Continuing the tradition of the Everyman Art library, combining learned yet lively text by acknowledged scholars in the field withhigh quality illustrations in colour throughout. Pre-Raphaelite art is par excellence the art of Mid-Victorian Britain and this reappraisal fills an important void within available scholarship on the subject. By adopting a thematic approach, Tim Barringer navigates a course from analysis of key pictures to their significance within the complex cultural and social matrix of Victorian Britain. Individual chapters provide core concepts for understanding the Pre-Raphalite engagement with medieval revivalism, nature worship, issues of class and gender and the reconciliation of the religious image and realism in the 19th century ; these chapters are also enlivened by telling biographical information where it is significant for the meaning of an image.

The Pre-Raphaelites

Barringer, Tim

Arts & Photography

Weidenfeld Nicolson Illustrated

This lavishly illustrated book provides a fresh appraisal of the Pre-Raphaelite artists of mid-Victorian England and their radical departure from artistic conventions. Tim Barringer explores the meanings encoded in Pre-Raphaelite paintings and finds a dynamic energy that arises from paradoxes at the heart of the movement, between past and present, historicism and modernity, and symbolism and realism.

Reading the Pre-Raphaelites

History & Criticism

Yale University Press

For artists of the increasingly mechanized Victorian age, questions about the meaning and value of labour presented a series of urgent problems: Is work a moral obligation or a religious duty? Must labour be the preserve of men alone? Does the amount of work bestowed on a painting affect its value? Should art celebrate wholesome rural work or reveal the degradations of the industrial workplace? In this highly original book, Tim Barringer considers how artists and theorists addressed these questions and what their solutions reveal about Victorian society and culture. Based on extensive new research, Men at Work offers a compelling study of the image as a means of exploring the relationship between labour and art in Victorian Britain. Barringer arrives at a major reinterpretation of the art and culture of nineteenth-century Britain and its empire as well as new readings of such key figures as Ford Madox Brown and John Ruskin.

Men at Work: Art and Labour in Victorian Britain

Paul Mellon Centre

Noted for its vivid colors, elaborate use of symbols, and dedication to close observation of the natural world, the work of Pre-Raphaelite artists combines a deep engagement with the past and a modern realism that exemplifies the concerns of the age of steam travel. In Reading the Pre-Raphaelites, author Tim Barringer draws on an imaginative selection of paintings, drawings, and photographs to suggest that the dynamic energy of Pre-Raphaelitism arose out of the paradoxes at its heart. Past and present, historicism and modernity, symbolism and realism, as well as the tensions between city and country, men and women, worker and capitalist, colonizer and colonized all make appearances within Pre-Raphaelite art. By focusing on these issues, Barringer draws together the strands of revisionist thought on the Pre-Raphaelites and provides a range of stimulating new interpretations of their work.
Beautifully illustrated, the revised edition of this authoritative survey traces the history of the Pre-Raphaelite movement, and includes new sections on photography as well as a revised introduction and bibliography.

<div>A wide-ranging study of the painted panorama's influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.</div>

On the Viewing Platform: The Panorama between Canvas and Screen

Trumpener, Katie

The Pre-Raphaelite Brotherhood shook the mid-19th-century art world. Effectively Britain’s first modern art movement, the Brotherhood combined rebellion and revivalism, scientific precision, and imaginative grandeur. Today, the works of the Pre-Raphaelites are among the best known of all English paintings, and yet they have often been dismissed or misunderstood as Victoriana or escapism. This fascinating book convincingly corrects that view, examining works in a wide variety of media and demonstrating the broad scope of the movement’s revolutionary ideas about art, design, and society.
Led by Dante Gabriel Rossetti, William Holman Hunt, and John Everett Millais, the Pre-Raphaelites’ unflinchingly radical style, inspired by the purity of early Renaissance painting, defied convention, provoked critics, and entranced audiences. Many of their most famous paintings are featured, including Millais’s Ophelia and Ford Madox Brown’s The Last of England. This book also includes sculpture, photography, and the applied arts, the last of which shows the important role the Brotherhood played in the early development of the Arts and Crafts movement and the socialist ideas of the poet, designer, and theorist William Morris.

Pre-Raphaelites: Victorian Art and Design

Smith, Alison

Rosenfeld, Jason

Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole’s own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole’s formulation of a profound new category in art—the American sublime.

Picturesque and Sublime: Thomas Cole's Trans-Atlantic Inheritance

Forrester, Gillian

Raab, Jennifer

Individual Artists

An illuminating look at how the Pre-Raphaelite movement was embraced by a group of vanguard American artists Bringing together insights from a distinguished group of scholars, this beautiful book analyzes the history and historiography of the American Pre-Raphaelites, and how the movement made its way from England to America. Led by Thomas Charles Farrer—an English expatriate and acolyte of the hugely influential English critic John Ruskin—the American Pre-Raphaelite artists followed Ruskin’s dictum to depict nature close up and with great fidelity. Many members of the group (including Farrer, who served in the Union army during the American Civil War) were also abolitionists, and several created works with a rich political subtext. Featuring the work of artists such as Fidelia Bridges, Henry and Thomas Charles Farrer, Charles Herbert Moore, Henry Roderick Newman, and William Trost Richards, this generously illustrated volume is filled with insightful essays that explore the influence of Ruskin on the American artists, the role of watercolor and photography in their work, symbolism and veiled references to the Civil War, and much more.

The American Pre-Raphaelites: Radical Realists

Anderson, Nancy K.

Mitchell, Mark D.

Ferber, Linda S.

Gallati, Barbara Dayer

Lynford, Sophie

Simon, Janice

Waggoner, Diane

Colonialism and the Object: Empire, Material Culture and the Museum (Museum Meanings)

Drawing together intensive case studies from an international group of scholars, the editors explore the impact of colonial contact with other cultures on the material culture of both the colonized and the imperial nation.

Flynn, Tom

Reference

Routledge

The painters who came to be known as the Hudson River School--Thomas Cole, Asher B. Durand, Frederic Edwin Church, Jasper Cropsey, Sanford Robinson Gifford, and others--found inspiration in our young country's natural wonders and were the first to paint many of its still-wild vistas. As America was settled and the wilderness receded, their successors--most notably Albert Bierstadt and Thomas Moran--carried their quest for the sublime to the Far West, communicating its breathtaking grandeur in brilliant views of Rocky Mountain peaks, roaring waterfalls, and vast canyons. Within a single generation these artists established the dramatic approach to American landscape painting that is celebrated in this stirringly beautiful book. The freshness of their vision, the intensity of their invention, and the energy of their execution were all born of the urgency these artists sensed in the life of America itself.
 Published to accompany a major transatlantic exhibition, American Sublime rejoices in America the Beautiful as seen in some of the country's most glorious landscape paintings. It contains a fully illustrated catalogue of all the paintings in the exhibition, with more than one hundred color plates, including three gatefolds. Biographies of the artists are included, and thoughtful and elegantly written essays cast new light on their ambitions and achievements. The lucid text places American landscape painting in the context of the international art world and of the European landscape tradition. And it explores ideas of national identity and empire in America, looking in particular at how these landscapes, whether real or imagined, reflect Americans' hopes and fears for their country.
 As a tribute to some of our most important American artists and the land that inspired them, this stunningly illustrated book will have a deep and wide appeal.

American Sublime: Landscape Painting in the United States 1820-1880

WILTON, Andrew

Princeton University Press

See the best price to sell, buy, or rent books by Barringer, Tim. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Barringer, Tim

See the best price to sell, buy, or rent books by Barringer, Tim. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Pre-Raphaelites

Reading the Pre-Raphaelites

Men at Work: Art and Labour in Victorian Britain

Reading the Pre-Raphaelites

On the Viewing Platform: The Panorama between Canvas and Screen

Pre-Raphaelites: Victorian Art and Design

Picturesque and Sublime: Thomas Cole's Trans-Atlantic Inheritance

The American Pre-Raphaelites: Radical Realists

Colonialism and the Object: Empire, Material Culture and the Museum (Museum Meanings)

American Sublime: Landscape Painting in the United States 1820-1880