A comprehensive look at the breadth and depth of the work of one of America’s most influential abstract artists This landmark catalogue presents a retrospective study of Frank Stella (b. 1936), one of the most important figures in 20th-century American art. Showcasing works from all of his major series, the book surveys the full sweep of Stella’s career, from his artistic beginnings in high school and college to today. The book’s spectacular plate section comprises more than 100 works, including paintings, sculptures, reliefs, and works on paper. Notable inclusions are his seminal Black Paintings, recent high-relief aluminum works, and a selection of drawings, maquettes, and digital renderings—many of which are reproduced here for the first time—that offer fresh insight into Stella’s thinking and process. Essays discuss topics such as the artist’s early years at Phillips Academy in Andover and Princeton University, and his late-career architectural pieces created with the aid of computer software. An interview with Stella conducted by American painter Laura Owens allows Stella to illuminate his artistic practice in his own words. Additional resources include a chronology with extensive bibliographic and exhibition references. This definitive publication is the most thorough examination to date of Stella’s astounding contributions in all media, which cement his role as one of the most important practitioners of modern abstraction.

Frank Stella: A Retrospective

Arts & Photography

Auping, Michæl

History & Criticism

Yale University Press

Howard Hodgkin Paintings

Price, Marla

Elderfield,John

SONTAG, SUSAN

Thames and Hudson Ltd.

This book, the most comprehensive survey of Guston's art to date, is published on the occasion of a major international exhibition. It brings together for the first time the different bodies of the artist's work, exposing the connective threads between each of his developmental stages. In-depth essays by a noted group of critics and art historians explore Guston's early influences and the emergence of symbols that resurfaced and played prominent roles in his late work. They provide insight into Guston's philosophy regarding abstraction, his role within its development, and the social and art historical context from which his so-called "Klan" paintings emerged. In addition, one of Guston's own essays on art and innovation is reprinted. Also included are selections of drawings that act as both prelude and restatement at each stage of the artist's career; a number of works from Guston's Estate that have never been exhibited before and that shed new light on his development; an extensive illustrated chronology of the artist's life and career; and a comprehensive bibliography.

Philip Guston: Retrospective

GUSTON, Philip

Modern Art Museum of Fort Worth

Individual Artists

Thames&Hudson

Howard Hodgkin Paintings is the most complete study to date of one of the leading painters of the post-war generation. It is also the catalogue of the most important exhibition of Hodgkin's work in more than ten years, held at The Metropolitan Museum of Art, New York; the Modern Art Museum of Fort Worth; and the Kunstverein fur die Rheinlande und Westfalen, Dusseldorf. Howard Hodgkin came to prominence in the 1970s and quickly earned a reputation as an original and inventive colorist whose paintings, based on his experiences and memories, straddle the boundary between representation and abstraction. This definitive book presents essays by three noted authors that examine various aspects of Hodgkin's art. An up-to-date catalogue raisonne of Hodgkin's oil paintings, the first to appear in print, completes the volume. It allows the reader to see the artist's historical development, the full range of his achievement, and the critical reaction to his work. A chronology and extensive bibliography are also included.

Tracing Robert Bechtle's career from his earliest paintings of the 1960s to the present day, this is the definitive book on one of the founders and foremost practitioners of American Photorealism. Created in close collaboration with the artist, Robert Bechtle will accompany the distinguished painter's first retrospective exhibition. Lavish plates feature reproductions of approximately ninety of Bechtle's most significant artworks, from large-scale oil paintings to intimate watercolors and drawings. These magnificent illustrations portray the range of the San Francisco-based painter's iconic imagery of California—the rows of palm trees, stucco houses, and the ubiquitous automobiles that spurred suburban expansion—as well as his lesser-known but equally compelling family scenes and stark interiors. Bechtle's preference for wide, empty spaces; his flat, sun-bleached palette; and his detached mode of recording random details impart a singular sense of alienation to his subjects. His deadpan paintings capture the essence of the postwar American experience, in which California often serves as the testing ground for the realization of national dreams.

Robert Bechtle: A Retrospective

Ray, Charles

Weinberg, Jonathan

Bishop, Janet

University of California Press

Gathers surrealistic paintings by the modern Italian artist, and discusses the literary influences on his work

Francesco Clemente

Clemente, Francesco

John and Mable Ringling Museum of Art

Harry N.Abrams, Inc.

Looks at works by Albers, Kelly, Stella and Marden, and discusses their approach to art

Abstraction Geometry Painting: Selected Geometric Abstract Painting in America Since 1945

Albright-Knox Art Gallery

Abstract Expressionism: The Critical Developments

Shows works by Still, Rothko, Pollock, Newman, Motherwell, Kline, Hoffman, Gottlieb, and Gorky, and takes a fresh look at the movement

Art of Our Time, Volume 2. Includes: Artschwager Chamberlain Samaras Stella Twombly Warhol.By Jean-Christophe Ammann, Michael Auping, Robert Rosenblum and Peter Schjeldahl.

Art of Our Time

Schjeldahl, Peter

Ammann, Jean-Christophe

Rosenblum, Robert

Lund Humphries / Rizzoli

Over the last 30 years, Martin Puryear has created a body of work that defies categorization, creating sculpture that examines identity, culture and history. Departing from the impersonal and machined aesthetic of Minimalism, Puryear's work combines Modernist abstraction with the traditions of crafts and woodworking, in shapes informed by the natural and by ordinary objects, made with materials such as tar, wood, stone and wire. It is quiet but deliberately associative, encompassing wide-reaching cultural and intellectual experiences and drawing on a huge and varied reserve of images, ideas and information. As a high school and college student, the artist studied ornithology, falconry and archery, and in the 1960s he volunteered with the Peace Corps in Sierra Leone, where he schooled himself in the region's indigenous crafts; these are only a few of the influences and methods that have embedded themselves in his work. And the sources of his works are no less varied than the possible and open-ended interpretations: "I think there are a number of levels at which my work can be dealt with and appreciated," Puryear said in a 1978 interview. "It gives me pleasure to feel there's a level that doesn't require knowledge of, or immersion in, the aesthetic of a given time or place." This volume is published on the occasion of the artist's Fall 2007 exhibition at The Museum of Modern Art, which travels from New York to Fort Worth, Washington, D.C. and San Francisco. It follows Puryear's development from his first solo show in 1977 to new works that are presented here for the first time and contains essays by John Elderfield, Michael Auping and Elizabeth Reede, and a conversation with the artist by Richard Powell.

Martin Puryear

Powell, Richard

Reede, Elizabeth

Reference

The Museum of Modern Art, New York

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