf wear, may contain highlighting/notes, may not include CDs or access codes. 100% money back guarantee.

Football in Sun and Shadow: An Emotional History of World Cup Football

Sports & Outdoors

Football (American)

Fourth Estate

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Books by EDUARDO GALEANO