The most extensive collection of Steichen's legendary Vogue and Vanity Fair work ever brought to the public. Edward Steichen was already a famous painter and photographer in America and abroad when, in early 1923, he was offered the most prestigious position in photography's commercial domain: that of chief photographer for Vogue and Vanity Fair.Over the next fifteen years, Steichen would produce a body of work of unequaled brilliance, dramatizing and glamorizing contemporary culture and its achievers in politics, literature, film, sport, dance, theater, opera, and the world of high fashion. Here are iconic images of Gloria Swanson, Gary Cooper, Greta Garbo, and Charlie Chaplin as well as numerous other celebrities drawn from an archive of more than two thousand original prints. Until now, no more than a handful have been exhibited or published in book form. The photographs of the 1920s and 1930s represent the high point in Steichen's career and are among the most striking creations of twentieth-century photography. 242 illustrations

Edward Steichen: In High Fashion - The Conde Nast Years, 1923-1937

EWING, William A.

Brandow, Todd

Biographies & Memoirs

W.W.Norton&Company

In Civilization, a top curator offers an unprecedented look at contemporary photographs that track the visual threads of humankind’s frenetic, collective life across the globe. 
We hurtle together into the future at ever-increasing speed―or so it seems to the collective psyche. Perpetually evolving, morphing, building and demolishing, rethinking, reframing and reshaping the world around and ahead―and the people within it―an emerging, planetary-wide Civilization is our grand, global, collective endeavor. Never before in human history have so many people been so interconnected, and so interdependent.
With close to 500 images, many previously unpublished, this landmark publication takes stock of the material and spiritual cultures that make up "civilization." Ranging from the ordinary to the extraordinary, from our great collective achievements to our ruinous collective failings, Civilization: The Way We Live Now explores the complexity of contemporary civilization through the rich, nuanced language of photography.
Featuring images by some 140 photographers―from Reiner Riedler’s families at leisure parks, Raimond Wouda’s high schools, Wang Qingsong’s Work, Work, Work and Cindy Sherman’s Society Portraits, to Lauren Greenfield’s displays of ostentatious wealth, Edward Burtynsky’s oil fields, Pablo Lopez Luz’s views on a sprawling contemporary megapolis, Thomas Struth’s images of high technology, Xing Danwen’s electronic wastelands and Taryn Simon’s Contraband, Civilization draws together the threads of humankind’s ever-changing, frenetic, collective life across the globe.
Visually epic, Civilization contains eight thematic chapters, each featuring powerful imagery and accompanied by provocative essays, quotes, and concise statements by the artists themselves. 470 illustrations in color

Civilization: The Way We Live Now

Arts & Photography

Roussell, Holly

Photography & Video

Thames&Hudson

Vivid, colorful, and spectacular: a lush and definitive overview showcasing the masterworks of flower photography by the world’s leading photographers. 
Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, Flora Photographica links the very best of flower photography from the past twenty years with its predecessors―canonical floral images from the realms of photography, illustration, and painting that have marked the collective imagination. 
Works by contemporary photographers such as David LaChapelle, Valérie Belin, Viviane Sassen, and Martin Schoeller appear across ten thematic chapters, among them “Origins,” “Arrangements,” “Essence,” “Persona,” and “Reverie,” which also include a brief introduction to the particular topic. These are complemented by two in-depth essays by authors William Ewing and Danaé Panchaud, which explore the relationship between contemporary works and the rich traditions of floral art and photography. 
Vibrant and abundant with various species of flora, this stunning book is both a celebration of beauty and a study of form, making it a must-have publication for lovers of flowers and photography alike. 200 illustrations

Flora Photographica: The Flower in Contemporary Photography

Panchaud, Danaé

The sensual curve of the hip. The disturbing pucker of a scar. The magnetic pull of the lashed eye. In this book, William A. Ewing presents an archive of over 360 photographic images of the body - beautiful, bizarre, sometimes brutally revealing - reflecting many years research and selection in museums, libraries and private collections throughout North America, Europe and Japan. Photography has intensified our obsessive attraction to images of the body for at least 150 years. This book reveals a long tradition of photographing the nude, looking at the many different ways it has been depicted in the photographer's art: the full figure nude; the body in fragments; the body as an object of sexual desire and in the realm of dream, fantasy and obsession. Also included are bodies scrutinised by medical and anatomical photographers, and those celebrated by photographers of sport, dance and fashion. Most of the greatest names in photography are represented here: Nadar, Muybridge and Roger Fenton from the earliest days of the medium; later Alfred Stieglitz, Edward Weston, Imogen Cunningham and Man Ray; and from our own time John Coplans, Robert Mapplethorpe, Barbara Kruger, Pierre Radisic and many others. Today, in the age of the supermodel and the super-athlete, consciousness of both the private and the public body has never been greater. From 19th-century erotica to the sexual politics of the 1990s, this book in a special slipcased edition provides a rich archive of bodily forms, male and female, and a record of the camera's infatuation with the human figure. William A. Ewing is a renowned authority in the field of photography. His many books include "The Fugitive Gesture" (1987), "Flora Photographica: Masterpieces of Flower Photography" (1991) and "Breaking Bounds: The Dance Photography of Lois Greenfield" (1992) - all published by Thames and Hudson.

THE BODY /ANGLAIS/ESPAGNOL

The fugitive gesture: Masterpieces of dance photography

A tribute to a major photographic genre's success in capturing in permanent form the most ephemeral of the arts. Over 200 reproduced duotone plates reveal dance in all its aspects - from many countries and periods, from classical ballet to rock and roll - photographed wherever dancers waltz, tango, tap-dance, pirouette, stomp, jive or kick up their heels for joy. The great dancers are here - Nijinsky, Fred Astaire, Pavlova, Fonteyn and Isadora Duncan among other immortals; but so too are the anonymous, captured in a Parisian nightclub or at the Roxy, New York, an Amsterdam street cafe or simply dancing alone by the seashore. The wide range of photographers include Gordon Anthony, Barbara Morgan, Beaton, Degas, Genthe, Steichen, Horst, Man Ray and Helmut Newton. Introductions to each chapter and detailed notes on the photographs provide essential background about the dancers and photographers.

The Fugitive Gesture: Masterpieces of Dance Photography

Images created by magnetic resonance imaging, gamma camera  scans, and endoscopic photography are presented here for the lay reader  along with text that explains the photographic processes and the images  of the human body.

INSIDE INFORMATION

George Hoyningen-Huene was born into the privileged world of the Russian aristocracy at the turn of the century. In Paris, as a refugee from the Revolution, he worked for Vogue, first as an illustrator and then as a supremely successful fashion photographer. Confidently, even imperiously, he created unprecedented images of perfect elegance by means of models, clothes, and, above all, the manipulation of light. Moving in the 1930s to Harper's Bazaar, he extended his range to portraiture and travel, capturing artists, composers, Hollywood stars, and the landscapes of Africa, Greece, Egypt, and Mexico in timeless visions of classical harmony. Two hundred and twenty-five superbly reproduced color and duotone illustrations display the full range of Hoyningen-Huene's talent. They have been chosen by William A. Ewing, Director of the Musee de l'Elysee in Lausanne, who also provides an account of the photographer's career, drawing extensively on his unpublished memoirs. He shows how Hoyningen-Huene's style and techniques were shaped by his aristocratic upbringing, by his collaboration with Man Ray, by his intimate contacts with the artistic milieu of 1920s Paris, and by the influence of the photographers Edward Steichen and Baron de Meyer. Little-known aspects of his life, such as his work in Hollywood as color coordinator for George Cukor, are discussed. The text concludes with a survey of his importance for photographers as diverse and distinguished as Avedon, Penn, and Horst.

The Photographic Art of Hoyningen-Huene

Hoyningen-Huene, George

Individual Artists

A sequel to "The Body", this volume contains over 300 images, discovered during a lifetime's discriminating research into a century and a half of photography. They represent love and desire in all its many forms: the love of parents for their children and vice versa; the love between men and women; between men; between women. There is forbidden love. There is love as a saleable commodity and love as a symbol of absolute generosity. There is love of the body and love of the divine. Sex, affection, adoration, adulation; all these words have their visual equivalents in these images.

Love and Desire : Photoworks

Parenting & Relationships

Chronicle Books+

An album of flower photography that celebrates the glorious beauty and pathos of flowers in all their multifarious forms.

Flora Photographica: Masterpieces of Flower Photography from 1835 to the Present

"Several new books have focused on the portrait, none with as much clarity as Face." —American Photo "Highly recommended for all collections."—Library Journal This groundbreaking publication announces the death of the conventional portrait. In an age when we are bombarded with flawless images of youthful beauty, when rejuvenation is available through a jar of cream or a scalpel, artists and photographers seek to portray the face in new ways. Through a variety of techniques, including computer manipulation, photomontage, and retouching, the artists present their new portraits. They replace clarity with blur, the split-second with the elastic moment, questioning the notion of a fixed identity, of universality of expression, of what constitutes beauty. Whether Cindy Sherman's disquieting disguises, Gillian Wearing's masked self-portrait, LawickMüller's composite portraits of couples, or Orlan's disturbing experiments with cosmetic surgery, these faces demand attention. 260 illustrations, 165 in color.

Face: The New Photographic Portrait

See the best price to sell, buy, or rent books by EWING, William A.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by EWING, William A.