In this groundbreaking inaugural Alchemy Lecture, four vital contemporary thinkers from different disciplines and geographies come together around the theme of Borders, Human Itineraries, and All Our Relation. This year's alchemists are a philosopher, an architect, a poet, and a cultural theorist - each deep and agile thinkers, on the cutting edge of contemporary thought. In their beautiful, insightful, passionate essays they think about the times we live in, the legacies of anti-colonial struggle, the future of the planet, and the textures of Black and Indigenous life. Braided together in this book, the essays speak to each other in multiple ways, creating something more, something deeper: a startling, revealing vision of the world as it is, and as it could be. Accompanied each year by a live on-stage event in partnership with York University, the Alchemy Lecture revolutionizes the form through the transformative interplay of ideas among the alchemists.

Borders, Human Itineraries, and All Our Relation: 2022 (The Alchemy Lecture)

Business & Money

Diaz, Natalie

Walcott, Rinaldo

Yala Kisukidi, Nadia

Adeyemo, Dele

Economics

Knopf Canada

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams.
I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow!
With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars.
The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . 
Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

When My Brother Was an Aztec

Reference

Copper Canyon Press

WHEN MY BROTHER WAS AN AZTEC

Literature & Fiction

Poetry

The creator of Twiniversity delivers the ultimate survival guide for parents of twins The rate of twin births has risen 79 percent over the last three decades, and continues to increase. A mom of fraternal twins and a national guru on having two, Natalie Diaz launched Twiniversity, a supportive website with advice from the twin-trenches. What to Do When You’re Having Two is the definitive how-to guide to parenting twins, covering how to make a Birth Plan checklist, sticking to one sleep schedule, managing double-duty breastfeeding, stocking up on all the necessary gear, building one-on-one relationships with each child, and more. Accessible and informative, What to Do When You’re Having Two is the must-have manual for all parents of twins.

What to Do When You're Having Two: The Twins Survival Guide from Pregnancy Through the First Year

Health, Fitness & Dieting

Women's Health

Avery

Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award
Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages―bodies of language, land, rivers, suffering brothers, enemies, and lovers―be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. 
Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope―in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

Postcolonial Love Poem: Poems

Graywolf Press

Poema de amor poscolonial

Vaso Roto Ediciones

Quand mon frère était un Aztèque / When My Brother Was an Aztec

ED LISIERES

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Books by Diaz, Natalie