Angry debates about polarizing speakers have roiled college campuses. Conservatives accuse universities of muzzling unpopular opinions, betraying their values of open inquiry; students sympathetic to the left openly advocate against completely unregulated speech, asking for "safe spaces" and protection against visiting speakers and even curricula they feel disrespects them. Some even call these students "snowflakes"-too fragile to be exposed to opinions and ideas that challenge their worldviews. How might universities resolve these debates about free speech, which pit their students' welfare against the university's commitment to free inquiry and open debate? Ulrich Baer here provides a new way of looking at this dilemma. He explains how the current dichotomy is false and is not really about the feelings of offended students, or protecting an open marketplace of ideas. Rather, what is really at stake is our democracy's commitment to equality, and the university's critical role as an arbiter of truth. He shows how and why free speech has become the rallying cry that forges an otherwise uneasy alliance of liberals and ultra-conservatives, and why this First Amendment absolutism is untenable in law and society in general. He draws on law, philosophy, and his extensive experience as a university administrator to show that the lens of equality can resolve this impasse, and can allow the university to serve as a model for democracy that upholds both truth and equality as its founding principles.

What Snowflakes Get Right: Free Speech, Truth, and Equality on Campus

Politics & Social Sciences

Baer, Ulrich

Philosophy

Oxford University Press

In this remarkable contribution to photographic criticism and psychoanalytic literature, Ulrich Baer traces the hitherto overlooked connection between the experience of trauma and the photographic image. Instead of treating trauma as a photographic "theme," Baer examines the striking parallel between those moments arrested mechanically by photography and those arrested experientially by the traumatized psyche -- moments that bypass normal cognition and memory. Taking as points of departure Charcot's images of hysteria and Freud's suggestion that the unconscious is structured like a camera, Baer shows how the invention of photography and the emergence of the modern category of "trauma" intersect. Drawing on recent work in the field of trauma studies, he shows how experiences that are inherently split between their occurrence and their remembrance might register in and as photographic images.In light of contemporary discussions of recovered memories and the limits of representing such catastrophes as the Holocaust, Baer examines photographs of artistic, medical, and historical subjects from the perspective of witnessing rather than merely viewing. He shows how historicist approaches to photography paradoxically overlook precisely those cataclysmic experiences that define our age. The photograph's apparent immunity to time is seen as a call for a future response--a response that is prompted by the ghostly afterlife of every photograph's subject. In a moving discussion of a rare collection of color slides taken by a Nazi official in the Lodz ghetto, Baer makes us aware that it is the viewer's responsibility to account for the spectral evidence embedded in every image.

Spectral Evidence: The Photography of Trauma

Arts & Photography

Photography & Video

Mit Pr

An original analysis of the parallels between the arrested moment in photography and in the traumatized psyche.
In this remarkable contribution to photographic criticism and psychoanalytic literature, Ulrich Baer traces the hitherto overlooked connection between the experience of trauma and the photographic image. Instead of treating trauma as a photographic "theme," Baer examines the striking parallel between those moments arrested mechanically by photography and those arrested experientially by the traumatized psyche―moments that bypass normal cognition and memory. Taking as points of departure Charcot's images of hysteria and Freud's suggestion that the unconscious is structured like a camera, Baer shows how the invention of photography and the emergence of the modern category of "trauma" intersect. Drawing on recent work in the field of trauma studies, he shows how experiences that are inherently split between their occurrence and their remembrance might register in and as photographic images.
In light of contemporary discussions of recovered memories and the limits of representing such catastrophes as the Holocaust, Baer examines photographs of artistic, medical, and historical subjects from the perspective of witnessing rather than merely viewing. He shows how historicist approaches to photography paradoxically overlook precisely those cataclysmic experiences that define our age. The photograph's apparent immunity to time is seen as a call for a future response―a response that is prompted by the ghostly afterlife of every photograph's subject. In a moving discussion of a rare collection of color slides taken by a Nazi official in the Lodz ghetto, Baer makes us aware that it is the viewer's responsibility to account for the spectral evidence embedded in every image.

In a bold reassessment, this book analyzes the works of Charles Baudelaire and Paul Celan, two poets who frame our sense of modern poetry and define the beginning and end of modernity itself. The two poets share a feature that seems to block their placement in such an easy chronological or historical scheme: each accounts for an experience that will not fully enter memory, but dissipates in the mind in the form of trauma, fragments, and shock. While Baudelaire, as Paul Valéry was the first to show, explores the trauma of the minute personal shocks of everyday existence in modern life, Celan engages with the catastrophic magnitude of the Holocaust and how it has altered our understanding of history. Can we relate the shocks registered in Baudelaire's poems to the historical horror addressed in Celan's work without denying either the singularity of suffering and loss or the uniqueness of the historical event of the Shoah? Drawing on trauma studies and Holocaust research, Remnants of Song challenges existing interpretations of Baudelaire and Celan by constantly holding in view both the aesthetic dimension of their works and their historical import. The author demonstrates that the act of engaging with a poem on its own terms may serve as an important model for an ethical response to the radical experiences of trauma. Answering Adorno's famous dictum that there can be no poetry after Auschwitz, he shows that Celan's poetry continues to posit its own truth by drawing on Baudelaire as a precedent―yet it does so in ways that have little to do with conventional understandings of history.

Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan (Cultural Memory in the Present)

Literature & Fiction

History & Criticism

Stanford University Press

In a bold reassessment, this book analyzes the works of Charles Baudelaire and Paul Celan, two poets who frame our sense of modern poetry and define the beginning and end of modernity itself.The two poets share a feature that seems to block their placement in such an easy chronological or historical scheme: each accounts for an experience that will not fully enter memory, but dissipates in the mind in the form of trauma, fragments, and shock. While Baudelaire, as Paul Valéry was the first to show, explores the trauma of the minute personal shocks of everyday existence in modern life, Celan engages with the catastrophic magnitude of the Holocaust and how it has altered our understanding of history. Can we relate the shocks registered in Baudelaire€™s poems to the historical horror addressed in Celan€™s work without denying either the singularity of suffering and loss or the uniqueness of the historical event of the Shoah?Drawing on trauma studies and Holo

The Rilke Alphabet

The enduring power of Rainer Maria Rilke’s poetry rests with his claim that all we need for a better life on earth is already given to us, in the here and now. In twenty-six engaging and accessible essays, Ulrich Baer’s The Rilke Alphabet examines this promise by one of the greatest poets in any tradition that even the smallest overlooked word may unlock life’s mysteries to us.
Fueled by an unebbing passion and indeed love for Rilke’s poetry, Baer examines twenty-six words that are not only unexpected but also problematic, controversial, and even scandalous in Rilke’s work. In twenty-six mesmerizing essays that eschew jargon and teutonic learnedness for the pleasures and risks of unflinchingly engaging with a great artist’s genius, Baer sheds new light on Rilke’s politics, his creative process, and his deepest and enduring thoughts about life, art, politics, sexuality, love, and death.
The Rilke Alphabet shows how Rilke’s work provides an uncannily apt guide to life even in our vexingly postmodern condition. Whether it is a love letter to frogs, a problematic brief infatuation with Mussolini, a sustained reflection on the Buddha, the evasion of the influence of powerful precursors, or the unambiguous assertion that freedom must be lived in order to be known, Rilke’s writings pull us deeply into life.
Baer’s decades-long engagement with Rilke as a scholar, translator, and editor of Rilke’s writings allows him to reveal unique aspects of Rilke’s work. The Rilke Alphabet will surprise and delight Rilke fans, intrigue newcomers to his work, and deepen every reader’s sense of the power of poetry to penetrate the mysteries and confusions of our world.

Essays & Correspondence

Fordham University Press

The enduring power of Rainer Maria Rilke’s poetry rests with his claim that all we need for a better life on earth is already given to us, in the here and now. In twenty-six engaging and accessible essays, Ulrich Baer’s The Rilke Alphabet examines this promise by one of the greatest poets in any tradition that even the smallestoverlooked word may unlock life’s mysteries to us.Fueled by an unebbing passion and indeed love for Rilke’s poetry, Baer examines twenty-six words that are not only unexpected but also problematic, controversial, and even scandalous in Rilke’s work. In twenty-six mesmerizing essays that eschew jargon and teutonic learnedness for the pleasures and risks of unflinchingly engaging with a great artist’s genius, Baer sheds new light on Rilke’s politics, his creative process, and his deepest and enduring thoughts about life, art, politics, sexuality, love, and death.The Rilke Alphabet shows how Rilke’s work provides an uncannily apt guide to life even in our vexingly postmodern condition. Whether it is a love letter to frogs, a problematic brief infatuation with Mussolini, a sustained reflection on the Buddha, the evasion of the influence of powerful precursors, or the unambiguous assertion that freedom must be lived in order to be known, Rilke’s writings pull us deeply into life.Baer’s decades-long engagement with Rilke as a scholar, translator, and editor of Rilke’s writings allows him to reveal unique aspects of Rilke’s work. The Rilke Alphabet will surprise and delight Rilke fans, intrigue newcomers to his work, and deepen every reader’s sense of the power of poetry to penetrate the mysteries and confusions of our world.

WE ARE BUT A MOMENT takes the reader on a brisk tour of the globe that vividly imagines the inescapable crisis of the near future posed by overpopulation, diminishing natural resources, climate change, species extinction, and economic tumult.It is 2025, and a young White House aide, Aleks, finds himself locked up in quarantine when he tested positive after a routine briefing from a hotspot. Aleks recounts how our much-admired female president became a globally revered leader who unites much of the world under the environmental banner. Aleks’s position as environmental advisor to the president’s policy team gives him a privileged insider’s viewinto the political maneuvering that has led to U.S. global dominance. When he discovers unfamiliar files on his computer, he is thrown into a moral crisis over who he trusts, what he believes, and the value of the causes for which he has been fighting as he grapples to make sense of the people and events that led to his quarantine.Philosophical rather than prescriptive, the book is about how we live and die in the 21st century, what we consume, how we inhabit our world, and whether we can all live and love in the future.

We Are But a Moment

CreateSpace Independent Publishing Platform

We Are But a Moment takes the reader on a brisk tour of the globe that vividly imagines the inescapable crisis of the near future posed by overpopulation, diminishing natural resources, climate change, species extinction, and economic tumult. It is 2025, and a young White House aide, Aleks, finds himself locked up in quarantine when he tested positive after a routine briefing from a hotspot. Aleks recounts how our much-admired female president became a globally revered leader who unites much of the world under the environmental banner. Aleks's position as environmental advisor to the president's policy team gives him a privileged insider's view into the political maneuvering that has led to U.S. global dominance. When he discovers unfamiliar files on his computer, he is thrown into a moral crisis over who he trusts, what he believes, and the value of the causes for which he has been fighting as he grapples to make sense of the people and events that led to his quarantine. Philosophical rather than prescriptive, the book is about how we live and die in the 21st century, what we consume, how we inhabit our world, and whether we can all live and love in the future.

Warbler Press

The Great Gatsby is one of the greatest novels ever written and a masterpiece of American fiction. Midwesterner Nick Carraway spends a summer on Long Island where he is gradually lured into the ultra-glamorous parties and social circle of his mysterious neighbor, Jay Gatsby. It is a tale of obsessive passion, reckless decadence, excess, and disillusionment, but also of the power of love and dreams to alter our world. Fitzgerald's glittering portrayal of 1920s elite society during the Jazz Age is an enduring testament to the tantalizing power and peril of the American Dream. Includes an insightful new afterword, select first edition reviews, and a biographical timeline.

The Great Gatsby (Warbler Classics)

Fitzgerald,F.Scott

United States

Warbler Classics

See the best price to sell, buy, or rent books by Baer, Ulrich. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Baer, Ulrich

See the best price to sell, buy, or rent books by Baer, Ulrich. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

What Snowflakes Get Right: Free Speech, Truth, and Equality on Campus

Spectral Evidence: The Photography of Trauma

Spectral Evidence: The Photography of Trauma

Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan (Cultural Memory in the Present)

Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan (Cultural Memory in the Present)

The Rilke Alphabet

The Rilke Alphabet

We Are But a Moment

We Are But a Moment

The Great Gatsby (Warbler Classics)