A striking accompaniment to the 2014 biennial exhibition, which presents the perspectives of three innovative guest curators The Whitney Biennial, the Museum’s signature exhibition, has charted some of the most exciting new work in contemporary art since it was first introduced in 1932. Three guest curators—Stuart Comer, Anthony Elms, and Michelle Grabner—offer diverse views of contemporary art today. Whitney Biennial 2014 serves as a record of this historic exhibition, featuring the work of almost 100 artists working in a variety of media, including painting, sculpture, photography, film, dance, and performance. Divided into three distinct sections presenting each curator’s unique perspective, this superb resource features specially commissioned texts alongside curatorial essays and unique visual content prepared by the Biennial participants.

Whitney Biennial 2014

Arts & Photography

Comer, Stuart

Elms, Anthony

Grabner, Michelle

History & Criticism

The Whitney Museum of American Art

David Hockney, one of the world’s greatest living artists, is creating some of the most significant work of his long career, painting the landscape and changing seasons of his native Yorkshire. These large, colorful works are the capstone of his engagement with nature, not only in England but also in the American Southwest, through the media of painting and photography. This book, the catalog of the first major Hockney museum exhibition in many years, offers a glorious view of the landscape as seen by the artist, and it includes not only his recent paintings but also his iPhone and iPad drawings. Essays by leading art historians—as well as a more literary piece by novelist Margaret Drabble and Hockney’s own reflections on his recent work—explore Hockney’s art from various perspectives.

David Hockney: A Bigger Picture

Barringer, Tim

Gayford, Martin

LIVINGSTONE, Marco

Salomon, Xavier

DRABBLE, Margaret

Individual Artists

Harry N. Abrams

Developed in close collaboration with the artist, this vivid book captures the movement and pace of Charles Atlas’s celebrated and highly collaborative time-based art. Looking back at a career that has spanned four decades, this beautiful volume profiles over 75 projects by Charles Atlas―including works recently exhibited at Tate Modern and the 2012 Whitney Biennial. As one of the first artists to explore the possibilities of video as a genre of expression, and especially through his long-lasting collaboration with Merce Cunningham, Atlas has teamed with numerous dancers and artists to create projects that range from feature-length documentaries to shorter media works, transforming the way performance is viewed by its audiences and the art world. In this inventive publication, Atlas’s own commentary accompanies exquisite images that capture the structure and flow of his work in film, video, dance, and performance. The volume also includes interviews between Atlas and a number of writers and collaborators who have played a critical role in the development and reception of his oeuvre, as well as an array of fascinating ephemera from the artist’s personal archives.

Charles Atlas

Crimp, Douglas

DUNN, Douglas

Atlas, Charles

Gangitano, Lia

Prestel USA

Lebanese artist Akram Zaatari (born 1966) uses a range of photographs, videos, films and documentary material to explore gender roles and expectations in the Arab world. The title The Uneasy Subject refers specifically to issues of the body in the Middle East but its ambiguity also addresses the artist's broader investigation into the nature of individual versus collective action.

Akram Zaatari: The Uneasy Subject

Westmoreland, Mark

Aliaga, Juan Vicente

Photography & Video

Charta/MUAC/MUSAC

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Books by Comer, Stuart