A new retrospective of the work of trailblazing artist Barbara Chase-Riboud\nBarbara Chase-Riboud is a bestselling novelist, an award-winning poet, and a renowned visual artist whose sculpture and drawings are in museum collections around the world. Among her best-known sculptural work is the Malcolm X series of flowing cast bronze forms combined with braided fiber elements. Barbara Chase-Riboud Monumentale traces this pioneering artist’s remarkable career from the 1950s to the present, providing the most comprehensive account of her important body of work to date.\nThe book features both celebrated and never-before-seen artworks that highlight Chase-Riboud’s groundbreaking contributions to contemporary sculpture. In addition to some forty sculptures, the book presents nearly twenty works on paper, a selection of Chase-Riboud’s poetry, and excerpts from an interview with the artist.\nExploring the many different aspects of Chase-Riboud’s artistic practice, Barbara Chase-Riboud Monumentale provides unprecedented insights into her meditations on form, memory, and monument, while revealing the rich array of inspiration she has drawn from global art history and literature.\nPublished in association with the Pulitzer Arts Foundation\nExhibition Schedule 
Pulitzer Arts Foundation, St. Louis 
September 16, 2022–February 5, 2023

Barbara Chase-Riboud Monumentale: The Bronzes

Arts & Photography

Martin, Courtney J.

Cherix, Christophe

Tommasino, Akili

Weissberg, Stephanie

History & Criticism

Princeton University Press

During the 1960s and 70s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world, including Stanley Brouwn, Gilbert &amp; George, Sol LeWitt, Charlotte Posenenske, Allen Ruppersberg and Lawrence Weiner. Reciprocally, some of the most influential Dutch artists traveled abroad extensively before establishing themselves in Amsterdam: Jan Dibbets studied in London, while Ger van Elk and Bas Jan Ader trained in Los Angeles. As a result of this new mobility, a dynamic cross-pollination of ideas and influences took place between artists of different nationalities, and many produced works directly related to the notion of travel and the city that fostered them. In &amp; Out of Amsterdam presents more than 120 works--including works on paper, installations, photographs and films--by artists who were part of this remarkable creative culture. Essays, accompanied by lively illustrations and documentary photographs, illuminate the significance of these works as well as the unprecedented role that prints, bulletins, posters, mail art, artists' books and ephemera played in the artists' discourse. A brief essay or interview introduces each artist, and an extensive chronology, bibliography and illustrated checklist round out this unique volume.

In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976

Chaffee, Cathleen

Rattemeyer, Christian

van den Bossche, Phillip

Dippel, Rini

Feldman, Paula

The Museum of Modern Art, New York

If painting was for Matisse the expression of a "state of condensed sensations," his engravings consisted of "Traits Essentiels" or "essential lines:" they were recordings of a single sensation, and rarely passed through any series of stages or reworkings. In fact, engraving was a refuge. Marguerite Duthuit-Matisse, co-author of a catalogue raisonné of her father's prints, describes the graphic work he often executed at the end of a painting session as an "agreeable conclusion." After several experiments with drypoint, Matisse turned toward woodcut in 1906 (and gave it up almost immediately), then worked simultaneously in monotype and etching, where he achieved an astonishing tension between surface and line. Later, he turned to linocut and to sugarlift aquatint. It is on these projects that the selection in Traits Essentiels focuses: Lithography, which Matisse practiced from 1906 to 1952, and with which he was less experimental, is excluded. Text in French only.

Henri Matisse: Traits Essentiels: Monotypes 1906-1952

Julliard, Mayte

Individual Artists

Walther König, Köln

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