The most comprehensive monograph in print on this provocative artist, who has helped to redefine contemporary art
This thorough, multifaceted assessment of Raymond Pettibon's entire career to date includes nearly 700 images, contributions from important figures in the art-historical and cultural fields, and a recent interview with the artist. Beginning with childhood drawings, the book moves through to his mature work, which embraces both high and low culture.

Raymond Pettibon: A Pen of All Work

Arts & Photography

Gioni, Massimiliano

Carrion-Murayari, Gary

History & Criticism

Phaidon Press

The official catalogue for the 2018 New Museum Triennial, a global survey of today's up-and-coming artists
In 2018, the New Museum in New York presents its fourth Triennial, the museum’s signature survey of emerging artists from around the world. Curated by Gary Carrion-Murayari and Alex Gartenfeld, this edition of the much-anticipated exhibition - and the fully illustrated catalogue that accompanies it - features work by 26 artists and collectives from 19 countries, exploring a range of artistic practices. Though distinct in their approaches, these artists are connected by their deep engagement with their local context and a critical examination - and embrace - of the sense of internationalism that defines our time.

Songs for Sabotage: New Museum 2018 Triennial

Gartenfeld, Alex

Collections, Catalogs & Exhibitions

Over the past two decades, Ellen Gallagher (born 1965) has created a body of work exploring notions of materiality, history and language. In her early paintings, Gallagher dispersed fields of repeated bulging lips and eyes--borrowed from the imagery of minstrel performances--on gridlike backgrounds of penmanship paper. She continued to incorporate historical material in subsequent works, most famously using midcentury advertisements for African-American beauty products from Ebony magazine and other publications of the period, abstracting portraits of models with yellow Plasticine, oil paint, pencil marks and incisions. For the first major New York museum exhibition of her work at New Museum, Gallagher produced a series of new paintings that both extend her formal and thematic interests and mark a radical new development. Each of the pieces consists of tendril-like formations incised into layers of paint. This complex series is featured in this catalogue along with a booklet of her work from 1993–2009.

Ellen Gallagher: Don't Axe Me (NEW MUSEUM)

Individual Artists

New Museum

This catalog is the first monographic publication to survey the work of London-based artist John Akomfrah (born 1957) and accompanies his upcoming New Museum exhibition. Since the early 1980s, Akomfrah's moving image works have offered some of the most rigorous and expansive reflections on the culture of the black diaspora. Zoe Whitley and Aram Moshayedi survey Akomfrah's early work as part of Black Audio Film Collective. Tina Campt explores the sonic resonances of Akomfrah's installation The Unfinished Conversation (2012), which focuses on the life of cultural theorist Stuart Hall. Diana Nawi examines the recent work Transfigured Night (2013/2018), considering how Akomfrah continues to find new languages for film, representation and narrative. T.J. Demos and Okwui Enwezor look at Vertigo Sea (2015), Akomfrah's monumental work exploring the concept of the black Atlantic, using the work to articulate the visual and philosophical underpinnings of Akomfrah's work across his career.

John Akomfrah

ENWEZOR, Okwui

Nawi, Diana

Whitley, Zoé

Moshayedi, Aram

Akomfrah, John

Campt, Tina

Demos, T.J.

Mopadevi, Srivinas Aditya

New York-based, Italian-born artist Rudolf Stingel radically questions contemporary painting through his use of unusual materials like carpet, aluminum insulation paneling and Styrofoam. For example, for his 1991 New York debut at Daniel Newburg Gallery, Stingel exhibited a bright orange rug in the otherwise empty space. Conceived by Stingel, and photographed and designed under his direction, this volume presents images from Stingel's 2007 solo exhibitions at the Museum of Contemporary Art in Chicago and the Whitney Museum of American Art in New York, with work spanning the last 20 years of his career. A highlight of each show was the entry gallery, clad in silver aluminum insulation paneling and lit by a crystal chandelier. Over the course of the exhibition, visitors inscribed all manner of graffiti on the surface, creating an amazing network of scrawls, scratches and patterns. Also included are Stingel's photorealist self-portraits and smaller Styrofoam pieces, among other works.

Rudolf Stingel: MCA Chicago/Whitney New York

Reference

Hatje Cantz

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Books by Carrion-Murayari, Gary