Avant-Garde British Printmaking, 1914-1960

Arts & Photography

Griffiths, Antony

Carey, Frances

Collections, Catalogs & Exhibitions

Dover Pubns

<p>From Manet To Toulouse-Lautrec: French Lithographs 1860-1900</p>

From Manet to Toulouse-Lautrec: French lithographs, 1860-1900 : catalogue of an exhibition at the Department of Prints and Drawings in the British Museum, 1978

British Museum Publications

British Museum Press, 1978. Paperback. (FL)

This study, the first devoted primarily to the non-commercial printmaking of the period, begins with the earliest abstract prints by artists such as edward Wadsworth and David Bomberg, ranged alongside others who brought on the vision of the desolation of the First World War. The text also discusses the monotypes and etchings of the 1940s and 1950s. With a contribution by Stephen Coppel. With over 230 black-and-white and 16 color images. 240 pages. stiff paper wrappers. 4to..

Avant-garde British printmaking, 1914-1960

Crafts, Hobbies & Home

Crafts & Hobbies

Published for the Trustees of the British Museum by British Museum Publications

Goethe's lifetime (1749-1832) was a period of extraordinary importance in the history of German printmaking. From a style which had been strongly derivative of French and Dutch prototypes, German printmakers evolved a distinctive approach of their own. Etching remained the principal vehicle of the period but the invention of lithography introduced another medium which was explored with great subtlety by German artists. Over 200 works by nearly 70 artists are described in this illustrated catalogue, showing the great richness and diversity of production and examining the way in which patronage and the print market operated at the time.

German Printmaking in the Age of Goethe

British Museum Pubns Ltd

The Tree Meaning and Myth /anglais

Reference

BRITISH MUSEUM

Sculptors' Drawings and Works on Paper

Sculpture

Pangolin London

This is a beautifully illustrated book celebrating the significance of trees throughout history and across the globe, looking at their place in nature, fiction, belief and art. Trees - actual, mythical and metaphorical - are at the heart of mankind's relationship with the natural and supernatural world, a relationship that serves as a powerful index of both ecological and spiritual well-being. The Tree: Meaning and Myth is beautifully illustrated with an incredible range of art and artefacts offering a wide-ranging cross-cultural approach to the subject. We encounter the Egyptian tree goddess Hathor dispensing sustenance in the afterlife; the mighty oak sacred to Zeus; Adam and Eve alongside the tree of the knowledge of good and evil; the Buddha under the bodhi tree of enlightenment; Rembrandt's celebrated etching The Three Trees; and trees in modern art. Profiles of twenty-five trees arranged alphabetically are complemented by a wonderfully diverse selection of images. A sample of the trees featured include Baobab, Birch, Eucalyptus, Olive, Poplar, Oak, and Cocoa. 200 colour illustrations showcase an incredible range of art and artefacts, from Egyptian wall paintings, to ancient Greek vases and jewellery, Indian temple sculptures, Japanese woodcuts, Indonesian shadow puppets, British watercolours and a twenty-first-century tree of life from Mozambique.

The Tree: Meaning and Myth

Painting

Lund Humphries

<ul>
<li>An elegant catalog showcasing theillustrations and prints of Nikolai Astrup</li>
<li>Astrup is a well-loved Norwegian painter,uniquely able to capture the spirit of his home</li>
<li>Published to accompany an exhibition at theDulwich Picture Gallery, London from February to May 2016</li>
</ul>A pioneering painter and print-maker, Nikolai Astrup(1880-1928) spent his life capturing the landscapes of his home in WesternNorway, imbuing his work with mysticism and an enigmatic symbolic content. Thefirst UK exhibition of his work will run at the Dulwich Picture Gallery fromFebruary to May 2016. Over 90 oil paintings and prints will explore the breadthand depth of Astrup's unique artistic practice, shining a spotlight on of oneof Norway's most renowned artists of the twentieth century.<br>Frances Carey is an independent curator and consultant whowas formerly Deputy Keeper of Prints and Drawings and Head of NationalProgrammes at the British Museum. She has published on the history of art andculture from the eighteenth century to the present day. Ian A.C. Dejardin isthe Sackler Director of Dulwich Picture Gallery, London. He graduated with aMaster (Hons) in History of Art from Edinburgh University; appointed Curator atDulwich in 1997, he became the gallery's Director in 2005 and since then haspresided over a varied and international exhibition program. MaryAnne Stevensis an independent art historian and curator who has previously worked at theRoyal Academy of Arts, London, as Director of Academic Affairs, before servingas Acting Secretary for three years. She has been published extensively, andcurated or co-curated many major international exhibitions, including Manet:Portraying Life and Jean-Etienne Liotard.

Painting Norway: Nikolai Astrup 1880-1928

Stevens, MaryAnne

Dejardin, Ian

Scala Arts Publishers, Inc.

Gathers the sketches the British sculptor made of people finding shelter in the Underground railway stations during the Blitz

Henry Moore: A Shelter Sketchbook

MOORE, Henry

Prestel Pub

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