The English

Arts & Photography

Berry, Ian

Photography & Video

Allen Lane.

British Image 2

Morris, Dennis

Koudelka, Josef

Killip, Chris

Luskacova, Marketa

British Arts Council

“This collection of Walker's astonishing tableaux dramatizes black-white interactions via horrifically accurate imaginings of one-on-one encounters–encounters that, in their microcosms of exploitation and mutual dependency, seem to speak directly to current forms of black-white relations.” –Publishers Weekly

Kara Walker: Narratives of a Negress

Reinhardt, Mark

English, Darby

Patterson, Vivian

History & Criticism

Rizzoli

Essays by Deborah Rothschild, Tony Oursler, Mike Kelley, Constance DeJong, Ian Berry, and Laura Heon. Interview by Elizabeth Janus. Foreword by Linda Shearer. Introjection marks the first mid-career survey of the internationally recognized video artist Tony Oursler. Plumbing popular and punk culture for the twisted icons that structure our collective unconscious, Oursler creates fragmentary images and scenes that might belong to the hallucinations of a delinquent adolescent on a bad trip. The viewer is left to imagine what ungodly narrative was frozen in time to create such surreal, but somehow uncomfortably familiar, mayhem. Though darkly humorous, his work, known to most for his use of sculptural rag dolls onto which he projects the video image of a human face, delves deeply into the question of how the twinned forces of sex and violence, gender and power function in our culture. This catalogue traces the evolution of Oursler's career from early single channel videos through his current mixed-media installations and experiments in digital media. Combining sculpture, video, performance, and text, Oursler's work addresses complex contemporary issues with empathy, insight, and wit. Also included are four critical essays, two interviews, an essay by the artist as well as a comprehensive exhibition history and bibliography. "Oursler's spectral characters exhibit the unidimensional persona of the crazed or possessed. Narcissistically fixated by the glare that animates them, they take on hallucinatory appearances reminiscent of phantoms, poltergeists, grotesques and ghouls, the archetypal protagonists not only of nightmares but of the modern genres of horror and their timeless predecessors, folk tales: all sanctioned collective repositories for the repressed and suppressed." Lynne Cooke, Parkett

Introjection: Tony Oursler Mid-Career Survey

KELLEY, MIKE

DeJong, Constance

Rothschild, Deborah

Oursler, Tony

Rothschild, Deborah Menaker

Individual Artists

Williams College Museum of Art

Immersed in the desires of poetry and the vocabulary of contemporary art, Jonathan Seliger makes brightly colored paintings that are stretched, folded and glued to form recognizable everyday objects such as envelopes, shopping bags, and pillows. Includes a dialogue between the artist and the Tang curator, Ian Berry and a detailed exhibition history and bibliography.

Jonathan Seliger, Floor Model

Frances Young Tang Teaching Museum and Art Gallery

This catalogue contrasts the turn of the century photographic and ethnographic record of the American Indian as a "disappearing race" by Edward Curtis with new artwork by six contemporary Native artists. Artists; Marcus Amerman, Judith Lowry, James Luna, Shelley Niro, Nora Naranjo-Morse and Bently Spang. Includes a foreward by W.Richard West, essays by Jill Sweet, Katherine Hauser, and Barry Pritzker, interviews with the artists by Ian Berry, and responses by Skidmore College students. Hardcover, 2002, 128 pages.

Staging the Indian: The Politics of Representation

Pritzker, Barry

Sweet, Jill Drayson

Hauser, Katherine Jane

Bakery counter cakes, gleaming wedding dresses, and meticulously painted hors d'oeuvre platters shine from Jacquette's glossy enamel-on-wood pop paintings and her most recent large scale gridded canvasses. Desire and memory are found within her focused look at middle class Americana and its cultural reproduction through advertising. Her coupling of suggestive texts with "innocent" cream-puff pastries and her idealized visions of the trappings of traditional weddings unmask the sometimes uncomfortable cultural attitudes towards gender and longing.

Julia Jacquette: I Dreamt

This book contains proven steps and strategies on how to unleash your creative potential and transform creative ideas into an actual reality. Learn how to think out of the box, using this ability as an advantage in the face of competition. Discover how to put your creative thinking skills to good use, learning how to be both flexible and imaginative. Here Is A Preview Of What You'll Learn... • What is creativity? • How to think out the box • How are creativity and intelligence related • How to develop creative thinking skills • How to build motivation • The connection between creativity and confidence • The importance of risk taking • How to be an original • How to transform your creative ideas into an actual reality • Creativity boosters • Much, much more!

Creativity: Your Practical Guide To Think Out Of The Box, Become a Genius And Gain Confidence

Self-Help

Creativity

CreateSpace Independent Publishing Platform

Motocross On-Air covers the complete series of races from their inception in 1963 to the end of the series in 1970. There is a full description of how motocross got started on the TV, the people and characters involved  -  including the ever popular Murray Walker - and considerable detail on the TV aspects. Each and every race is described in detail in a way which fully reflects the challenge, excitement and fun of the racing itself. All the results, compelling stories about the leading riders, and some of the best motocross photos ever taken are all included.  But Motocross On-Air also highlights some of the more compelling aspects of the popular culture of the day from the new and different TV programmes hitting the nation's screens to the Beatles and the moon landing! A real walk down memory lane. Motocross On-Air has over 200 of the most compelling motocross photos ever taken, most published here for the first time, and all taken by the top professional photographers of the day. The photos alone make this book a compelling read. The Grandstand Trophy, awarded to the champions in both the 250cc and 500cc/750cc classes every year from 1963 until 1970 was, next to winning the National Championship, by far the most prestigious motocross competition. It gave both riders and the motorcycle manufacturers the oxygen of publicity! The Grandstand Trophy attracted the best racers of the day including Jeff Smith, Dave Bickers, Chris Horsfield, Vic Eastwood, The Rickman brothers, Dave Nicoll, Arthur Lampkin, John  Banks, Alan Clough and many more who all shine through these pages. They in turn mesmerised and inspired a generation of youngsters with their skill and courage into a lifelong interest in motocross.

Motocross On-Air: The BBC Grandstand Trophy 1963-1970

Panther Publishing Ltd

Complex explosions of colour and line, swirling patterns, and collages made of natural objects are signature elements of Tomaselli's work. His large-scale assemblage paintings, often built onto wooden surfaces and later varnished, are rich creations laced with historic and cultural references. They invite close viewing and this beautiful large-format volume allows readers to study in brilliant detail the intricacies of each piece. In addition to full reproductions, there are also illustrations of details magnified to reveal the paintings' texture that is so critical to Tomaselli's technique. An interview with the artist provides enriching background while essays by the authors as well as the prominent art historian Linda Norden offer insight into the context and themes of this fascinating American artist. An excerpt from an unpublished work by bestselling writer David Shields, who is an ardent fan of Fred Tomaselli, rounds off this volume.

Fred Tomaselli

Zuckerman Jacobson, H.

Prestel

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Books by Berry, Ian