A generously illustrated look at the intricate narrative threads of three of the artist’s earliest works, and their continued resonance today Celebrated for works blending performance, video, and sculpture, Matthew Barney has created complex narratives that emerge across series since his earliest exhibitions. Matthew Barney: OTTO Trilogy is the first book to trace the progression of three significant early projects—Facility of INCLINE, Facility of DECLINE, and OTTOshaft— and to reveal the narrative system that links them. Titled after former football player Jim Otto, the series explores the training, discipline, and physical limits of the body alongside questions of sexual difference and desire. Featuring an illuminating introduction by Nancy Spector; an essay by Maggie Nelson on the works’ exploration of psychology, bodies, image-making, narrative, and abstraction; and a new text by the artist, this generously illustrated volume includes previously unpublished artist’s sketches, behind-the-scenes photographs, research material, and video stills. It is the definitive publication on this important series, and offers a key to understanding many of the themes that thread throughout Barney’s oeuvre.

Matthew Barney: OTTO Trilogy

Arts & Photography

BARNEY, Matthew

History & Criticism

Gladstone Gallery

SECONDARY: Matthew Barney

Individual Artists

Rizzoli Electa

Now in Paperback The definitive user's guide and then some to Matthew Barney's epic five-part film series, The Cremaster Cycle is filled with hundreds of Barney's fantastical images and surveys the project, which uses the biological model of sexual difference as its conceptual departure point. Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians, and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney's work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five Cremaster films, while Neville Wakefield's "Cremaster Glossary" illuminates the films' most far-flung references with citations from sources as diverse as Freud's psychoanalytic studies, Mormon law and lore, and hardcore music fanzines. In addition to stills from the five films--including the final episode, Cremaster 3--the book features related sculptures, photographs, drawings, and storyboards. For anyone intrigued by the Wagner of contemporary art, this is an atlas to his enticingly hypnotic worlds. Barney himself collaborated on all aspects of this extraordinary publication, including the selection of over 700 images, most of them never before published.

Matthew Barney: Cremaster Cycles

SPECTOR, Nancy

Wakefield, Neville

Museum, Guggenheim

Guggenheim Museum

During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used to record ephemeral or performative events and to render visible conceptual systems or to question the supposed objectivity of representation itself. This volume focuses primarily on artworks from the last decade and proposes that the extensive use of reproducible mediums in today's art has its roots in an earlier formative period. By the end of the 70s, many artists turned to photography as a vehicle through which to critique photographic representation and to subvert an art system premised on the notion of the original. While this practice came to define much of the 80s postmodern art, its legacy for the 90s was essentially the license to indulge in photographic fantasy, image construction, and cinematic narrative. Artists working today freely manipulate their representations of the empirical world or invent entirely new cosmologies. They process their subject matter through conceptual systems or use digital processes to alter their images. Some directly intervene in the environment, subtly shifting components of the found world and establishing their quiet presence in it; others fabricate entire architectural environments for the camera lens. This current state of the arts and its recent history are represented via more than 150 works by 55 artists, including Nam June Paik, Kara Walker, Felix Gonzalez-Torres, Marina Abramovic, Vito Acconci, Ana Mendieta, Bruce Nauman, Robert Smithson, Christian Boltanski, Sophie Calle, Fischli &amp; Weiss, Ann Hamilton, Robert Mapplethorpe, Annette Messager, Cindy Sherman, Bernd and Hilla Becher, Elger Esser, Andreas Gursky, Candida H fer, Thomas Ruff, J rge Sasse, Thomas Struth, Olafur Eliasson, Roni Horn, Gabriel Orozco, Hiroshi Sugimoto, Matthew Barney, Gregory Crewdson, Anna Gaskell, Sam Taylor-Wood, Oliver Boberg, James Casebere, Thomas Demand, Vanessa Beecroft, Wolfgang Tillmans, Patty Chang, Trisha Donnelly, Stan Douglas, Pierre Huyghe, William Kentridge, Steve McQueen, Shirin Neshat, John Pilson and Gillian Wearing.

Moving Pictures: Contemporary Photography and Video from the Guggenheim Collection

Abramović, Marina

Walker, Kara

Nauman, Bruce

Acconci, Vito

GURSKY, ANDREAS

Gonzalez-Torres, Felix

Hanhardt, John G.

Smithson, Robert

Paik, Nam June

Young, Joan

Villaseñor, Maria-Christina

The definitive user's guide and then some to Matthew Barney's epic five-part epic film series, The Cremaster Cycle is filled with hundreds of Barney's fantastical images and surveys the project, which uses the biological model of sexual difference as its conceptual departure point. Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney's work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five Cremaster films, while Neville Wakefield's "Cremaster Glossary" illuminates the films' most far-flung references with citations from sources as diverse as Freud's psychoanalytic studies, Mormon law and lore, and hardcore music fanzines. In addition to stills from the five films--including the final episode, Cremaster 3--the book features related sculptures, photographs, drawings and storyboards. For anyone intrigued by the Wagner of contemporary art, this is an atlas to his enticingly hypnotic worlds. Barney himself collaborated on all aspects of this extraordinary publication, including the selection of over 700 images, most of them never before published.

Matthew Barney: The Cremaster Cycle

Artwork by Janine Antoni, Matthew Barney, Robert Gober, Ann Hamilton, William Kentridge, Shirin Neshat, Fred Wilson. Edited by Lynn Herbert. Contributions by Rick Lowe, Dana Friis-Hansen. Text by Paola Morsiani, Marti Mayo.

Outbound: Passages From The 90'S

WILSON, FRED

Gober, Robert

Mayo, Marti

Morsiani, Paola

Neshat, Shirin

Kentridge, William

Hamilton, Ann

Antoni, Janine

Collections, Catalogs & Exhibitions

Contemporary Arts Museum, Houston

This new gorgeous and diverse collection documents the exhibition 00 at the Barbara Gladstone Gallery in New York. For this exhibition, over one hundred prominent contemporary artists were asked to submit works on paper that were made this year--in '00'. 00 investigates the act of drawing as a vital necessity that transcends the bounds of age, nationality, scale, content, process, and concept. The richness of the medium is reflected by the diversity of the participating artists, who include: Acconci Studio, Kai Althoff, John Baldessari, Miroslaw Balka, Matthew Barney, John Bock, Louise Bourgeois, Cecily Brown, Vija Celmins, Francesco Clemente, Michael Craig-Martin, John Currin, Roy Dowell, Marlene Dumas, Carroll Dunham, Rachel Feinstein, Tim Gardner, April Gornik, Arturo Herrera, Gary Hume, Sol LeWitt, Anish Kapoor, Ellsworth Kelly, Yayoi Kusama, Mark Manders, Brice Marden, Chris Ofili, Elizabeth Peyton, Elle Phelan, Lari Pittman, Richard Prince, Charles Ray, Gregor Schneider, Richard Serra, Serse, Takashi Murakami, Rirkrit Tiravanija, Rosemarie Trockel, Kara Walker, Lawrence Weiner, and Christopher Wool. The resulting exhibition and its accompanying catalogue--including an illuminating essay by the curator and writer Klaus Kertess--act as a definitive survey of the practice of drawing at the present moment.

00: Drawings 2000 At Barbara Gladstone Gallery

Baldessari, John

Clemente, Francesco

Dunham, Carroll

Dumas, Marlene

Murakami, Takashi

Craig-Martin, Michael

Ofili, Chris

Currin, John

Pittman, Lari

Kertess,klaus

Feinstein, Rachel

BOURGEOIS, Louise

Althoff, Kai

Celmins, Vija

Acconci Studio

Balka, Miroslaw

Brown, Cecily

Dowell, Roy

GORNIK, April

Phelan, Ellen

Serse

Bock, John

Gardner, Tim

Barbara Gladstone Gallery

Cremaster 3. The order

Palm Pictures

Larry Desmedt (1949-2004), genius motorcycle builder/artist, daredevil extraordinaire and introspective philosopher, will forever be known as Indian Larry. He remains the motorcycle world's most beloved figure, known equally for his wild antics, his gentleness and generosity, and the radical bikes that reflected his carnivalesque character. One of the originators of the hard-core-style custom chopper, he combined ingenious metalwork and inventive engineering in highly collectable chrome sculptures that have garnered worldwide respect and recognition. In Indian Larry renowned photographer Timothy White pays tribute to an intimate friend, a riding companion and his most compelling photographic subject ever.

Indian Larry

White, Timothy

COX, Paul

Lane, Billy

Photography & Video

Merrell Publishers

Named after the muscle that raises or lowers a man's testicles in response to temperature, the Cremaster series has featured Barney as a satyr, a magician, a ram, Harry Houdini, and even famous murderer Gary Gilmore, props made from tapioca, petroleum jelly, ice, and self-healing plastic, and settings as fantastic and desolate as the Isle of Man, an empty football stadium in Idaho, and a nearly empty opera house in Hungary. The films are slow-moving and weirdly hynotic, full of elaborate sexual and biological allusions, references to sports and fashion, and a bizarre mix of autobiography, history, and private symbolism that have earned him comparisons to Wagner. This book is one of the five companion volumes published to coincide with the release of each of the Cremaster films. Each was designed in an original manner by the artist and features photographs and stills from the film it accompanies.

Cremaster 5

Distributed Art Pub Inc

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