Digital imaging and computer technology have come to permeate our daily experience. From graphic images in bank machines to Hollywood movies awash in high-tech special effects, from advanced scientific visualization to personal digital assistants, the electronic image has changed the way our culture perceives itself and receives its information. A technology that is used throughout culture as a tool for communication, documentation, and creativity has placed itself squarely in the center of our lives. Simply stated, the computer is everywhere, having an impact on nearly everything. Copublished with The International Center of Photography, New York.

Iterations: The New Image

Arts & Photography

Druckrey, Timothy

Stainback, Charles

Collections, Catalogs & Exhibitions

Mit Pr

Stelarc is the most celebrated artist in the world working within technology and the visual arts. He is both an artist and a phenomenon, using his body as medium and exhibition space. Working in the interface between the body and the machine, employing virtual reality, robotics, medical instruments, prosthetics, and the Internet, Stelarc's art includes physical acts that don't always look survivable—or, as science fiction novelist William Gibson puts it in his foreword, "sometimes seem to include the possibility of terminality." Stelarc's projects include Third Hand, a grasping and wrist rotating mechanism with a rudimentary sense of touch that is attached to the artist and activated by EMG from other body areas; Amplified Body, in which the artist performs acoustically with his brainwaves, muscles, pulse, and blood flow signals; and the Stomach Sculpture, a device—or "aesthetic adornment"—placed in the artist's stomach and presented through video. Works in progress include the Extra Ear Project, a soft prosthesis of skin and cartilage to be constructed on the artist's arm. Stelarc's work both reflects and determines new directions in performance art and body art. Although there have been hundreds of articles written about Stelarc since he began performing in the late 1960s, Stelarc: The Monograph is the first comprehensive study of Stelarc's work practice in over thirty years. Gathering a range of writers who approach the work from a variety of perspectives, it includes William Gibson's account of his meetings with Stelarc, Arthur and Marilouise Kroker's emphatic "WE ARE ALL STELARCS NOW," and Stelarc himself in conversation with Marquard Smith. Taken together, these writers give us a multiplicity of ways to think about Stelarc.

Stelarc: The Monograph

Jones, Amelia

Kroker, Arthur

Massumi, Brian

Kroker, Marilouise

Goodall,Jane

Stelarc

Individual Artists

Edited by Christoph Brockhaus, Soke Dinkla,

Connected Cities: Processes of Art in the Urban Network

Computers & Technology

Breuning, Olaf

Kluitenberg, Eric

Certification

Hatje Cantz Publishers

Nam June Paik Award.

Maier, Anna

Maier, Erwin

Solange, Farkas

Wyrwoll, Regina

Hatje Cantz Verlag

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