This book is about a family that wants to move, but doesn't want to move into a new home. What will they do?

The Little House That Moved (Easy Reader 69c)

Jane Sherman

Wonder

The How and Why Wonder Book of the Civil War

MIERS, Earl Schenck

Fiction. Poetry. Women's Studies. Art. Kate Durbin's E! ENTERTAINMENT sparkles with the static of TV personalities, the privileged dramas of MTV's The Hills and Bravo's Real Housewives, the public tragedies of Amanda Knox and Anna Nicole Smith. Durbin traces the migratory patterns of the flightiest members of our televised demimonde, from the vacant bedrooms of the Playboy Mansion to the modern gothic set of Kim Kardashian's fairytale wedding, rendering a fabulous, fallen world in a language of diamond-studded lavishness.

E! Entertainment

Humor & Entertainment

Durbin, Kate

Television

Poetry. LGBT Studies. The winner of the first Wonder Prize, Kevin Killian's TWEAKY VILLAGE is a book of poems from a dreamy Oz of delirium and nostalgia, memory and desire. Killian pays homage to the Iraq War dead, George Kuchar, old Hollywood, Kylie Minogue, friends, lovers and almost lovers: "Five years in / to a war that never ends, / I heard telephones, opera house, favorite melodies." Voices from the past—Tim Dlugos, David Bowie, Abraham Lincoln—fade in and out like overheard conversation, half- remembered a dozen years later.

Tweaky Village

Literature & Fiction

Killian, Kevin

Poetry

Poetry. Fiction. "You'll never be the same again." Mathew Timmons' TERRIFYING PHOTO is a collection of texts that repurpose our most terrified language, from religious pamphlets warning against an omnipresent Satan to the aimless thoughts of comment trolls and idle social networkers: "Our ritual is basically a form of self-therapy and is most often done in private."

Terrifying Photo

Timmons, Mathew

Literary

Poetry. Translated from the German by Sophie Seita. Winner of the second Wonder Prize, I MEAN I DISLIKE THAT FATE THAT I WAS MADE TO WHERE brings us Sophie Seita's playful translations of one of Germany's most innovative contemporary poets, Uljana Wolf. Being truly between languages, the texts in this collection place themselves squarely against monolingual identity politics, whether invoking Anna O, child language, aphasia, or the isolation of asylum seekers in Bavarian forests. Where the poet discovers multilingual lengevitch, the translator-writer turns the switch, and off we go following the „blur-print“ of their interlaced language: „a spark, a faltering unresting sway; en- wringed.“

i mean i dislike that fate that i was made to where

Wolf, Uljana

Poetry. POEM WITHOUT SUFFERING is a book-length elegy, composed in slow motion alongside the path of a .224-inch, jacketed hollow point bullet—one that's been fired into the bodies of at least two children, maybe more. Combining Alice Notley with a ballistics report, Tobias Wolff with Antonin Artaud, Kaplan's relentless examination of grief evokes a poetics through which the mechanics of atrocity are indistinguishable from those of the literary imagination. At turns tender, comic, and soberingly extirpative, POEM WITHOUT SUFFERING presents a thin column of writing from within a world of ever-expanding cruelty. To have it happen, but to have it not be considered tragedy, at least not in the traditional sense, the way in which one senses form in drama as human suffering. "POEM WITHOUT SUFFERING produces catharsis of the most extreme kind, partly through the tensions it sustains throughout. To the lethal speed of bullets, Kaplan opposes a relentless durational performance. To common pieties, the exactness of forensic knowledge. To knowledge in general, its utter inconsequence when it comes to reversing the damage. Awful, and yet I'm in awe."—Mónica de la Torre "Who cares about a dead kid except for like every person on earth? In Josef Kaplan's terrific new book POEM WITHOUT SUFFERING, the 'kid' in question is painstakingly literalized. Deprived of the abstract qualities which make any kid normally the breathing guarantor of futurity, the kid in POEM WITHOUT SUFFERING is just a bunch of epigastric arteries walking around waiting to get shot. And yet if that's where Kaplan's poem begins, it's not where it leads. Through its radically unsentimental look at death, this book actually gives us a vision of life: a life which includes epigastric arteries, vacuous politesse, the gruesome spectacles of contemporary warfare, the magnificence of birth, the endlessly beautiful scenes of parents and children at play. Maybe our lives, maybe the lives of kids, are just toilets, inheriting and remitting piss and shit. Maybe this book is a song of those toilets. I mean, maybe toilets sing. I love this extraordinary work."—Brandon Brown

Poem Without Suffering

Kaplan, Josef

Poetry. TONY GREENE ERA is a new collection of poems by artist, poet, and photographer Kevin Killian, a founding member of the New Narrative movement. Doomed and dizzied by memories of lovers, cities, troubles, stray phrases still audible over a radioed past, these new poems seek a sandcastle San Francisco only to find it slowly dissolving into its past. "How's that going for you," Killian asks in this sharp new book, "racing your destiny, being alone?"

Tony Greene Era

Fiction. Drama. "There are phone lines to the living and others for calling the dead. TELEPHONE by Ariana Reines is a network for riveting acts of speech, and silence, and listening. I saw the play and never forgot it. The audience was lit like a switchboard by its storms of courage and mystical love."--Rachel Kushner "TELEPHONE is an uncanny parcel of theater in which the wishes of humans to speak with the dead meet the limits or the aspirations of technology. A woman wrapped in language is deemed insane and the lonely pastness of our present walks around calling for itself. TELEPHONE is a whild and visionary piece of art that announced to me a poet who is always tearing the future open like a trapped animal--their eyes reflect us. Don't look! We mus. Bless you and love you Ariana for this great work."--Eileen Myles "I have been WAITING FOR THIS BOOK! When I saw it in the theater every word motion fell into magic stride utterly taxing the soul with its accuracy and mystery. The next night I was at the box office with a different friend and needed to return to my job is the only thing that kept me from the theater a third night. Examine for yourself the bewitching and sometimes misshapen communicative powers of life with the poetry goddess of the stage, Ariana Reines!-- CA Conrad "TELEPHONE, the inspired and utterly original new tone poem of a play, probes feelings with the sensitivity and detachment of a heart surgeon."--Ben Brantley, The New York Times

Telephone

Reines, Ariana

Dramas & Plays

The Soft Life

Talone, Bridget

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