Stories of women in the Bible have been interpreted by artists, writers, musicians, filmmakers, and biblical commentators for centuries. However, in many cases, these later interpreters have often adapted and altered the Bible to fit their own view(s) of the stories. Ironically, these later renderings usually serve as the basis for the generally accepted view(s) of biblical women. For example, many readers of the Bible assume that Eve is to blame for the disobedient act in the Garden of Eden, or that Delilah seduced Samson and then cut his hair. A closer look at these assumptions, though, reveals that they are not based on the Bible, but are mediated through the creations of later interpreters. In this book, the author examines eight such women's stories, and shows how later readers interact with the biblical stories to construct sometimes fanciful, sometimes faulty views of these women. Dan Clanton, Jr. broadens our awareness of the influence of these later readings on how we understand biblical women so that we can be more critical in our engagement with them, and become more familiar with what the Bible actually says about the women whose stories it contains.

Daring, Disreputable and Devout: Interpreting the Hebrew Bible's Women in the Arts and Music

Politics & Social Sciences

Dan W. Clanton Jr.

Social Sciences

T&T Clark

God and the Little Grey Cells

Bloomsbury UK

This collection is based on the premise that apocalyptic imagery and themes pervade not only cultural products that employ specifically biblical imagery but are also found in media that do not purport to impart biblical or even religious messages. Comic books and graphic novels are the focus here because, it is suggested, they are the medium that comes the closest to the imaginative malleability found in the history of biblical interpretation. In Part One, the focus is on Indie/Creator-owned works. Emily Laycock demonstrates the overwhelming influence of Herbert W. Armstrong and his apocalyptic Worldwide Church of God on Basil Wolverton's work, especially his biblical art. Aaron Kashtan then introduces us to Kevin Huizenga's short story, 'Jeepers Jacobs', in which the title character-a theologian whose main area of research is the Christian doctrine of Hell-tries to convert an acquaintance with odd and fatal results. In her chapter, Diana Green examines Alan Moore's Promethea, a character whose purpose is to initiate an Apocalypse but whose journey is much more complicated. Finally, A. David Lewis engages humorous and profane examples of apocalyptic imagery in the recent Indie comics Battle Pope and The Chronicles of Wormwood. Part Two examines more mainstream works and begins with Terry Ray Clark's adroit examination of how Kingdom Come utilizes both the functions and forms of ancient apocalyptic literature. Greg Stevenson then analyses a variety of texts- including X-Men: The Age of Apocalypse and issues 666 of Superman and Batman-to discern the way(s) in which the mythological language of apocalyptic and the mythology of superheroes interact. And finally, Greg Garrett provides a broad and thoughtful rumination on the two most widely read mainstream comics that deal with the End of Days: Kingdom Come and Watchmen.

The End Will Be Graphic: Apocalyptic in Comic Books and Graphic Novels (Apocalypse and Popular Culture)

Literature & Fiction

History & Criticism

Sheffield Phoenix Press Ltd.

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Books by Dan W. Clanton Jr.