The work of German artist Eberhard Havekost critiques the proverbial dialogue between painting and photography by establishing a visual language that hovers in the grey space between the two. What is at once apparent in the juxtaposition of these two seemingly disparate media in Havekost's hands is their mutual dependence--despite their differences. Working from personal photographs and found images, Havekost presents iconography that is familiar to all urban and suburban dwellers: bland Modernist structures, featureless landscapes and images of actual and impending violence. The significance of his work lies not in its subject matter, however, but in its execution. His creations are original works, made by hand, but by digital processes too. Published on the occasion of Havekost's first museum showing in the United States.

Eberhard Havekost, 1996-2006: Paintings from the Rubell Family Collection

Arts & Photography

Coetzee, Mark

Dailey, Meghan

Loock, Ulrich

Individual Artists

Rubell Family Collection

This 400-page blockbuster, designed in close consultation with renowned contemporary art collector Charles Saatchi, showcases 250 works—paintings, constructions, sculpture, and photography—by 40 artists from across the U.S.A. This is a new generation of American art; most of the works are less than two years old and focus on artists’ views of world events and America’s place in global society. Artists profiled include Banks Violette, Kelley Walker, Matthew Monahan, Terence Koh, Christoph Schmidberger, Inka Essenhigh, Dash Snow, Josephine Meckseper and many others. Together, in this stunning volume, they offer an astounding, controversial, and wide-ranging collection.

USA Today: New American Art from the Saatchi Gallery

Rosenthal, Norman

Reference

Royal Academy of the Arts

Beautiful Scars

Literature & Fiction

Poetry

Libresco Feeds Private Limited

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Books by Dailey, Meghan