Painters and Public Life in Eighteenth-Century Paris

Describes how eighteenth century open Salon exhibitions by the French Academy encouraged the public view and evaluate art, and explains the influence of this public opinion on the painters of the day

Arts & Photography

Crow, Thomas E.

History & Criticism

Yale Univ Pr

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Nineteenth Century Art: A Critical History

Eisenman, Stephen F.

Thames&Hudson

In art as in music, literature, philosophy, and political economy, the nineteenth century was a period of questioning, experimentation, discovery, and modernization. From Goya to Blake, from David to Delacroix, from Courbet to Cézanne, artists explored the links between perception and history, and in so doing challenged the prevailing definitions of art and the existing order of society. 
First published in 1994, this innovative and groundbreaking survey details the development of a critical perspective in nineteenth-century painting and sculpture. For the revised edition, a new introduction by Stephen F. Eisenman provides a cogent overview of the century, its issues, and its art. Three completely new chapters have been added, which discuss photography and its crucial role in nineteenth-century art; American and German landscape painting and its effect on the growth of romantic nationalism in each country; and Toulouse-Lautrec, whose popular appeal consists both in his work's novel technique and medium and in its exotic sexual perspectives. 
Nineteenth Century Art embraces many aspects of the "new" art history—attention to issues of class and gender, racism, and Eurocentrism—but it also emphasizes the remarkable vitality and subversiveness of the era's best art. Indeed, nineteenth-century artists addressed many of the aesthetic, political, and moral issues that preoccupy audiences and historians today, such as the relationship between popular and elite culture, and the representation of women and non-European peoples in Western art. 
This rich and diverse volume demonstrates that nineteenth-century art remains compelling today because its critical insights have rarely been surpassed. It will prove of interest not only to the specialist but also to anyone fascinated by the art, history, and culture of the era. 428 illustrations, 63 in color.

Nochlin, Linda

Pohl, Frances K.

Phillips, David L.

Lukacher, Brian

History

In art as in music, literature, philosophy, and political economy, the nineteenth century was a period of questioning, experimentation, discovery, and modernization. From Goya to Blake, from David to Delacroix, from Courbet to Cezanne, artists explored the links between perception and history, and in so doing challenged the prevailing definitions of art and the existing order of society. First published in 1994, this innovative and ground-breaking survey details the development of a critical perspective in nineteenth-century painting and sculpture. For the revised edition, a new introduction by Stephen Eisenman provides a cogent overview of the century, its issues, and its art. Three completely new chapters have been added, which discuss photography and its crucial role in nineteenth-century art; American and German landscape painting and its effect on the growth of romantic nationalism in each country; and Toulouse-Lautrec, whose popular appeal consists both in his work's novel technique and medium and in its exotic sexual perspectives. Nineteenth Century Art embraces many aspects of the "new" art historyattention to issues of class and gender, racism, and Eurocentrismbut it also emphasizes the remarkable vitality and subversiveness of the era's best art. Indeed, nineteenth-century artists addressed many of the aesthetic, political, and moral issues that preoccupy audiences and historians today, such as the relationship between popular and elite culture, and the representation of women and non-European peoples in Western art. This rich and diverse volume demonstrates that nineteenth-century art remains compelling today because its critical insights have rarely been surpassed. It will prove of interest not only to the specialist, but to anyone fascinated by the art, history, and culture of the era. 428 illustrations, 63 in color.

Phillips, David Llewellyn

With this book, Thomas Crow contributes a refreshing analysis of the present state of art history, the practice of interpreting art and making it "intelligible." He aims to relocate the discussion of theory and method in art history away from models borrowed from other disciplines by presenting what he considers three of the most successful and challenging works in the literature of art history: Meyer Schapiro on the Romanesque portal sculpture of the abbey church of Sainte Marie in the French town of Souillac, Claude Levi-Strauss on the Native American masks of the Northwest Coast, and Michael Baxandall on the limewood sculptors of Renaissance Germany. Sketching the history of trends in art history--from description and biography, to more recent social-historical methods, to the latest wave of postmodernist approaches--Crow sets out a course that affirms the rich and valuable tools of language and methodology developed by generations of art historians while recognizing the important contribution of recent theory in raising the interpretive stakes. The Intelligence of Art offers nothing less than a concrete new way to grasp the infinitely complex operations of human intelligence in artistic form.

The Intelligence of Art (Bettie Allison Rand Lectures in Art History)

Univ of North Carolina Pr

Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections, organized by the Los Angeles County Museum of Art (LACMA), is the first large-scale exhibition of the Broads' achievement, presenting more than 100 works of art from these two significant collections. The show highlights American artists whose paintings, sculptures, and photographs the Broads have acquired in depth, among them Andy Warhol, Jean-Michel Basquiat, Roy Lichtenstein, Cindy Sherman, and Cy Twombly, Johns, Koons, and the Los Angeles artists John Baldessari, Sharon Lockhart, Charles Ray, Ed Ruscha, and Robert Therrien. German artists such as George Baselitz and Anselm Kiefer are also represented. Together, these works form an invaluable record of the artistic achievements of the past forty years. This catalogue, published in conjunction with the exhibition, illustrates the objects in the exhibition as well as several related works from the Broad collections. The accompanying texts include an interview with Eli and Edythe Broad by exhibition curators Stephanie Barron and Lynn Zelevansky, as well as essays by art historians Thomas Crow, Sabine Eckmann, Joanne Heyler, and Pepe Karmel, which place the works in critical and historical context.

Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections

Karmel, Pepe

Zelevanksy, Lynn

Collections, Catalogs & Exhibitions

Harry N. Abrams

The most recent body of work by the popular American artist to focus on his highly inventive interpretation of space travel, published for the first time.\nPublished to accompany exhibitions simultaneously in New York and Palm Beach, the book follows the interdisciplinary show that centers around the theme of spaceships by the artist Tom Sachs (b. 1966), both with representations of spaceships and rockets in sculptural and painted forms, and more indirect references that relate either formally or conceptually to the idea of the spaceship in our society. A sculpture of a Hoover vacuum suggests the vacuum of space; a bricolage rendition of Sachs’ favorite record player recalls the form of a spaceship; and a work relating to the Titanic suggests the idea of transporting between realms. Other works more directly represent spaceships and relate to Sachs’ space program, which has been of central importance to his work over the past decade and a half.\nThe book follows Sachs’ immersive, participatory installations on the theme of space, most recently at the Deichtorhallen in Hamburg. Last August, Sachs launched his Rocket Factory, a genre-defying project that brought NFTs into the physical realm by launching fully assembled replicas of NFT rockets (one of which took place at LACMA in 2021) and then making paintings after component and assembled rockets.

Tom Sachs: Spaceships

Pinchbeck, Daniel

Rizzoli

Luncheons on the Grass: Reimagining Manet's Le Déjeuner Sur L'Herbe

Deitch, Jeffrey

D’Souza, Aruna

Molarsky-Beck, Marina

Rizzoli Electa

Slim volume, unpaginated (38 pages) with 20 illustrations 16 in color. Tan Wraps. Published on the occasion of the exhibition from the Craig F. Starr Gallery, New York NY April 4-May 23, 2014. Checklist.

Robert Rauschenberg. The Fulton Street Studio, 1953 - 54

Craig F. Starr Gallery

Historia crítica del arte del siglo XIX (Arte Y Estetica) (Spanish Edition)

Ediciones Akal

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