Art was my dearest friend. To draw was trouble and safety, adventure and freedom. In that four-cornered kingdom of paper, I lived as I pleased. This is the story of a girl and her sketchbook.
In language that is fresh, visceral, and deeply moving—and illustrations that are irreverent and gorgeous—here is a memoir that will change the way you think about art, sex, politics, and survival in our times.
From a young age, Molly Crabapple had the eye of an artist and the spirit of a radical. After a restless childhood on New York's Long Island, she left America to see Europe and the Near East, a young artist plunging into unfamiliar cultures, notebook always in hand, drawing what she observed.
Returning to New York City after 9/11 to study art, she posed nude for sketch artists and sketchy photographers, danced burlesque, and modeled for the world famous Suicide Girls. Frustrated with the academy and the conventional art world, she eventually landed a post as house artist at Simon Hammerstein's legendary nightclub The Box, the epicenter of decadent Manhattan nightlife before the financial crisis of 2008. There she had a ringside seat for the pitched battle between the bankers of Wall Street and the entertainers who walked among them—a scandalous, drug-fueled circus of mutual exploitation that she captured in her tart and knowing illustrations. Then, after the crash, a wave of protest movements—from student demonstrations in London to Occupy Wall Street in her own backyard—led Molly to turn her talents to a new form of witness journalism, reporting from places such as Guantanamo, Syria, Rikers Island, and the labor camps of Abu Dhabi. Using both words and artwork to shed light on the darker corners of American empire, she has swiftly become one of the most original and galvanizing voices on the cultural stage.
Now, with the same blend of honesty, fierce insight, and indelible imagery that is her signature, Molly offers her own story: an unforgettable memoir of artistic exploration, political awakening, and personal transformation.

Drawing Blood

Crabapple, Molly

Humor & Entertainment

Harper

Art was my dearest friend. To draw was trouble and safety, adventure and freedom. In that four-cornered kingdom of paper, I lived as I pleased. This is the story of a girl and her sketchbook.
In language that is fresh, vis

A bracingly immediate memoir by a young man coming of age during the Syrian war, an intimate lens on the century’s bloodiest conflict, and a profound meditation on kinship, home, and freedom. A NEW YORK TIMES NOTABLE BOOK • LONGLISTED FOR THE NATIONAL BOOK AWARD • “This powerful memoir, illuminated with Molly Crabapple’s extraordinary art, provides a rare lens through which we can see a region in deadly conflict.”—Bryan Stevenson, author of Just Mercy In 2011, Marwan Hisham and his two friends—fellow working-class college students Nael and Tareq—joined the first protests of the Arab Spring in Syria, in response to a recent massacre. Arm-in-arm they marched, poured Coca-Cola into one another’s eyes to blunt the effects of tear gas, ran from the security forces, and cursed the country’s president, Bashar al-Assad. It was ecstasy. A long-bottled revolution was finally erupting, and freedom from a brutal dictator seemed, at last, imminent. Five years later, the three young friends were scattered: one now an Islamist revolutionary, another dead at the hands of government soldiers, and the last, Marwan, now a journalist in Turkish exile, trying to find a way back to a homeland reduced to rubble. Marwan was there to witness and document firsthand the Syrian war, from its inception to the present. He watched from the rooftops as regime warplanes bombed soldiers; as revolutionary activist groups, for a few dreamy days, spray-painted hope on Raqqa; as his friends died or threw in their lot with Islamist fighters. He became a journalist by courageously tweeting out news from a city under siege by ISIS, the Russians, and the Americans all at once. He saw the country that ran through his veins—the country that held his hopes, dreams, and fears—be destroyed in front of him, and eventually joined the relentless stream of refugees risking their lives to escape. Illustrated with more than eighty ink drawings by Molly Crabapple that bring to life the beauty and chaos, Brothers of the Gun offers a ground-level reflection on the Syrian revolution—and how it bled into international catastrophe and global war. This is a story of pragmatism and idealism, impossible violence and repression, and, even in the midst of war, profound acts of courage, creativity, and hope. “A book of startling emotional power and intellectual depth.”—Pankaj Mishra, author of Age of Anger and From the Ruins of Empire “A revelatory and necessary read on one of the most destructive wars of our time.”—Angela Davis

Brothers of the Gun: A Memoir of the Syrian War

Biographies & Memoirs

Hisham, Marwan

Historical

One World

Strange Tales

At long last, the wait is over! Marvel is proud to present the debut of this hotly anticipated anthology showcasing Marvel's greatest characters re-imagined by the best and brightest talents working in independent comics today. Don't miss what's sure to be one of the most exciting collections of comics short stories ever produced! Every issue stars a stunning array of the best, most exciting cartoonists on the planet - showcasing the Marvel Heroes as you've never seen them before! Featuring the long awaited Peter Bagge "Incorrigible Hulk!" Collects Startling Stories: The Megalomaniacal Spider-Man, Hulk vs. the Rain, and Diary of the Hulk.

Comics & Graphic Novels

Bagge, Peter

Pope, Paul

Leavitt, John

Graphic Novels

Marvel Enterprises

From a young age, Molly Crabapple had the eye of an artist and the spirit of a radical. After a restless childhood on New York's Long Island, she left America to see Europe and the Near East, a young artist plunging into unfamiliar cultures, notebook always in hand, drawing what she observed.Returning to New York City after 9/11 to study art, she posed nude for sketch artists and sketchy photographers, danced burlesque, and modeled for the world famous Suicide Girls. Frustrated with the academy and the conventional art world, she eventually landed a post as house artist at Simon Hammerstein's legendary nightclub The Box, the epicenter of decadent Manhattan nightlife before the financial crisis of 2008. Then, after the crash, a wave of protest movements-from student demonstrations in London to Occupy Wall Street in her own backyard-led Molly to turn her talents to a new form of witness journalism, reporting from places such as Guantanamo, Syria, Rikers Island, and the labor camps of Abu Dhabi. Using both words and artwork to shed light on the darker corners of American empire, she has swiftly become one of the most original and galvanizing voices on the cultural stage.

Arts & Photography

Individual Artists

Tantor Audio

<ul><li>In the tradition of the acclaimed and groundbreaking anthology, Flight, the ACT-I-VATE Primer showcases a wide array of stories and talent —18 innovative creators, 16 intriguing properties, one beautiful book — and all-new, never-before-seen stories and art!</li></ul>

Act – I – vate Primer

Dawson, Mike

Haspiel, Dean

Bertozzi, Nick

Hamilton, Tim

Langridge, Roger

Farinas, Ulises

Fiffe, Michel

Fraser, Simon

Cavallaro, Michael

Purvis, Leland

Infurnari, Joe

IDW Publishing

Occupy Comics: Art + Stories Inspired by Occupy Wall Street

Allred, Mike

DENNING, GUY

Wea Corp

Writers from Alice Walker to Michael Ondaatje to Claire Messud share their thoughts on one of the most vital gatherings of writers and readers in the world.
The Palestine Festival of Literature was established in 2008 by authors Ahdaf Soueif, Brigid Keenan, Victoria Brittain and Omar Robert Hamilton. Bringing writers to Palestine from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power."
 Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems, and sketches from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations.
 Contributing authors include J. M. Coetzee, China Miéville, Alice Walker, Geoff Dyer, Claire Messud, Henning Mankell, Michael Ondaatje, Kamila Shamsie, Michael Palin, Deborah Moggach, Mohammed Hanif, Gillian Slovo, Adam Foulds, Susan Abulhawa, Ahdaf Soueif, Jeremy Harding, Brigid Keenan, Rachel Holmes, Suad Amiry, Gary Younge, Jamal Mahjoub, Molly Crabapple, Najwan Darwish, Nathalie Handal, Omar Robert Hamilton, Pankaj Mishra, Raja Shehadeh, Selma Dabbagh, William Sutcliffe, Atef Abu Saif, Yasmin El-Rifae, Sabrina Mahfouz, Alaa Abd El Fattah, Mercedes Kemp, Ru Freeman.

This Is Not a Border: Reportage & Reflection from the Palestine Festival of Literature

Holmes, Rachel

SHAMSIE, Kamila

DYER, Geoff

Achebe, Chinua

Brittain, Victoria

SPALDING, Linda

Mishra, Pankaj

PALIN, Michael

Darwish, Mahmoud

Ondaatje, Michael

Hanif, Mohammed

Horner, John

Hammad, Suheir

Foulds, Adam

Mahfouz, Sabrina

Karmi, Ghada

SLOVO, Gillian

COLE, Teju

Abulhawa, Susan

Pavlić, Ed

Kanazi, Remi

Freeman, Ru

Kricorian, Nancy

Mahjoub, Jamal

Handal, Nathalie

Darwish, Najwan

Harding, Jeremy

Saif, Atef Abu

Kemp, Mercedes

El-Rifae, Yasmin

Keenan, Bridget

Dabbagh, Selma

Bseiso, Jehan

El-Khairy, Omar

Musleh, Maath

Muiz

COETZEE,J.M.

Shehadeh, Raja.

Sutcliffe, William

Amiry, Suad.

WALKER,Alice

MANKELL, HENNING

MOGGACH, Deborah

Mieville,China

MESSUD, Claire

Bloomsbury USA

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