An extremely important reference work for Jasper Johns prints of the 1960s. Illustrated with documentary photos, numerous full-page plates & several full-page colourplates, plus illustrated catalgoue raissone of the exhibition at the Philadelphia Museum of Art.

JASPER JOHNS: Prints 1960-1970

Arts & Photography

Field, Richard S.

History & Criticism

Philadelphia Museum of Art

Jasper Johns: Prints 1960-1970

Praeger Publishers

Paul Gauguin: Monotypes by Field, Richard S. (1973) Paperback

Catalogo di mostra, Yale University Art Gallery, New Heaven 10 maggio - 31 agosto 1983. Testi di Richard S. Field, Sara D. Baughman, Debra N. Mancoff, Lora S. Urbanelli, Rebecca Zurier. Illustrazioni in bianco e nero. Elenco delle opere, bibliografia. Testi in inglese . 8vo pp. 136 Brossura (wrappers) Ottimo (Fine)

American prints, 1900-1950: An exhibition in honor of the donation of John P. Axelrod, B.A., 1968 : catalogue

Mancoff, Debra N.

Baughman, Sara D.

Urbanelli, Lora S.

Yale University Art Gallery

Though Jasper Johns is probably most famous for the now-iconic flag paintings he made during the 1950s, he continues to produce great paintings today. This latest body of work--first shown at the San Francisco Museum of Modern Art--dates to the very late '90s. And this beautifully produced exhibition catalog offers readers a glimpse at and insight into the work called the Bridge series. There is a loneliness to these paintings, with their dark palette and single strings of color set against expansive gray spaces. The solitary strings allude to the cables of suspension bridges and hang in front of the pictures with a swooped, gravity-induced curve. The dark, mysterious quality of the canvasses is brightened somewhat by details like that of a harlequin's diamond pattern painted in muted colors. Childhood imagery appears here, too--a dragon figure from a long ago Halloween, for one. Though at first glance these moody, memory-imbued paintings seem very different from much of the painter's other work, Johns's trademark themes are not entirely absent. His predilection for playing up the sculptural elements of painting is evident in the pieces of wood framing he's attached to these and the illusion of painted wood framing around the edges of the works. While the Bridge series works represent something of a departure for Johns, the paintings maintain a strong connection to the motifs he's investigated throughout his career. This is a meditative and fascinating art book experience. [86 pages, 13 full-color plates, 15 black-and-white illustrations] --J.P. Cohen

Jasper Johns: New Paintings and Works on Paper

GARRELS, Gary

PISSARRO, Joachim

Individual Artists

San Francisco Museum

Jasper Johns Prints: 1970-1977

Wesleyan Univ Pr

<p>Surveys modern print making, looks at abstracts, still lifes and landscapes by twenty-four women artists, and provides a profile of each print maker</p>

A Graphic Muse: Prints by Contemporary American Women

Collections, Catalogs & Exhibitions

Hudson Hills

Fine, Ruth E.

Mount Holyoke College. Art Museum

Hudson Hills Pr

The Provincial Courts of New Jersey

History

BiblioLife

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

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