It was the spectactular commercial boom that followed the Franco-Prussian War that was responsible for breathing new life into the field of advertising and fostering the aggressive, aesthetically adventurous and distinctive German graphic design style outlined in this book.

GRAPHIC DESIGN IN GERMANY 1890-1945

Aynsley, Jeremy

History

Thames&Hudson

German graphic and typographic design in the first half of the twentieth century represents an extraordinarily rich and diverse aspect of the history of visual culture. It marks the moment of recognition that the world was becoming increasingly dependent on a modern and commercialized system of communication in which the designer was to play a major role. An unprecedented scale of attention was devoted to printed matter, whether as designs for graphic ornament, typefaces and logos in books and advertisements, or magazines, posters, signage, and exhibitions. Jeremy Aynsley has written the first account in English of the emergence of German graphic design between 1890 and 1945. Based on many years of research and original material, this handsome book is lavishly illustrated with examples from across a stylistically varied field. There were many good reasons for Germany to lead in the field of print culture. Historically it was a country that had been associated since the Middle Ages with the arts of the book and printing, and many of the new design developments in the twentieth century grew from that base. The spectacular industrial and commercial boom following the Franco-Prussian War, when the Germans became world competitors, stimulated interest in the field of advertising, whether in newspapers, journals, or on sidewalk kiosks. Perhaps borrowing in the beginning from the Arts and Crafts movement in Britain, Art Nouveau in France, and the advanced advertising designers in the U.S., the German artists soon developed a style of their own that was aggressive, aesthetically adventurous, and well constructed to attract customers. While some of the individual designers such as Peter Behrens, Lucian Bernhard, Jan Tschichold, Herbert Bayer, and John Heartfield are well known, many others have not received such attention. Aynsley provides an amazingly well-rounded picture of this burst of innovation that changed the face of modern life, as well as of the politically and socially turbulent era that spawned it.

Graphic Design in Germany: 1890-1945 (Weimar and Now: German Cultural Criticism)

Arts & Photography

History & Criticism

University of California Press

The twentieth century was a landmark era in graphic design, the art that combines words with graphic images on posters, book and magazine covers, record jackets, billboards, and other print advertising and publicity media. This visually magnificent and factually informative volume tells the story of graphic design, then gives separate illustrated thumbnail biographies of more than 100 of the most influential and internationally known designers of the past 100 years. From the century's early decades we find artists' profiles and reproductions from the studios of Peter Behrens, Alexander Rodchenko, the Bauhaus, Laszlo Moholy-Nagy, a sampling of Art Deco, and much more. Examples of Mid-Century Modern include Lester Beall, Yusaku Kamekura, and jazz record covers from various sources. The Pop and Alternative Art eras gave us psychedelic graphics, militant socialist posters from Cuba, and the dramatic typographic designs of Herb Lubalin. Design in the Digital Era has included work by David Carson, Javier Mariscal, Eiko Ishioka, and many others. All illustrations are perfectly reproduced on high quality paper. The text was written by Jeremy Aynsley, an internationally recognized authority in the art of graphic design. Approximately 450 brilliant full-color photos and illustrations.

A Century of Graphic Design

B E S Pub Co

The twentieth century was a landmark era in graphic design, the art that combines words with graphic images on posters, book and magazine covers, record jackets, billboards, and other print advertising and publicity media. This visually magnificent and factually informative volume tells the story of graphic design, then gives separate illustrated thumbnail biographies of more than 100 of the most influential and internationally known designers of the past 100 years. From the century's early decades we find artists' profiles and reproductions from the studios of Peter Behrens, Alexander Rodchenko, the Bauhaus, Laszlo Moholy-Nagy, a sampling of Art Deco, and much more. Examples of Mid-Century Modern include Lester Beall, Yusaku Kamekura, and jazz record covers from various sources. The Pop and Alternative Art eras gave us psychedelic graphics, militant socialist posters from Cuba, and the dramatic typographic designs of Herb Lubalin. Design in the Digital Era has included work by David Carson, Javier Mariscal, Eiko Ishioka, and many others. All illustrations are perfectly reproduced on high quality paper. The text was written by Jeremy Aynsley, an internationally recognized authority in the art of graphic design. Approximately 450 brilliant full-color photos and illustrations.

Century of Graphic Design, A: Graphic Design Pioneers of the 20th Century

Mitchell Beazley

Graphic design plays an integral role in modern life, its influence felt everywhere from the poster to the web page. This comprehensive reference work profiles over 60 of the most influential designers worldwide, from early leaders of the genre including Peter Behrens to Saul Bass, Neville Brody, and exponents of today's digital technology such as Jonathan Barnbrook. The book also covers the studios and movements that played major roles in the development of modern graphic design history, including early transport posters, Jazz record covers, the 1960s underground press, and the innovative style magazines of the 1980s and '90s. Features on the key design schools such as the Bauhaus and the Cranbrook Academy of Art, make this a complete history of modern graphic design.

Pioneers Of Modern Graphic Design

Graphic Design

Miller/Mitchell Beazley

Nationalism and Internationalism looks at the way designers have addressed the national and international context of their work during this century. Text and 66 illustrations demonstrate the positive response to avant-garde ideas and belief in the social relevance of designs on an international level. By contrast, the varied responses to materials, techniques and sources of ideas to reinforce national identity are also considered.

Nationalism and Internationalism (Design in the 20th Century)

TRAFALGAR SQUARE +

'Imagined Interiors' offers a study of the ideas that have shaped the domestic interior in the West over the last 500 years. Looking at an array of depictions of the home, this book deals with both public and private attitudes to the domestic interior, and features various things from grand decorative schemes to homely cottages.

Imagined Interiors: Representing the Domestic Interior Since the Renaissance

Grant, Charlotte

V&A Publishing

IMAGINED INTERIORS (PAPERBACK) /ANGLAIS

VICTORIA ALBERT

German design and architecture reflects the country’s rich and fraught political history in its structure and aesthetic philosophy. Jeremy Aynsley now offers an in-depth study of this relationship between German history and design since 1870 and the complex principles underlying it. Designing Modern Germany reveals how German attitudes toward national identity, modernity and technology are crucial to understanding German design. Aynsley traces the historical development of German design, beginning in the 1870s with the first dedicated Arts and Crafts schools and stretching through to the famous institutions of the Bauhaus and the Ulm Hochschule für Gestaltung. He analyses the works of leading figures such as Peter Behrens and Hannes Meyer, through to Ingo Maurer and Jil Sander, and many others in design specialties including graphics, industrial and furniture design, fashion and architecture. He also offers the first consideration of the contrasting design traditions of East and West Germany between 1949 and 1989. Whether examining the pre-First World War department store, the National Socialist fashion system or East Germany’s official design culture, Designing Modern Germany reveals that German design significantly affected citizens’ daily lives. An essential read for designers and scholars of German design and history, Designing Modern Germany is a key text for understanding Germany’s major contribution to twentieth-century design.

Designing Modern Germany

Reaktion Books

Molecular Sieves - Science and Technology will cover, in a comprehensive manner, the science and technology of zeolites and all related microporous and mesoporous materials. Authored by renowned experts, the contributions will be grouped together topically in such a way that each volume of the book series will be dealing with a specific sub-field. Volume 2 covers both the description of the various, complementary techniques for structure determination of microporous and mesoporous matter and their applications illustrated by a large number of pertinent examples. It also deals with general aspects of structures and structure distortions of microporous materials. In summary, Volume 2 provides the researchers in the field of zeolites and related materials with the indispensable knowledge of the great potential of modern methods for structure analysis.

See the best price to sell, buy, or rent books by Aynsley, Jeremy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Aynsley, Jeremy

See the best price to sell, buy, or rent books by Aynsley, Jeremy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

GRAPHIC DESIGN IN GERMANY 1890-1945

Graphic Design in Germany: 1890-1945 (Weimar and Now: German Cultural Criticism)

A Century of Graphic Design

Century of Graphic Design, A: Graphic Design Pioneers of the 20th Century

Pioneers Of Modern Graphic Design

Nationalism and Internationalism (Design in the 20th Century)

Imagined Interiors: Representing the Domestic Interior Since the Renaissance

IMAGINED INTERIORS (PAPERBACK) /ANGLAIS

Designing Modern Germany

Graphic Design in Germany: 1890-1945 (Weimar and Now: German Cultural Criticism)