A new volume in Photofile, an accessible and affordable photography series
Photographer William Klein was born in New York City in 1928. After enlisting in the army he was stationed in Germany and then France, where he would later settle permanently. His interest in art began with abstract painting and shifted to photography in the early 1950s as he began his career in fashion photography with Vogue magazine. He gained notoriety for his ambivalent and ironic approach to fashion photography and can be credited as one of the founding fathers of street photography. He directed such satirical films as Who Are You, Polly Maggoo?, as well as documentary shorts and features. This latest volume in the Photofile series assembles the experimental, unforgettable moments captured by William Klein in one accessible volume.
The Photofile series brings together the best work of the world’s greatest photographers in an attractive format and at an affordable price. Handsome and collectible, the books are produced at the highest quality. Each volume contains some sixty full-page reproductions, a critical introduction, and a full bibliography. The series was awarded the first annual prize for distinguished photographic books by the International Center of Photography. 66 duotone illustrations, 5 in color

William Klein (Photofile)

Arts & Photography

Caujolle, Christian

Photography & Video

Thames&Hudson

This book is the first to feature the work of the Brazilian photographer Alair de Oliveira Gomes (1921-1992). A philosopher, art critic, and university professor, he was in his fifties when he began to develop a body of photographic work that focused almost exclusively on athletic young men on the beach at Rio de Janeiro. This tireless collector of books, pictures, and films transformed the thousands of pages of his diaries into an immense erotic tableau of black-and-white photographs devoted to the beauty of the male physique. Photographs covertly taken on the beach, or with a telephoto zoom lens from the window of his apartment, were extensively reworked and ordered in carefully constructed sequences. This group of photographs, now preserved at the National Library of Rio, constitutes one of the most original photographic works of the last thirty years. 150 illustrations.

Alair Gomes

Cavalcanti, Lauro

Coelho, Maria Claudia

Herkenhoff, Paulo

Individual Artists

Joan Fontcuberta (b.1955) became a photographer in the 1970s. Coming from the tradition of Spanish Surrealism, he creates elaborate photographic hoaxes that challenge and provoke, forcing us to re-examine the relationship between photography and reality. The only reliable information a photograph can tell us, Foncuberta believes, is that it is just that - a photograph. 
Other artists in this series include: Eugene Atget, Mathew Brady, Wynn Bullock, Julia Margaret Cameron, David Goldblatt, Nan Goldin, Graciela Iturbide, Andre Kertesz, Dorothea Lange, Mary Ellen Mark, Joel Meyerowitz, Boris Mikhailov, Lisette Model, Laszlo Moholy-Nagy, Eadweard Muybridge, Eugene Richards, W. Eugene Smith, Shomei Tomatsu, Joel-Peter Witkin

Joan Fontcuberta (Phaidon 55s)

Phaidon Press

A comprehensive reference traces the history of photography from the invention of the daguerreotype in 1829 to the breakthroughs in digital photography today, covering such key themes as portraits, still lifes, photojournalism, and NASA images while exploring the ways that the use of pictures has influenced public perspectives. 12,500 first printing.

The Abrams Encyclopedia of Photography

Bajac, Quentin

Harry N. Abrams

This paperback edition of the bestselling and award-winning survey, Things as They Are presents the story of photojournalism over 50 years, from 1955 until today. It takes us from the golden era of the illustrated press--the heyday of Life and Picture Post magazines and the moment of The Museum of Modern Art's defining Family of Man exhibition--to the explosion of digital media in the twenty-first century. This history is told through the presentation of 125 photojournalistic features shot and published around the world. The stories are presented in context--reproduced from the pages of the newspapers and magazines where they originally appeared, as their contemporary public would have experienced them. In this way, Things as They Are reveals how the events of the world, the fine art of photography, and the interests of publishers and the press converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography--and a changing world. Includes landmark photo-essays by W. Eugene Smith, Sebastião Salgado, Mary Ellen Mark and James Nachtwey, among others, each accompanied by expert commentary.

Things As They Are: Photojournalism in Context Since 1955

Panzer, Mary

Aperture

The collapse of Russian communism in 1991 resounded to the shudder of an empire. Soviet imperialism and empiricism was dead and lands, nations, and peoples would henceforth be free from the tyranny of the communist diktat. But it also sounded the death knell of a small, impoverished, and forgotten land-locked state in the Caucasus which had the misfortune to be of geopolitical importance. Stanley Greene's photographs in Open Wound are so powerful as to make Chechnya our responsibility. He is unashamed to use guilt, with his painter's eye, to relate the deeds of men in Chechnya to our own conduct.

Open Wound: Chechnya 1994-2003

Glucksmann, Andrè

Greene, Stanley

Trolley Books

Christer Strömholm: Photo Poche n°106

Strömholm, Christer

Actes-sud

Agence VU' galerie: Photo Poche n°107

COLLECTIF

Bolloch, Joëlle

Circonstances Particulières... Histoires

Literature & Fiction

Literary

Circonstances Particulières: Souvenirs

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Books by Caujolle, Christian