Beneath an apparant celebration of social integration, Lums Signs - for a motel, a restaurant, a hairdressers - expose the ramifications of the systematic displacement of peoples. They mime the real signs found in those working class areas on the edge of any city and often populated by people from some of the most devastated parts of the world.  Seducing the viewer by their festive air, Lum's signs textual charge ignites a discourse that is at once universal (globalization and mass migrations) and personal (individual lives and ethnicity). But Lum raises doubts and seems to leave them unresolved. Are the signs real or fictional? The views are real, but whose are they - and who are they for? With 30 color illustrations.

Ken Lum

Arts & Photography

Boersma, Linda

Wall, Jeff

Individual Artists

Winnipeg Art Gallery

<p>In 1915, Kazimir Malevich (1878–1935) radically transformed the course of twentieth-century art with his "Black Square" painting and his manifesto "From Cubism to Suprematism." These works espoused a new art of pure geometricism, intended to be universally comprehensible regardless of cultural origin. Although he is famed for his rigorous pursuit of the "non-objective," Malevich in fact explored many strands of painting, embracing at various stages Impressionism, Symbolism, Fauvism and Cubism, as well as traditional Russian folk art. Drawing on the collections of Nikolai Khardzhiev and Georges Costakis--the two leading collectors of Russian avant-garde art, whose collections were largely assembled at a time when abstract art was banned in the Soviet Union--this catalogue traces the breadth of Malevich’s career through his oil paintings, gouaches, drawings, sculptures and designs for opera and film. All phases of his development are represented here, from his early Impressionist-style work to his iconic Suprematist pieces, as well as his lesser-known figurative paintings and works on paper. These are contextualized alongside work by Malevich’s contemporaries, such as Marc Chagall, Wassily Kandinsky, Natalia Goncharova, Vera Pester, Ivan Puni and Mikhail Meno.</p>

Kazimir Malevich and the Russian Avant-Garde: Featuring Selections from the Khardziev and Costakis Collections

Rutten, Bart

Shatskikh, Aleksandra

History & Criticism

Walther König, Köln/Stedelijk Museum Amsterdam

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Books by Boersma, Linda