The first-ever compilation of the most innovative design magazine of the 1960s and 1970s. Launched in 1961, Abitare is considered by some to be the Wallpaper* magazine of its day: the source of all things hip, important, and avant-garde, as well as must-know information and must-have objects, many of which have become design classics fifty years later. This important compilation brings together the very best of the Abitare universe: the most noteworthy design developments of the last fifty years, with emphasis on the 1960s and 1970s. Abitare was founded to cover the growing influence of Italian design but also to gather the most interesting trends worldwide, from the mod fashion in London, and the rise of alternative lifestyles in New York and San Francisco, to the development of industrial design in Milan. Classic articles from Abitare are reproduced in full, with their original English and Italian texts, while new essays by noted writers and past editors reflect on the influence of this trailblazing magazine.

Abitare: 50 Years of Design: The Best of Architecture, Interiors, Photography, Travel, and Trends 1961-2011

Arts & Photography

Antonelli, Paola

Boeri, Stefano

Mendini, Alessandro

Lupi, Italo

Decorative Arts & Design

Rizzoli

Designed and built in only 15 months, the restructuring of the former Arsenale at La Maddalena in Sardinia,  was initiated with the purpose of hosting the 2009 G8 Summit, the scope of work included reclaiming and rebuilding an abandoned and contaminated site of 155 thousand square meters.  The convention centre is composed series of business and recreational buildings that transformed the area into one of the major nautical hubs of the western Mediterranean. An entirely new port was completed with infrastructure for sailing, tourism, and nautical training. This book presents this extraordinary feat, narrating the collective endeavors of the architects, engineers, developers, technicians, contractors, government officials and the over 1,600 workers that worked round the clock to complete a project dedicated to the rebirth and economic development.

The Maddalena Effect: An Architectural Affair

Travel

KOOLHAAS, Rem

Bertolaso, Guido

Food, Lodging & Transportation

During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Pierre Huyghe, Jorge Pardo, Philippe Parreno and Rirkrit Tiravanija--a many-sided conversation that helped shape the cultural landscape of the 1990s and beyond.

Theanyspacewhatever

Foster, Hal

Blom, Ina

Von Hantelmann, Dorothea

BOURRIAUD, NICOLAS

Bonami, Francesco

King, Emily

Gioni, Massimiliano

Hoffmann, Jens

Iles, Chrissie

Birnbaum, Daniel

Govan, Michael

Avgikos, Jan

Joseph, Branden

Falguières, Patricia

Douroux, Xavier

Föll, Heike

Lange, Christy

Archer, Michael

History & Criticism

Guggenheim Museum Publications

Green Obsession traces the long path that architect Stefano Boeri and his studio - Stefano Boeri Architetti - have followed in the last fifteen years of practice, aiming at the redefinition of the relationship between city and nature. The book follows a discursive thread, alternating dialogues and scientific essays by some of the main protagonists who have contributed to widening the perspective on this subject, helping to raise awareness while protecting the world and its biodiversity. Cities have contributed for centuries to the promotion of some of humanity's greatest ideas, we must now urgently include them as among the principal players in the environmental debate and at the forefront of any policy tackling and countering - possibly reversing - climate change. Nevertheless, even today one of the most significant technologies capable of absorbing CO2 and restoring our environment is photosynthesis. Planting trees, in addition to protecting existing natural areas and biodiversity, together with de-carbonization, renewable energies, digitalization, smart mobility and the circular economy could be the set of strategies necessary to tackle climate change. Today the effects of the Anthropocene age are ever more visible, changing our environment and affecting every species that lives within it. Green Obsession offers a path to be taken, a hard but still necessary paradigm shift - even for architecture and urbanism - that aims to give a voice to this much needed ecological transition. This book aims to unveil the processes and the complexity involved in the search for a new kind of urbanism, while raising questions and opening old wounds related to the relationship between the human species and Nature and finally putting these fragments together to create a portrait of our era. We need to conceive cities as new green catalysts. Now more than ever, it is essential to act together as separate individuals and professionals, joining the cause as members of the global community with a shared environmental strategy. We all have to open the era of a new alliance between Nature and City. With Contributions from Emanuele Coccia, Jane Goodall, Paul Hawken, Cecil Konijnendijk, David Miller, Harini Nagendra, Giuseppe Sala and Giorgio Vacchiano.

Green Obsession: Trees Towards Cities, Humans Towards Forests

Science & Math

Boeri Architetti, Stefano

Invernizzi, Fiamma Colette

De Marco, Maria Lucrezia

Marchetti, Simone

Paoli, Sofia

Chiara Pastore, Maria Chiara

Pimentel, Luis

Shamir, Livia

Earth Sciences

Actar

Recently democracy has been the watchword for a range of disparate, yet apparently convergent contestations and negotiations within the global order. Democracy Unrealized, detailing the results of Platform1, the first of four conferences held in conjunction with Documenta 11, presents a context within which the interpretive and conceptual regimes surrounding democracy can be reargued against the claims of a neoliberal ideology. From this globalist viewpoint, democracy described as an unfinished project requires no structural changes, for it is complete in all its foundational features, requiring only small technical adjustments and minor tinkering. This is how the main Western democracies have seen themselves--at best as "incomplete implementations" of equality and justice, rather than as limited, flawed, dead-ended, and problematic. In response to this presumption, this book proceeds from the idea that realizing democracy is partly a matter of bringing to light what liberal democracy has promised but failed to deliver. The emphasis here is on the potential for revision, a reevaluation of values, and the extension and creative transformation necessary to keep in step with 21st-century globalizing processes. This is democracy as an ever open, essentially unfinishable project that in principle has fallen short of its ideals.

Democracy Unrealized: Documenta 11_Platform1

Ghez, Susanne

Architecture

Hatje Cantz Publishers

Book by Basilico, Gabriele, Boeri, Stefano

Italy: Cross Sections of a Country

Basilico, Gabriele

Individual Artists

Scalo Verlag Ac

2G Nº62 STEFANO BOERI (English and Spanish Edition)

Lootsma, Bart

Muratov, Alexei

Editorial Gustavo Gili, S.L.

Mutations (French Edition)

OBRIST, Hans-Ulrich

Kwinter, Sanford

Fabricius, Daniela

Tazi, Nadia

EDITORIAL ACTAR

Principally working with salvaged materials, Cherokee Jimmie Durham--poet, writer and visual artist--makes tongue-in-cheek assaults on the enduring colonial foundations which are firmly anchored to the base of Western culture. Durham, an activist in the American Indian movement in the 1970s, can sum up his artistic and political process in his will to "be so surgically specific it becomes universal." This small-format, compact publication presents more than 100 images of Durham's installations, which are enhanced by a series of essays by critics and essayists on the themes surrounding his work.

Jimmie Durham

Charta/Fondazione Antonio Ratti

Born in 1934 in Naples--where he still lives and works--Mimmo Jodice has been at the top of his profession, one of the great Italian masters of photography, for more than 45 years. This volume celebrates Jodice's architectural work, uniting his portraits of eight world capitals into a kind of self-portrait. Four of the cities have been the subjects of previous titles: Paris: City of Light; Inlands: A Vision of Boston; São Paulo and La città invisibile: Nuove vedute di Napoli; and four are new to print, including Rome, Moscow, Tokyo and New York. When Jodice's Medeterranean appeared, which includes some Rome images, the architecture critic Herbert Muschamp observed of it in the New York Times that "Mr. Jodice depicts a mythical place a romantic intertwining of wholeness and solitude: the oceanic sensation of merger between a self and its surroundings." That impression of unity is as strong--if not as relaxing--in his contemporary urban landscapes as in his ancient ones. With text from Stefano Boeri of Domus magazine and an interview with Hans Ulrich Obrist. Jodice's previous books, in addition to those above, include Light, Eden and Tempo Interiore.

Mimmo Jodice: Visible Cities

GRAVAGNUOLO, Benedetto

Charta

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Books by Boeri, Stefano