“Perhaps one day I may forgive you for putting us under curfew for forty-two days, but I will never forgive you for making us live with my mother- in-law for what seemed, then, more like forty-two years.” Irreverent, darkly funny, unexpected, and very unlike any other writing on the Palestinian-Israeli conflict, Sharon and My Mother-in-Law describes Palestinian architect Suad Amiry’s experience of living in the Occupied Territories. Based on diaries and e-mail correspondence that Amiry kept to maintain her sanity from 1981 to 2004, the book evokes, through a series of vignettes, the frustrations, cabin fever, and downright misery of daily life in the West Bank town of Ramallah, with its curfews, roadblocks, house-to-house searches, and violence. Amiry writes about the enormous difficulty of moving from one place to another, the torture of falling in love with someone from another town, the absurdity of her dog receiving a Jerusalem identity card when thousands of Palestinians could not do so, and the impossibility of acquiring a gas mask from the Israeli Civil Administration during the first Gulf War in 1991. There are also the challenges of shopping during curfew breaks, the trials of having her ninety-two-year-old mother-in-law living in her house during a forty-two-day curfew, and thoughts on Israel’s Separation Wall. With a wickedly sharp ear for dialogue and a keen eye for the most telling details, Amiry gives us an original, ironic, and firsthand glimpse into the absurdity——and agony——of life in the Occupied Territories.

Sharon and My Mother-in-Law: Ramallah Diaries

Biographies & Memoirs

Amiry, Suad.

Historical

Pantheon

Mother of Strangers: A Novel

Set in Jaffa in between 1947 and 1951, this “fable-like historical novel of young love ... darkly humorous and touching” (Oprah Daily) is based on a true story during the beginning of the destruction of Palestine and displacement of its people.\nBased on the true story of two Jaffa teenagers, Mother of Strangers follows the daily lives of Subhi, a fifteen-year-old mechanic, and Shams, the thirteen-year-old student he hopes to marry one day. In this prosperous and cosmopolitan port city, with its bustling markets, cinemas, and cafés on the hills overlooking the Mediterranean Sea, we meet many other unforgettable characters as well, including Khawaja Michael, the elegant and successful owner of orange groves above the harbor; Mr. Hassan, the tailor who makes Subhi’s treasured English suit, which he hopes will change his life; and the very mischievous and outrageous Uncle Habeeb, who insists on introducing Subhi to the local bordello.\nWith a thriving orange export business, Jaffa had always been a city welcoming to outsiders—the “Mother of Strangers”—where Muslims, Jews, and Christians lived peacefully together. Once the bombardment of the city begins in April 1948, Suad Amiry gives us the grim but fascinating details of the shock, panic, and destruction that ensues. Jaffa becomes unrecognizable, with neighborhoods flattened, families removed from their homes and separated, and those who remain in constant danger of arrest and incarceration. Most of the population flees eastward to Jordan or by sea to Lebanon in the north or to Egypt and Gaza in the south. Subhi and Shams will never see each other again.\nSuad Amiry has written a vivid and devastating account of a seminal moment in the history of the Middle East—the beginning of the end of Palestine and a portrait of a city irrevocably changed.

Literature & Fiction

Literary

Set in Jaffa in between 1947 and 1951, this "fable-like historical novel of young love ... darkly humorous and touching" (Oprah Daily) is based on a true story during the beginning of the destruction of Palestine and displacement of its people. Based on the true story of two Jaffa teenagers, Mother of Strangers follows the daily lives of Subhi, a fifteen-year-old mechanic, and Shams, the thirteen-year-old student he hopes to marry one day. In this prosperous and cosmopolitan port city, with its bustling markets, cinemas, and cafés on the hills overlooking the Mediter­ranean Sea, we meet many other unforgettable charac­ters as well, including Khawaja Michael, the elegant and successful owner of orange groves above the harbor; Mr. Hassan, the tailor who makes Subhi's treasured English suit, which he hopes will change his life; and the very mischievous and outrageous Uncle Habeeb, who insists on introducing Subhi to the local bordello. &nbsp; With a thriving orange export business, Jaffa had always been a city welcoming to outsiders--the "Mother of Strangers"--where Muslims, Jews, and Christians lived peacefully together. Once the bombardment of the city begins in April 1948, Suad Amiry gives us the grim but fascinating details of the shock, panic, and destruc­tion that ensues. Jaffa becomes unrecognizable, with neighborhoods flattened, families removed from their homes and separated, and those who remain in constant danger of arrest and incarceration. Most of the popula­tion flees eastward to Jordan or by sea to Lebanon in the north or to Egypt and Gaza in the south. Subhi and Shams will never see each other again. &nbsp; Suad Amiry has written a vivid and devastating ac­count of a seminal moment in the history of the Middle East--the beginning of the end of Palestine and a por­trait of a city irrevocably changed.

Vintage

PALESTINIAN VILLAGE HOME

History

Asia

BRITISH MUSEUM

Based on diaries and email correspondence that she kept from 1981-2004, here Suad Amiry evokes daily life in the West Bank town of Ramallah. Capturing the frustrations, cabin fever, and downright misery of her experiences, Amiry writes with elegance and humor about the enormous difficulty of moving from one place to another, the torture of falling in love with someone from another town, the absurdity of her dog receiving a Jerusalem identity card when thousands of Palestinians could not, and the trials of having her ninety-two-year-old mother-in-law living in her house during a forty-two-day curfew. With a wickedly sharp ear for dialogue and a keen eye for detail, Amiry gives us an original, ironic, and firsthand glimpse into the absurdity—and agony—of life in the Occupied Territories.

Community & Culture

Knopf Doubleday Publishing Group

A nostalgic voyage that reveals the Syrian capital's majestic past Writer and architect, Suad Amiry, was born in an old neighborhood of Damascus, the oldest continuously inhabited city in the world. In My Damascus she takes her reader by the hand through not only the narrow alleys and lively souqs adjacent to the grand Umayyad Mosque, but also into the intimate spaces of her rich merchant grandfather's Baroudi Mansion. Through a web of interwoven personal stories and an intricate mix of simple, complicated or sometimes devious characters, Amiry travels across space and time, spanning three generations of family history. The Baroudi women animate the story and sparkle like no others: Teta, Amiry's grandmother, rendered mute after her husband's great betrayal; her cousin, Norma, torn between love for her adoptive mother and longing for a real mother she will never know; Fatima and Ghalia, Karimeh and Laila, maids and aunts, in a kaleidoscope of vignettes. Through them Amiry traces the social and political history of Greater Syria from the Ottoman Empire era until its present-day devastation, juxtaposing them with the most intimate, loving, often contentious, family relations and secrets. In the end, her Damascus becomes a metaphor for a dispersed family and a lost past, as well as an elegy for a city she can no longer claim as her own.

My Damascus

Olive Branch Press

Writers from Alice Walker to Michael Ondaatje to Claire Messud share their thoughts on one of the most vital gatherings of writers and readers in the world.
The Palestine Festival of Literature was established in 2008 by authors Ahdaf Soueif, Brigid Keenan, Victoria Brittain and Omar Robert Hamilton. Bringing writers to Palestine from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power."
 Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems, and sketches from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations.
 Contributing authors include J. M. Coetzee, China Miéville, Alice Walker, Geoff Dyer, Claire Messud, Henning Mankell, Michael Ondaatje, Kamila Shamsie, Michael Palin, Deborah Moggach, Mohammed Hanif, Gillian Slovo, Adam Foulds, Susan Abulhawa, Ahdaf Soueif, Jeremy Harding, Brigid Keenan, Rachel Holmes, Suad Amiry, Gary Younge, Jamal Mahjoub, Molly Crabapple, Najwan Darwish, Nathalie Handal, Omar Robert Hamilton, Pankaj Mishra, Raja Shehadeh, Selma Dabbagh, William Sutcliffe, Atef Abu Saif, Yasmin El-Rifae, Sabrina Mahfouz, Alaa Abd El Fattah, Mercedes Kemp, Ru Freeman.

This Is Not a Border: Reportage & Reflection from the Palestine Festival of Literature

Holmes, Rachel

SHAMSIE, Kamila

DYER, Geoff

Achebe, Chinua

Crabapple, Molly

Brittain, Victoria

SPALDING, Linda

Mishra, Pankaj

PALIN, Michael

Darwish, Mahmoud

ONDAATJE, Michael

Hanif, Mohammed

Horner, John

Hammad, Suheir

Foulds, Adam

Mahfouz, Sabrina

Karmi, Ghada

SLOVO, Gillian

COLE, Teju

Abulhawa, Susan

Pavlić, Ed

Kanazi, Remi

Freeman, Ru

Kricorian, Nancy

Mahjoub, Jamal

Handal, Nathalie

Darwish, Najwan

Harding, Jeremy

Saif, Atef Abu

Kemp, Mercedes

El-Rifae, Yasmin

Keenan, Bridget

Dabbagh, Selma

Bseiso, Jehan

El-Khairy, Omar

Musleh, Maath

Muiz

COETZEE,J.M.

Shehadeh, Raja.

SUTCLIFFE, WILLIAM

WALKER,Alice

MANKELL, HENNING

MOGGACH, Deborah

Mieville,China

MESSUD, Claire

Bloomsbury USA

Granta Books

Suad Amiry traces the lives of individual members of Palestinian families and, through them, the histories of both Palestine and the émigré Palestinian community in other countries of the Middle East.Golda Slept Here juxtaposes serial bombardments and personal tragedies; evokes the sights and smells of Palestinian architecture and food; and weaves for us the tapestry that is the Palestinian reality, caught between official histories and private memories. Through poetry and prose, monologue and dialogue, we glimpse the lost Palestinian landscape, obscured by the silent battle between remembering and forgetting.

Golda Namat Hona (Arabic Edition)

Bloomsbury Qatar Foundation Publishing

Politics enters the lives of every family in Palestine. In this literary historical tour de force, Suad Amiry traces the lives of individual members of Palestinian families and, through them, the histories of both Palestine and the émigré Palestinian community in other countries of the Middle East
Amiry mixes nostalgia with anger while mocking Israeli doublespeak that seeks to wipe out any trace of a Palestinian past in West Jerusalem. She juxtaposes serial bombardments and personal tragedies, evokes the sights and smells of Palestinian architecture and food, and weaves for us the tapestry that is the Palestinian reality, caught between official histories and private memories. Through poetry and prose, monologue and dialogue, we glimpse the lost Palestinian landscape, obscured by the silent battle between remembering and forgetting.

Golda Slept Here

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