South African artist William Kentridge (b. 1955) has produced an outstanding body of work in multiple mediums―drawings, animations, sculptures, theater and stage design―all of which trace the fraught political and cultural history of South Africa. This book is the first to explore Kentridge’s extraordinary new series of seventeen large-scale tapestries, created under his artistic direction by a team of South African weavers between 2001 and 2007. The tapestries depict shadowy figures that resonate with his collages of itinerant characters set against the weblike backgrounds of 19th-century maps of Europe and Johannesburg. 
A distinguished group of authors relate the tapestries to the rest of Kentridge’s multifaceted oeuvre, underline the centrality of drawing in his practice, and illuminate the connection between the tapestries and South African geography and history. Together they contribute to an understanding of Kentridge’s tapestries as a precise critical examination of issues surrounding memory and conflict in the context of societies that, while rife with violence, strive for peace and reconciliation.

William Kentridge: Tapestries

Arts & Photography

VLADISLAVIC, Ivan

ENWEZOR, Okwui

Basualdo, Carlos

Guercio, Gabriele

History & Criticism

Yale University Press

Product Description \nAn innovative retrospective look at the work of one of America’s most iconic artists, utilizing the concepts of mirroring and doubling, which have long preoccupied Johns\nJasper Johns (b. 1930) is arguably the most influential artist living today. Over the past 65 years, he has produced a radical and varied body of work marked by constant reinvention. Inspired by the artist’s long-standing fascination with mirroring and doubles, this book provides an original and exciting perspective on Johns’s work and its continued relevance. \nA diverse group of curators, academics, artists, and writers offer a series of essays—including many paired texts—that consider aspects of the artist’s work, such as recurring motifs, explorations of place, and use of a wide array of media. These include Carroll Dunham on nightmares, Ruth Fine on monotypes and working proofs, Michio Hayashi on Japan, Terrance Hayes on flags, and Colm Toíbín on dreams, among many others. The various themes are further explored in a series of in-depth plate sections that combine prints, drawings, paintings, and sculptures to draw new connections in Johns’s vast output. Accompanying “mirroring” exhibitions held simultaneously at the Whitney Museum of American Art and the Philadelphia Museum of Art, this lavishly illustrated volume features a selection of rarely published works along with never-before-published archival content and is full of revelations that allow us to engage with and understand the artist’s rich and varied body of work in new and meaningful ways.\nAbout the Author \nCarlos Basualdo is Keith L. and Katherine Sachs Curator of Contemporary Art at the Philadelphia Museum of Art. 
Scott Rothkopf is senior deputy director and Nancy and Steve Crown Family Chief Curator at the Whitney Museum of American Art, New York.

Jasper Johns: Mind/Mirror

Rothkopf, Scott

Whitney Museum of American Art

Doris Salcedo, a sculptor who lives and works in Bogota, Colombia, is a rising international star. This is a comprehensive monograph of her work and its humanitarian and political content. Her haunting sculptures and installations are painstakingly made from found objects left in the abandoned homes of missing people in Colombia - personal effects such as furniture or shoes which become symbols of a vanished existence, suggesting the desperation and silent violence of ongoing acts of inhumanity.

Doris Salcedo (Phaidon Contemporary Artists Series)

Princenthal, Nancy

Huyssen, Andreas

Phaidon Press

Thomas Hirschhorn is a Swiss-born artist who emerged in the 1990s, noted for his giant, labour-intensive, room-sized collages of low-grade materials. Tinfoil, cardboard, plywood, plastic and packing tape bring together an infinite variety of debris, including handwritten texts and images culled from popular magazines; miniature toy aeroplanes and trains; knick-knacks by the hundreds; armies of plastic 'gold' watches; household fans blowing red flags which flutter violently; monitors duct-taped into vitrines, ad infinitum. Noted professor and art thinker Benjamin H. D. Buchloh surveys the artist's work from its earliest, anonymous beginnings in the streets of Paris to his recent, virtuoso installations as part of a long tradition of politically-motivated anti-monuments. In her interview, Alison M. Gingeras, who has worked with Hirschhorn since 2000, discusses with the artist his beginnings as a graphic artist, and his more recent dealings with the contemporary art system. Carlos Basualdo offers a full analysis of, as well as little-known background on, Bataille Monument, at Documenta 11, which Basualdo co-curated.

Thomas Hirschhorn (Phaidon Contemporary Artist Series)

Gingeras, Alison M.

Buchloh, Benjamin H.D.

Tunga: 1977-1997

Bard Publications

Slovenian artist Marjetica Potrc discovers beauty in the unplanned urban landscapes of shantytowns, trailer parks, and barrios. In her installations in various art institutions across the globe, she sends instructions to the musum staff on how to build her installations--often inspired by a type of shelter found halfway across the world--out of local materials. Here she instructs/constructs a massive installation of housing units based on observations made of temporary shelters and gated communities in Caracas, the West Bank, and West Palm Beach. Urgent Architecture Includes a DVD of an interview with the artist.

Marjetica Potrc: Urgent Architecture

Esakov, Liyat

Weissman, Eyal

Individual Artists

Palm Beach Institute of Contemporary Art

Perhaps the best-known Chinese artist of his generation, Cai Guo-Qiang (born 1967) is famed for his ambitious explosion projects and large, theatrical sculptures and installations. Fallen Blossoms presents his newest works, documenting a 2009-2010 exhibition at the Philadelphia Museum of Art and The Fabric Workshop, with 75 full-color reproductions of the explosion project Fallen Blossoms and the gunpowder drawing "Time Scroll." Also included are photographs of the ongoing work "Time Flies Like a Weaving Shuttle," which involves the labors of five Tujia weavers in residence at the Fabric Workshop, weaving on traditional looms, and which is in progress for the duration of the Fabric Workshop exhibition. Fallen Blossoms contains an introduction by Marion Boulton Stroud, artist's statement by Guo-Qiang and essays by Carlos Basualdo, David Elliott and Wang Mingxian.

Cai Guo-Qiang: Fallen Blossoms

ELLIOTT, David

Stroud, Marion Boulton

The Fabric Workshop and Museum

One of the most important exponents of contemporary art in South America, Helio Oiticica creates multimedia room installations which intertwine social themes, experimental elements, and appropriations from popular culture, film, and music. This book focuses on works which have rarely been seen elsewhere, works in which Oiticica questions the traditional relationship between the audience and the world of the movies, such as his "quasi-cinemas," which combine slide projections and music. The lavish nine-part sequence "Black Experiments in Cosmacocoa" is published here for the first time, alongside Oiticica's own notes and critical texts.

Helio Oiticica

Phillips, LIsa

Bentes, Ivana

Oiticica, Hélio

Hatje Cantz Publishers

Since the mid-1970s, prominent Austrian artist Franz West has created objects in which use is the most important criterion for reception. After creating "Fittings," plaster and papier-mache objects meant to be attached to the human body and interacted with by their wearer, and their logical extension, "seating equipment," West sought to create a setting for a new kind of experience. Merciless presents little-seen work which West has constructed over the past five years and which addresses these late concerns. Of special focus is an expansive installation West developed for the MAK in Vienna, the largest of his completed works to date.

Franz West: Merciless

et.al.

West, Franz

Born as a vehicle for national propaganda, the art biennial today has become an outsize phenomenon mobilizing not only artists, curators and gallerists but sponsors, celebrities and politicians, commanding huge press attention and deciding the careers of artists worldwide. For a city to host a biennial today has colossal ramifications. This anthology on the art biennial gathers previously published seminal texts from around the world alongside commissioned contributions from the leading scholars, curators, critics and thinkers today--among them Carlos Basualdo, Daniel Buren, John Clark, Okwui Enwezor, Bruce Ferguson, Milena Hoegsberg, Ranjit Hoskote, Caroline A. Jones, Jakouba Konaté, Gerardo Mosquera and Rafal Niemojewski. Tracing the genealogy of the standard exhibition format--including biennials but also other recurrent exhibitions such as triennials and quadrennials--and examining some of the most famous examples of the twentieth and twenty-first century, from the Venice Biennale to the Johannesburg Biennial and the Havana Bienal to Documenta and the Asian biennials, this reader explores the artistic, theoretical, political and other ambitions of such large-scale exhibition projects. It is certain to be a vital resource for scholars, students, curators, artists and critics alike.

The Biennial Reader

Niemojewski, Rafal

Hatje Cantz

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Books by Basualdo, Carlos