Umberto Boccioni (1882–1916) is a model of the spirit and flavor of Futurism—militant, exuberant, actively taking part in the social and political events of the turbulent times in which he lived. His manifestos and his powerfully sensuous visualizations exemplify the nature and the pertinence of the Futurist contribution to modern art. Along with F. T. Marinetti, Giacomo Balla, Carlo Carra, Luigi Russolo, and Gino Severini, Boccioni played a leading role in the development and practice of Futurist ideas and art. During his brief life he made seminal contributions through his writings, paintings, sculptures, drawings, and engravings.  Futurism burst forth with impassioned energy in Italy during the years immediately preceding World War I. Rejecting past idealism and scorning contemporary culture and society, the proponents of this major art movement shaped a forceful and revolutionary rhetoric that became the basis for their dynamic art, which conveys the frenetic and colorful motions of urban life. Throughout the course of the twentieth century, Futurism has been largely dismissed in favor of the Cubism concurrently developed in Paris. Yet the Futurist concepts set forth as early as 1910 have been of consequence in many areas of subsequent avant-garde art, both for their championing of the anti-past, pro-technological present and for the resulting art that injects Cubist formal elements with a lively, worldly, urban content.  This publication presents an overview of Boccioni's unique accomplishments; it includes both a comprehensive survey of his art and of his writings, a number of which appear here for the first time in English. It documents the first retrospective exhibition of Boccioni's art in the United States. His fields of whirling action demonstrate that the period standardly termed the Cubist epoch could, with equal justice, be termed the Futurist era, in acknowledgment of the vanguard movement in Italy. [This book was originally published in 1988 and has gone out of print. This edition is a print-on-demand version of the original book.]

Umberto Boccioni

Arts & Photography

Coen, Ester

Individual Artists

Metropolitan Museum of Art

This book looks back through the Liberty archives as it explores the strong influence of early twentieth-century avant-garde art on Liberty’s fabric designs. 
Liberty is renowned internationally for its fabrics, especially its floral patterns, but it also has a long history of developing bold, geometric designs. Many of these were inspired by early twentieth-century avant-garde art, notably by Italian Futurists, such as Giacomo Balla and Umberto Boccioni, and their English contemporaries the Vorticists, including Christopher Nevinson and Edward Wadsworth. 
In anticipation of Liberty’s 150th anniversary, renowned couturier and interior designer Federico Forquet has curated a striking new range of fabrics―the FuturLiberty Collection―that carries Liberty’s creative heritage into our own age. 
The Futurist and Vorticist art that lies behind the new designs is explored by specialists Ester Coen and Richard Cork, while archivist Anna Buruma examines Liberty’s rich history of avant-garde designs. By illuminating the process by which the FuturLiberty Collection came into being, this highly visual study also reveals how art can inform design, making it contemporary, relevant, and engaging. 179 color illustrations

FuturLiberty: Liberty Fabrics and the Avant-Garde

CORK, Richard

Decorative Arts & Design

Thames&Hudson

Traces the life and career of the Italian artist, discusses his connection to the Futurist movement, and looks at his paintings, drawings, and sculpture

Distributed by H.N. Abrams

Boccioni

Calvesi, Maurizio

Edizioni Electa

Enzo Cucchi was a key member of the Italian transavanguardia movement in the eighties which was part of a larger neo-expressionist trend. This catalog celebrates the work of a man who is among the most recognizable Italian artists on the contemporary scene. Collected here are over 100 paintings and drawings from the late seventies to today and held in major institutions such as the Museum of Modern Art and the Guggenheim in New York, the Beaubourg in Paris, the Louisiana Museum for Moderne Kunst in Humleb#65533;k, and the Stedelijk in Amsterdam (among many others). They offer a highly detailed overview of Cucchi from his official debut on the international art scene onwards, allowing an appreciation of the extraordinary variety and richness of his work.

Enzo Cucchi

Reference

Skira

Known primarily for his association with the Arte Povera movement, Giulio Paolini is distinguished by practices that belong to a more strictly Conceptual context. Citation, duplication and fragmentation are among the main features of his modus operandi. This small volume features recent and historical works.

Giulio Paolini

Ottani Cavina, Anna

Damiani

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