Eye on a Century celebrates a cornerstone of the Yale University Art Gallery's holdings: the Charles B. Benenson Collection of Modern and Contemporary Art. This major bequest includes works by a veritable pantheon of modern and contemporary artists—among them Jean-Michel Basquiat, Stuart Davis, Fernand Léger, Joan Miró, James Rosenquist, and David Smith. The catalogue provides exciting new scholarship on some of the collection's most significant objects, including works by Alexander Calder, Kurt Schwitters, and Pablo Picasso, alongside lesser-known works, by artists such as Alicia Penalba, David Wojnarowicz, and Martin Wong, several of which have never before been published. The introduction, which examines the context of Benenson's collecting, is followed by more than fifty catalogue entries and an illustrated checklist of the complete collection.

Eye on a Century: Modern and Contemporary Art from the Charles B. Benenson Collection at the Yale University Art Gallery

Arts & Photography

Chaffee, Cathleen

History & Criticism

Yale University Art Gallery

The most comprehensive book on the work of Liza Lou, whose popular and critically acclaimed installations made entirely of beads consider the important themes of women, community, and the valorization of labor.\nLiza Lou first gained attention in 1996 when her room-sized sculpture Kitchen was shown at the New Museum in New York. Representing five years of individual labor, this groundbreaking work subverted standards of art by introducing glass beads as a fine art material. The project blurred the rigid boundary between fine art and craft, and established Lou's long-standing exploration of materiality, process, and beauty. Working within a craft métier has led the artist to work in a variety of socially engaged settings, from community groups in Los Angeles, to a collective she founded in Durban, South Africa. Over the past fifteen years, Lou has focused on a poetic approach to abstraction as a way to highlight the process underlying her work.\nIn this comprehensive volume that considers the entirety of Lou’s singular vision, curators, art historians, and artists offer important perspectives on the breadth of the work.

Liza Lou

Bryan-Wilson, Julia

Adamson, Glenn

Sherman, Elisabeth

Individual Artists

Rizzoli Electa

During the 1960s and 70s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world, including Stanley Brouwn, Gilbert &amp; George, Sol LeWitt, Charlotte Posenenske, Allen Ruppersberg and Lawrence Weiner. Reciprocally, some of the most influential Dutch artists traveled abroad extensively before establishing themselves in Amsterdam: Jan Dibbets studied in London, while Ger van Elk and Bas Jan Ader trained in Los Angeles. As a result of this new mobility, a dynamic cross-pollination of ideas and influences took place between artists of different nationalities, and many produced works directly related to the notion of travel and the city that fostered them. In &amp; Out of Amsterdam presents more than 120 works--including works on paper, installations, photographs and films--by artists who were part of this remarkable creative culture. Essays, accompanied by lively illustrations and documentary photographs, illuminate the significance of these works as well as the unprecedented role that prints, bulletins, posters, mail art, artists' books and ephemera played in the artists' discourse. A brief essay or interview introduces each artist, and an extensive chronology, bibliography and illustrated checklist round out this unique volume.

In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976

Rattemeyer, Christian

van den Bossche, Phillip

Cherix, Christophe

Dippel, Rini

Feldman, Paula

The Museum of Modern Art, New York

Drawing Modern illustrates major pieces by some of the twentieth century’s most important artists, including Louise Bourgeois, Arshile Gorky, Eva Hesse, Jasper Johns, Ellsworth Kelly, Paul Klee, Roy Lichtenstein, Brice Marden, Bruce Nauman, and Cy Twombly. Works by a younger generation of artists are also included, among them William Kentridge, Gabriel Orozco, and Rosemary Trockel. Drawn from the extensive private collection of Agnes Gund, president of the Museum of Modern Art in New York, the works on paper collected here represent a panoramic view of the major developments in American art from Abstract Expressionism onward. 
This remarkable group of drawings evinces an inclusive and pluralistic vision, comprising an unusual variety of media and styles, even as they are clearly grounded in a high-modernist aesthetic, and invested in the notion of the art object as an autonomous, organic whole. The abstraction characteristic of this work enables a complex personal, and even emotional, engagement. As Ms. Gund herself puts it, in her Foreword to the volume, "An especially well-rendered work makes my heart sing and my stomach get the squishy feeling of falling in love."

Drawing Modern: Works from the Agnes Gund Collection

Foster, Carter E.

Grove, Jeffrey D.

Cable, Patrick Shaw

Graphic Design

Cleveland Museum of Art

Marley Freeman

Wade, Francesca

Myles, Eileen

Nzinga Greaves, Adjua Gargi

Karma

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