The catalogue for the 1990 Biennale of Sydney. 512 pages.

The readymade boomerang: Certain relations in 20th century art : Art Gallery of New South Wales, Bond Stores 3/4, Millers Point, 11 April-3 June 1990

Block, René

Biennale of Sydney]

<p>Born of necessity in 1961, fathered by George Maciunas and mothered by the rejection of high art and commerical values, the anti-art Fluxus movement is here recorded with encyclopedic thoroughness. With historical essays by Fluxus artists including George Brecht, Robert Filliou, Dick Higgins, Allan Kaprow, Per Kirkeby, Yoko Ono, Nam June Paik and Maciunas, and critical passages by Arthur Danto, Joan Rothfuss, and others, this book questions what it asks, in true Fluxus fashion.</p>

What's Fluxus? What's Not! Why.

Arts & Photography

Berger, Tobias

History & Criticism

Centro Cultural/Banco do Brasil

Perhaps no single technology has defined the postwar world as much as the automobile. The automobile has shaped our physical landscape--our personal, geographical and atmospheric space--as well as our mental world. Since the 1960s, artist Wolf Vostell has been addressing the automobile--as design object, as modern icon, and as an invention capable of shaping and altering the world around it--in ''auto-sculptures'' and performances. Vostell--Automobile documents Vostell's career over the past 40 years, from his early, Pop-influenced work, to his auto-sculptures, auto-happenings and auto-installations, as well as object-pictures like Zyklus Mania and his Project for a new flag for the German Republic, a proposal for a new flag that would reflect the autmobilization and mechanization of modern life.

Vostell Automobile

Flagge, Ingeborg

Merkert, Jorn

Vostell, Wolf

Garcia, Jose Antonio Agundez

Rico, Pablo J.

Individual Artists

Wasmuth

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