Ambitious, groundbreaking, and fiendishly funny, Novel Explosives travels down the mean streets of venture finance, money laundering, and the Juárez drug wars on a torrent of linguistic virtuosity infused with a rarefied business I.Q. and mastery of everything from philosophy to pharmaceuticals, poetry to thermobaric weaponry. While an amnesiac, two gunmen, and a venture capitalist entangle and entwine in a do-or-die search for identity, at the palpitating heart of this novel, at its roiling fundamental core, lies an agonizing reappraisal of the way America behaves in the world, a project as worthy and urgent as it gets. * "[Novel Explosives] is... fascinating... a pleasure... what my program Bookworm is for: to find books like this that are of enormous ambition and largely unknown to readers, and say, 'Hey get out there! Order the book! Try this out! You haven't seen anything like this before!'" —Michael Silverblatt, Bookworm, 89.9 FM, KCRW, July 20, 2017 "Of all the books that we’ve promoted on this show, I think yours is the best, and deserves most the attention that it hasn’t gotten.... I had a similar feeling of elation finishing this book as I did when I wrapped Infinite Jest and The Instructions by Adam Levin. The puzzle is so fun to solve. At the sentence level, this book is a blast to read." —Matt Bucher and David Laird, The Great Concavity, Podcast, May 10, 2019 ". . . big, brainy, trippy, Technicolor noir . . ." —Starred Kirkus Review, August 15, 2016 "An amazing novel, a literary masterpiece that reads like a thriller . . . the most fun reading I've had in ages." —Steven Moore, author of The Novel: An Alternative History, January 2016 * Jim Gauer is a mathematician, widely published poet, and possibly the world's only Marxist Venture Capitalist.

Novel Explosives

Literature & Fiction

Gauer, Jim

Literary

Zerogram Press

"Steven Moore['s] criticism is a model of clarity and intelligent advocacy." ― Jonathan Franzen, New Yorker"Steven Moore attained literary stardom when he helped rescue William Gaddis' The Recognitions from obscurity. His fame was guaranteed in literary heaven when he helped David Foster Wallace edit Infinite Jest. Now, in My Back Pages (Zerogram Press), he has gathered his book reviews and essays that take us from the Beats and the Fifties to practically yesterday or even tomorrow." ― Michael Silverblatt, Bookworm, 89.9 FM, KCRW"[Moore] may be our country's best claim to that old-fashioned creature, 'a man of letters,' as it is hard to imagine anyone, certainly not in the academy, who has read more widely or who could speak, if modestly, about fiction with more easy confidence, precision, and wit. . . . My Back Pages makes for joyful reading, . . . With its heft and encyclopedic range, the collection might be imagined on a scholar's shelf, and the essays will certainly be valuable to academics, but the reviews have the pleasure of love notes; they are steady reminders to us all of the necessary joy of good books." ― Julian Anderson, Fiction Writers Review"Zerogram Press deserves plaudits for bringing out a major work of criticism. . . . Steven Moore [has] read more fiction than anyone alive and writes about even the most demanding works with infectious zest." ― Michael Dirda, The Washington Post"One of Moore's best qualities as an explicator is in communicating complex or complicated material in the clearest possible terms, and with humour when possible. . . . Steven Moore has been at the vanguard of criticism and publication of outliers and explorers whose artistic visions reinvigorate the capacious form of the novel and the short story, and we are in his debt." ― Jeff Bursey, Numéro Cinq*Before he embarked on his massive history of the novel, Steven Moore was best known as a tireless promoter of innovative fiction, mostly by way of hundreds of book reviews published from the late 1970s onward. Virtually all have been gathered for this collection, which offers a panoramic view of modern fiction, ranging from well-known authors like Barth and Pynchon to lesser-known but deserving ones, many published by small presses. Moore also reviews dozens of critical studies of this fiction, and takes some side trips into rock music and Buffy the Vampire Slayer.The second half of the book reprints Moore's best essays. Several deal with novelist William Gaddis ― on whom Moore is considered the leading authority ― and other writers associated with him (Chandler Brossard, Alan Ansen, David Markson, Sheri Martinelli), all of which have been updated for this collection. Others champion such writers as Alexander Theroux, Brigid Brophy, Edward Dahlberg, Carole Maso, W. M. Spackman, and Rikki Ducornet. Two essays deal with the late David Foster Wallace, whom Moore knew, and others treat such matters as book reviewing, postmodernism, the Beat movement, maximalism, gay literature, punctuation, nympholepsy, and the history of the novel.Steven Moore (PhD Rutgers, 1988) is the author and editor of several books on William Gaddis, as well as of The Novel: An Alternative History (2010, 2013). From 1988 to 1996 he was managing editor of the Review of Contemporary Fiction/Dalkey Archive Press.

My Back Pages: Reviews and Essays

Moore, Steven

History & Criticism

"Steven Moore['s] criticism is a model of clarity and intelligent advocacy." ― Jonathan Franzen, New Yorker
"Steven Moore attained literary stardom when he helped rescue William Gaddis' The Recognitions from obscurity. His fame was guaranteed in literary heaven when he helped David Foster Wallace edit Infinite Jest. Now, in My Back Pages (Zerogram Press), he has gathered his book reviews and essays that take us from the Beats and the Fifties to practically yesterday or even tomorrow." ― Michael Silverblatt, Bookworm, 89.9 FM, KCRW
"[Moore] may be our country's best claim to that old-fashioned creature, 'a man of letters,' as it is hard to imagine anyone, certainly not in the academy, who has read more widely or who could speak, if modestly, about fiction with more easy confidence, precision, and wit. . . . My Back Pages makes for joyful reading, . . . With its heft and encyclopedic range, the collection might be imagined on a scholar's shelf, and the essays will certainly be valuable to academics, but the reviews have the pleasure of love notes; they are steady reminders to us all of the necessary joy of good books." ― Julian Anderson, Fiction Writers Review
"Zerogram Press deserves plaudits for bringing out a major work of criticism. . . . Steven Moore [has] read more fiction than anyone alive and writes about even the most demanding works with infectious zest." ― Michael Dirda, The Washington Post
"One of Moore's best qualities as an explicator is in communicating complex or complicated material in the clearest possible terms, and with humour when possible. . . . Steven Moore has been at the vanguard of criticism and publication of outliers and explorers whose artistic visions reinvigorate the capacious form of the novel and the short story, and we are in his debt." ― Jeff Bursey, Numéro Cinq
*
Before he embarked on his massive history of the novel, Steven Moore was best known as a tireless promoter of innovative fiction, mostly by way of hundreds of book reviews published from the late 1970s onward. Virtually all have been gathered for this collection, which offers a panoramic view of modern fiction, ranging from well-known authors like Barth and Pynchon to lesser-known but deserving ones, many published by small presses. Moore also reviews dozens of critical studies of this fiction, and takes some side trips into rock music and Buffy the Vampire Slayer.
The second half of the book reprints Moore's best essays. Several deal with novelist William Gaddis ― on whom Moore is considered the leading authority ― and other writers associated with him (Chandler Brossard, Alan Ansen, David Markson, Sheri Martinelli), all of which have been updated for this collection. Others champion such writers as Alexander Theroux, Brigid Brophy, Edward Dahlberg, Carole Maso, W. M. Spackman, and Rikki Ducornet. Two essays deal with the late David Foster Wallace, whom Moore knew, and others treat such matters as book reviewing, postmodernism, the Beat movement, maximalism, gay literature, punctuation, nympholepsy, and the history of the novel.
Steven Moore (PhD Rutgers, 1988) is the author and editor of several books on William Gaddis, as well as of The Novel: An Alternative History (2010, 2013). From 1988 to 1996 he was managing editor of the Review of Contemporary Fiction/Dalkey Archive Press.

"This kind of informed appreciation of a much-maligned writer of brilliance is a treasured relief.... Moore has carried out his admirable mission of homage wonderfully, entertainingly, and decisively. It's a kinder, and much more truthful, type of criticism...." -- Greg Gerke,The Arts Fuse, 8/19/20 "[This book] is passionate, intelligent, and unexpectedly honest. A responsible scholar, Moore's personal opinions and observations are always supported with convincing detail. The writer once again showcases his ability to convey an encyclopedic knowledge of literature and the publishing industry in clear engaging prose. For anyone interested in the eccentric, cantankerous, literary genius Alexander Theroux, this is the best book to get." -- Chris Via,Leaf by Leaf, 9/10/20 * Since the publication of his first novel in 1972, Alexander Theroux has won great acclaim for his dazzling style and forceful intellect. That first novel,Three Wogs, was named Book of the Year byEncyclopedia Britannica and nominated for the National Book Award, as was his second novel,Darconville's Cat (1981), which Anthony Burgess called one of the 99 best novels of the 20th century. Since then Theroux has published numerous other books, won several awards, and has been the subject of academic studies and theses. In addition to Burgess, he has been praised by such writers as Saul Bellow, Guy Davenport, Robertson Davies, Fred Exley, Jonathan Franzen, William H. Gass, Norman Mailer, D. Keith Mano, Cormac McCarthy, James McCourt, Annie Proulx, John Updike, and Paul West. Alexander Theroux: A Fan's Notes is the first book-length study of Theroux's complete body of work--novels, fables and short stories, nonfiction books, poetry, literary journalism--concluding with a chapter on his contentious relationship with his best-selling brother Paul Theroux. Critic Steven Moore, who has known Theroux for nearly 40 years and helped with the publication of some of his books, illuminates Theroux's work in a scholarly yet accessible style. While appreciative of most of what Theroux has written, Moore doesn't shirk from what he regards as some of his weaker efforts in order to provide a balanced, deeply informed evaluation of this singular writer. Moore's book will appeal to Theroux fans as well as to students of modern American literature. * STEVEN MOORE (PhD Rutgers, 1988) is the author of a two-volume survey of world literature entitledThe Novel: An Alternative History, the second volume of which won the Christian Gauss Award for excellence in literary scholarship. He has also written extensively on modern literature, and for years was managing editor of Dalkey Archive Press/Review of Contemporary Fiction. His last book,My Back Pages: Reviews and Essays, was also published by Zerogram Press.

Alexander Theroux: A Fan’s Notes

Reference

Panthers and the Museum of Fire

Craig, Jen

<div>New Year's Eve, 1989. At a residential care home in suburban Australia, fireworks explode in the distance while an elderly man dies in troubling circumstances. Decades later, a proof-reader, disfigured by a childhood accident, prepares to meet a celebrated and reclusive novelist. Between these two figures a subtle and intricate web is woven, implicating the members of a mystical cult, the victim of a beheading, an impostor artist, and the enigmatic presence known only as Agent Vell.&nbsp;</div>

Hang Him When He is Not There

Turner, Nicholas John

Product Description What does it mean today to experience a work of art? Where can we turn in search of the genuine, the sincere, the truly accomplished? And even if we were to find them, would we know how to acknowledge their value? The essays in See What I See are the fruits of a lifetime spent grappling with these questions. By turns lyrical and arch, they seek answers in the artistic achievements of the great masters—from Gaddis and Gass to Kubrick and Rohmer—as well as in less likely places. For Greg Gerke, the nectar of aesthetic experience is found as often in the human body as in poetry or prose. This new and expanded version of See What I See, with an introduction by noted scholar Steven Moore, is the perfect companion for the bookworm or cinephile. Review "Gerke strives to transform each of his sentences into a little work of art or, failing that, of gorgeous artifice.... In [his] admirably high-minded sentiments, Gerke follows his mentor, William H. Gass, whom he refers to on his dedication page as 'the Master.'" — Michael Dirda, Washington Post"See What I See is the very brew needed in these parched times. Greg Gerke's generous, thoughtful reflections on the beguiling experience of art are full of uplift and reverence for the illuming efforts of writers and filmmakers: Louise Glück, William H. Gass, and William Gaddis, Stanley Kubrick and Paul Thomas Anderson, to name but a few. And he does not stint intimate experience, the riches of the examined life, and the possibility of 'engaging with the work and then each other." Take up this wonderful book and "drink and be whole again beyond confusion.'" —Christine Schutt, author of Florida and Pure Hollywood"Greg Gerke's taste is excellent. His knowledge of the creative masters he lovingly observes and reflects on is broad and deep. His judgment is well-grounded and precise. The best thing, though, about his brilliant, quirky book of essays See What I See is understanding what living with great art is like for someone who can't live without it." —Vijay Seshadri, poet, essayist, and Pulitzer Prize winner"Greg Gerke is an essayist after my own heart. He's smart, he's sensitive, and he's strange. He knows literature and film, and enough about his own catastrophic psyche to make him a reliable witness and commentator." —Phillip Lopate, author of The Art of the Personal Essay "This beguiling collection of belletristic essays puts into practice William H. Gass' belief that 'works of art are meant to be lived with and loved.' In prose as beautiful and imagistic as Gass', Gerke recounts how he has lived with and loved certain authors—Gass, Gaddis, Stevens, Stein, Naipaul, and others—and with some auteur directors. See What I See paints a portrait of a 'man of letters' in the old sense of the term, someone for whom literature is a way of life, not an academic profession, and I can't recommend this highly enough." —Steven Moore, author of The Novel: An Alternative Biography and My Back Pages"Greg Gerke's See What I See is 'enlivened by ruin.' James, Rilke, and Stevens. Gass and Gaddis. Eric Rohmer. These are the shards that he shores against this ruin. Gerke is one of the faithful remnant, loyal to the riches, pleasures, and freedoms of art. See What I See is the fittest subversion of the moralizing present: it revels in its own shrewd gorgeousity." —Curtis White, author of The Middle Mind: Why Americans Don't Think for Themselves About the Author Greg Gerke lives in Brooklyn, NY. His collection of stories Especially the Bad Things was published in the U.K. in 2019.

See What I See: Essays

Humor & Entertainment

Gerke, Greg

Movies

It's an otherwise ordinary week in April, the week after Easter, 2009. Late in the week, a man wakes up in Guanajuato, Mexico with his knowledge intact, but with no memory of who he is, or how he came to live in Guanajuato. Early in the week, a venture capitalist sits at his desk in an office tower in Los Angeles, attempting to complete his business memoirs, but troubled by the fact that a recent deal appears to be some sort of money-laundering scheme. And in the middle of the week, just before dawn on April 15, two gunmen arrive at an El Paso motel to retrieve a duffel bag stuffed full of currency, and eliminate the man who brought it to El Paso. Thus begins the three-stranded narrative of Novel Explosives, a fiendishly funny search for identity that travels through the worlds of venture finance, the Juarez drug wars, and the latest innovations in thermobaric weaponry, a joyride of a novel with only one catch: the deeper into the book you go, the more dangerous it gets. At the palpitating heart of the novel, at its roiling fundamental core, lies an agonizing reappraisal of the way the U.S behaves in the world, a project that grows more urgent by the day.

Before he embarked on his massive history of the novel, Steven Moore was best known as a tireless promoter of innovative fiction, mostly by way of hundreds of book reviews published from the late 1970s onward. Virtually all have been gathered for this collection, which offers a panoramic view of modern fiction, ranging from well-known authors like Barth and Pynchon to lesser-known but deserving ones, many published by small presses. Moore also reviews dozens of critical studies of this fiction, and takes some side trips into rock music and Buffy the Vampire Slayer.The second half of the book reprints Moore's best essays. Several deal with novelist William Gaddis on whom Moore is considered the leading authority and other writers associated with him (Chandler Brossard, Alan Ansen, David Markson, Sheri Martinelli). Others champion such writers as Alexander Theroux, Brigid Brophy, Edward Dahlberg, Carole Maso, W. M. Spackman, and Rikki Ducornet. Two essays deal with the late David Foster Wallace, whom Moore knew, and others treat such matters as book reviewing, postmodernism, the Beat movement, maximalism, gay literature, punctuation, nympholepsy, and the history of the novel.

Moore PhD, Steven

<div>Since the publication of his first novel in 1972, Alexander Theroux has won great acclaim for his dazzling style and forceful intellect. That first novel, Three Wogs, was named Book of the Year by Encyclopedia Britannica and nominated for the National Book Award, as was his second novel, Darconville's Cat (1981), which Anthony Burgess called one of the 99 best novels of the 20th century. Since then Theroux has published numerous other books, won several awards, and has been the subject of academic studies and theses. In addition to Burgess, he has been praised by such writers as Saul Bellow, Guy Davenport, Robertson Davies, Fred Exley, Jonathan Franzen, William H. Gass, Norman Mailer, D. Keith Mano, Cormac McCarthy, James McCourt, Annie Proulx, John Updike, and Paul West. Alexander Theroux: A Fan's Notes is the first book-length study of Theroux's complete body of work, concluding with a chapter on his contentious relationship with his best-selling brother Paul Theroux. Critic Steven Moore, who has known Theroux for nearly 40 years and helped with the publication of some of his books, illuminates Theroux's work in a scholarly yet accessible style.</div>

See the best price to sell, buy or rent books by the Zerogram Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Zerogram Press

See the best price to sell, buy or rent books by the Zerogram Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Novel Explosives

My Back Pages: Reviews and Essays

My Back Pages: Reviews and Essays

Alexander Theroux: A Fan’s Notes

Panthers and the Museum of Fire

Hang Him When He is Not There

See What I See: Essays

Novel Explosives

My Back Pages: Reviews and Essays

Alexander Theroux: A Fan’s Notes