<p>Bruce Head has been a leading Canadian painter and designer for more than fifty years. This first monograph looks at his artistic career in the context of his experimentation and innovation with materials. An innovator of the so-called ink graphic in the 1950s, Head gradually moved toward a painterly and lyrical approach to organic abstraction. Making a radical departure in the 1960s, Head punctured canvases, stretched canvases over film reels and sewed and collaged canvases to create elegant and surprising results. Throughout, Head has enjoyed a practice as a designer and has consistently blurred the boundaries of printmaking, sculpture, sewing, design and painting. Two scholarly essays provide a rich understanding of Head’s contribution to the last fifty years of Canadian art history.</p>

Head Space: Five Deacdes of Bruce Head

Arts & Photography

Patricia E. Bovey

History & Criticism

Winnipeg Art Gallery

Sheila Spence: Pictures of Me

MARY REID

Winnipeg Art Gallery: Guide To The Collections

The Winnipeg Art Gallery has some of the most important collections in North America, specifically in modern Inuit art and ancient Asian art. This generously illustrated publication provides an overview of these and other collections with essays by experts in the field. Stephen D. Borys is the director of the Gallery.

Stephen D. Borys

Collections, Catalogs & Exhibitions

<p>The Winnipeg Art Gallery has some of the most important collections in North America, specifically in modern Inuit art and ancient Asian art. This generously illustrated publication provides an overview of these and other collections with essays by experts in the field. Stephen D. Borys is the director of the Gallery.</p>

Kiugak Ashoona has the longest artistic career of any living Cape Dorset artist and is one of the most recognized Inuit artists in the world today. Born in 1933 and son renowned Inuit artist Pitseolak Ashoona, Kiugak Ashoona began his own prodigious artistic career as a child while living at a camp on the land. In the beginning his subjects and style were realistic but, after marriage into a powerful Shaman’s family, this soon changed. Since the late 1950s, Ashoona’s sculptures and drawings have been infused with an awareness of Inuit mythology and shamanism. Today his work is celebrated for its dramatic power and formal beauty. This first retrospective monograph contains a study of Kiugak Ashoona’s original drawings as well as interviews conducted with the artist and is extensively illustrated.

Kiugak Ashoona: Stories and Imaginings from Cape Dorset

Routledge, Marie

Wight, Darlene Coward

Dali Up Close

Kear, Andrew

Ivan Eyre: Recent Paintings and Sculpture

Eckhardt, Ferdinand

Individual Artists

Frontiers of our dreams: Quebec painting in the 1940's and 1950's

Catalog for an exhibition at the Winnipeg Art Gallery documenting Eskimo art, culture & clothing.

The Inuit Amautik: I Like My Hood to Be Full

Swinton, George

Driscoll, Bernadette

Inuit Myths, Legends & Songs

Politics & Social Sciences

Social Sciences

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Books by Winnipeg Art Gallery