This is the first major exploration of the works of American abstract painter and watercolorist Suzan Frecon (b. 1941), critically acclaimed for her sensitive arrangement of color, form, and texture, and for the philosophical resonance of her art. By restricting herself to nonrepresentational forms, earth-based colors, and, in the case of her watercolors, “found” pieces of paper, Frecon achieves an unequaled sense of balance and openness in her work. The book features ten oil paintings and thirty watercolors dating from the late 1990s to 2007. 
form, color, illumination celebrates the uniqueness of Frecon's painting and articulates how her work distinguishes itself within the history of abstract painting. The authors describe in-depth how her artistic process and materials are an integral part of her focus and aesthetic. Included is an essay revealing the "ethics” of her aesthetics––an argument for abstraction and an attention to truth that is not divorced from social and environmental concerns.

form, color, illumination: Suzan Frecon painting

Arts & Photography

Eckhardt, Sarah

Loock, Ulrich

Helfenstein, Josef

Rinder, Lawrence

Frehner, Matthias

History & Criticism

The Menil Collection

Working Together accompanies the exhibition of African American photography to be presented by the Virginia Museum of Fine Arts in January 2020. Both the exhibition and catalogue draw heavily on the museum’s complete archives of papers and photographs of Virginia artist Louis Draper (1935–2002)—a key founding member, who chronicled the Kamoinge Workshop’s formation and development. Focusing on the collective’s first twenty years, this catalogue includes more than 140 photographs by fourteen of the early members, including Draper, Anthony Barboza, Adger Cowens, Danny Dawson, Al Fennar, Ray Francis, Herman Howard, Jimmie Mannas, Herb Randall, Herb Robinson, Beuford Smith, Ming Smith, Shawn Walker, and Calvin Wilson. The preface by Deborah Willis is followed by essays that explore Draper’s life and work; the history of The Black Photographers Annual; Kamoinge’s position in contemporary studies of the history of photography; the notion of collectivity among African American artists in the 1960s and 1970s; the social and political context of Kamoinge’s formation, with special attention to the civil rights movement and the Black Arts Movement; jazz; and Kamoinge’s influence on contemporary African American photographers. Contributors: Romi Crawford, Erina Duganne, Sarah Eckhardt, Bill Gaskins, John Edwin Mason, Deborah Willis Published by the Virginia Museum of Fine Arts Distributed by Duke University Press

Working Together: Louis Draper and the Kamoinge Workshop

Photography & Video

Duke University Press Books

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Books by Eckhardt, Sarah