This practical book helps employers and their legal advisers determine when it is justifiable to dismiss an employee and take the necessary steps to fulfill legal requirements. It features a unique approach that focuses on pre-dismissal behaviorunfair dismissal cases are won and lost on the actions of the employers prior to the dismissal. This book maps out the required path to help employers avoid unfair dismissal claims.

Avoiding Unfair Dismissal Claims (Essential Facts)

Barnett, Daniel

Business

wiley

The East Ward of Harbrook Hill is a home for the criminally insane, but only the most deranged dwell on the fifth floor. Take Walter Hosler, this morning's new arrival. He hasn't spoken in a year. Not since the cops found him hiding in the basement of his house, his wife lying dead upstairs. The part of her that was left, at least.Now he's alone in a dark cell five stories off the ground, behind locked doors and stone walls, staring down through the bars of his window. Watching the woods. Waiting.Something is coming for Walter. Something hungry. And no one is safe.

The Safe

Literature & Fiction

Genre Fiction

Daniel Barnett Books

Employee Investigations: How to Conduct - and train others in Conducting - Grievance and Disciplinary Hearings

Nielsen

GDPR for HR Professionals (Employment Law Library)

ELS Publishing

Deconstructing TUPE (Employment Law Library)

Changing Terms and Conditions (Employment Law Library)

Handbook on Employment Law

"Tomorrow died on the last morning of May. There were those who saw it happen, who watched the shadow fall, who felt the chop of the guillotine as the world lost its head. Everyone else witnessed only the aftermath, for the event itself lasted no longer than a moment. They stepped outside from windowless rooms, they climbed up from crowded subways, they pulled back the blinds to let in the sun, and found the nightmare waiting for them."\nBut the dark is only the beginning.\nNIGHTFALL is the first volume of the NIGHTMARELAND CHRONICLES, an ongoing serialized adventure horror epic following one man's journey to reach his estranged daughter in a world claimed by eternal night.

Nightfall: Nightmareland Volume One (Nightmareland Chronicles)

Science Fiction & Fantasy

Science Fiction

Independently published

Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valery's concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness. Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.

Movement as Meaning in Experimental Cinema: The Musical Poetry of Motion Pictures Revisited

Arts & Photography

Photography & Video

Bloomsbury Academic

Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valery's concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness. Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.

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Books by Barnett, Daniel