The Bergamese Sect

Mystery, Thriller & Suspense

Gunn, Alastair

Thrillers & Suspense

Wimbourne Books

Twenty ghostly tales from the supernatural masters of the Victorian age.\nWimbourne Books presents the seventh in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 7 in the series spans the years 1857 to 1898, contains ghost stories set at or around Christmas, and includes stories from a wide range of authors including Sabine Baring-Gould, Charlotte Riddell and Florence Marryat.\nReaders new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the snowy night (preferably on Christmas Eve), lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.\nIncludes the stories; The Wedding-Ring (1857) – Miles Gerald Keon; All Alone on Christmas Day (1858) – James Hain Friswell; The Ghost in the Clock Room (1859) – Hesba Stretton; The Ghost in the Double Room (1859) – George Augustus Sala; The Spectre’s Visit (1859) – Anne Sarah Bushby; Glámr (1863) – Sabine Baring-Gould; The Ghost Detective (1865) – Mark Lemon; Hertford O’Donnell’s Warning (1867) – Charlotte Riddell; The Brown Lady (1869) – Frances Cashel Hoey; The Phantom Flash (1870) – William Wilthew Fenn; Christmas Eve at a Cornish Manor-House (1878) – Clara Venn; The Ghost of Charlotte Cray (1878) – Florence Marryat; The Curse of the Catafalques (1882) – F. Anstey; Number Ninety (1886) – Bithia Mary Croker; The Spectre of Barrochan (1888) – J. E. P. Muddock; A Mysterious Portrait (1889) – Mark Rutherford; The Old Portrait (1896) – Hume Nisbet; Old Applejoy's Ghost (1897) – Frank Richard Stockton; Jerry Bundler (1897) – W. W. Jacobs; Bills, M.D (1898) – John Kendrick Bangs.

The Wimbourne Book of Victorian Ghost Stories: Volume 7

Literature & Fiction

Lemon, Mark

Riddell, Charlotte

Sala, George Augustus

Stretton, Hesba

Keon, Miles Gerald

Friswell, James Hain

Baring-Gould, Sabine

Bushby, Anne Sarah

Genre Fiction

Twenty ghostly tales from the supernatural masters of the Victorian age. Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1901 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Vernon Lee. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.Includes the stories; The Old Nurse’s Story (1852) – Elizabeth Gaskell; The Last House in C- Street (1856) – Dinah Maria Craik; My Friend’s Story (1859) – Catherine Ann Crowe; The Cold Embrace (1860) – Mary Elizabeth Braddon; How The Third Floor Knew The Potteries (1863) – Amelia B. Edwards; Wraith-Haunted (1869) – Isabella Banks; The Ghost in the Cap’n Brown House (1870) – Harriet Beecher Stowe; The Man With the Nose (1873) – Rhoda Broughton; Seen In The Moonlight (1875) – Ellen Wood; The Secret Chamber (1876) – Margaret Oliphant; The Open Door (1882) – Charlotte Riddell; In The Dark (1885) – Mary E. Penn; The Story of the Rippling Train (1888) – Mary Louisa Molesworth; A Wicked Voice (1890) – Vernon Lee; The Haunted Organist of Hurly Burly (1891) – Rosa Mulholland; The Trainer’s Ghost (1893) – Lettice Galbraith; How He Left The Hotel (1894) – Louisa Baldwin; The Picture On The Wall (1895) – Katharine Tynan; The Woodley Lane Ghost (1899) – Madeleine Vinton Dahlgren; The Ghost of the Belle-Alliance Plantation (1901) – Lilian Giffen.

The Wimbourne Book of Victorian Ghost Stories: Volume 1

GASKELL, Elizabeth

Braddon, Mary Elizabeth

Edwards, Amelia B.

Craik, Dinah Maria

Tynan, Katharine

Dahlgren, Madeleine Vinton

Baldwin, Louisa

Giffen, Lilian

Crowe, Catherine Ann

Twenty ghostly tales from the supernatural masters of the Victorian age. Wimbourne Books presents the second in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 2 in the series spans the years 1836 to 1899, contains ghost stories set at or around Christmas, and includes stories from a wide range of authors including Charles Dickens, Amelia B. Edwards and J. S. Le Fanu. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the snowy night (preferably on Christmas Eve), lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration. Includes the stories; A Christmas Tree (1850) – Charles Dickens; The Story of the Goblins Who Stole a Sexton (1836) – Charles Dickens; The Ghost: A Christmas Story (1856) – William D. O’Connor; The Oxford Ghost (1858) – James Hain Friswell; Maese Pérez, the Organist (1861) – Gustavo Adolfo Bécquer; The North Mail (1864) – Amelia B. Edwards; The Abbot's Ghost, or Maurice Treherne's Temptation (1867) – Louisa May Alcott; Catherine’s Quest (1868) – J. Sheridan Le Fanu; The Ghost’s Summons (1868) – Ada Buisson; At Chrighton Abbey (1871) – Mary Elizabeth Braddon; The Ghosts at Grantley (1875) – Leonard Kip; Christmas Eve on a Haunted Hulk (1889) – Frank Cowper; The Water Ghost of Harrowby Hall (1891) – John Kendrick Bangs; Unexplained (1891) – Letitia McClintock; A Gruesome Joke (1891) – Elizabeth Burgoyne Corbett; The Brazen Cross (1893) – H. B. Marriott Watson; The Real and the Counterfeit (1895) – Louisa Baldwin; The Vanishing House (1898) – Bernard Capes; The Great Staircase at Landover Hall (1998) – Frank R. Stockton; Wolverden Tower (1899) – Grant Allen.

The Wimbourne Book of Victorian Ghost Stories: Volume 2

Corbett, Elizabeth Burgoyne

Bangs, John Kendrick

Capes, Bernard

Cowper, Frank

Marriott-Watson, H. B.

McClintock, Letitia

Kip, Leonid

Twenty ghostly tales from the supernatural masters of the Victorian age.\nWimbourne Books presents the third in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 3 in the series contains stories published anonymously in America and Britain between 1839 and 1896. Most of these tales are here anthologised for the very first time. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the snowy night, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.\nIncludes the stories; The Deaf and Dumb Girl (1839) - The Picture Bedroom (1840) - It Is No Fiction (1844) - Mabel (1849) - The Bright Room of Cranmore (1850) - Fisher’s Ghost (1853) - The Ghost at Heatherbell Abbey (1862) - The Tale of a Gas-light Ghost (1867) - Pichon & Sons, of the Croix Rousse (1868) - Haunted (1868) - The Ghost at Laburnum Villa (1870) - The Sergeant’s Ghost Story (1873) - The Bryansfort Spectre (1874) - Twelve O’clock, Noon (1877) - The Story of Clifford House (1878) - The Ghost in the Bank of England (1879) - The Carved Mantelpiece of Granton Hall (1882) - The Invisible Hand (1884) - The Old Lady in Black (1894) - Seen By the Coppice (1896).

The Wimbourne Book of Victorian Ghost Stories: Volume 3

Twenty ghostly tales from the supernatural masters of the Victorian age.Wimbourne Books presents the fourth in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 4 in the series spans the years 1835 to 1869 and includes stories from a wide range of male authors; English, Irish, Scottish and American. Includes tales by Charles Dickens, Nathaniel Hawthorne and Washington Irving. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration. Includes the stories; The Gray Champion (1835) – Nathaniel Hawthorne; The Fortunes of Sir Robert Ardagh (1838) – Joseph Sheridan Le Fanu; Guests from Gibbet-Island (1839) – Washington Irving; Ghost Gossips at Blakesley House (1841) – William Mudford; The Grimsby Ghost (1842) – Thomas Hood; The Miniature (1844) – John Yonge Akerman; The Legend of the Weeping Chamber (1851) – Bayle St. John; The Ghost of Pit Pond (1854) – Dudley Costello; The Pot of Tulips (1855) – Fitz-James O’Brien; The Ghost in the Bride’s Chamber (1857) – Charles Dickens; The Yellow Gown (1858) – George John Whyte-Melville; The Ghost’s Forfeits (1858) – James Hain Friswell; The Haunted and the Haunters (1859) – Edward Bulwer-Lytton; Experiences of Farthing Lodge (1864) – Thomas Wilkinson Speight; The Painted Room at Blackston Manor (1864) – John Berwick Harwood; The Spectral Coach of Blackadon (1865) – Thomas Quiller Couch; The Botathen Ghost (1867) – Robert Stephen Hawker; The Ghosts at the Grange (1867) – George Manville Fenn; The Shadow of a Shade (1869) – Tom Hood; Uncle Cornelius, His Story (1869) – George MacDonald.

The Wimbourne Book of Victorian Ghost Stories: Volume 4

Hood, Thomas

Le Fanu, Joseph Sheridan

Mudford, William

Akerman, John Yonge

Hawthorne,Nathaniel

St. John, Bayle

Irving., Washington

Costello, Dudley

The Wimbourne Book of Victorian Ghost Stories: Volume 5

De Maupassant, Guy

LANG, ANDREW

BESANT, Walter

Stockton, Frank Richard

JAMES,HENRY

Conan, Doyle Arthur

Millington, Thomas Street

Masey, Edward

The Wimbourne Book of Victorian Ghost Stories: Volume 6

Broughton, Rhoda

Wood, Ellen

Crowe, Catherine

Browne, Frances

Lynn Linton, Eliza

Hooper, Jane Margaret

Mulholland, Rosa

The Wimbourne Book of Victorian Ghost Stories: Volume 8

Twenty ghost stories from the supernatural masters of the Victorian age.\nWimbourne Books presents the ninth in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 9 in the series contains stories published between 1841 and 1899, by British and American authors, including many not previously anthologized. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the snowy night, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration. 
Includes the stories; Ghost Gossips at Blakesley House (1841) – William Mudford; George Child’s Second Love (1843) – John Yonge Akerman; The Old House in Chancery (1851) – Mary Ann Bird; The Poor Clare (1856) – Elizabeth Gaskell; The Dutch Officer’s Story (1859) – Catherine Crowe; The Haunted House (1859) – Emerson Bennett; The Four-fifteen Express (1866) – Amelia B. Edwards; The Romance of Certain Old Clothes (1868) – Henry James; The Drummer Ghost (1869) – John William De Forest; The Haunted Enghenio (1872) – John Gladwyn Jebb; Her Last Appearance (1876) – Mary Elizabeth Braddon; The Hand on the Latch (1881) – William Wilthew Fenn; The White Woman of Slaith (1881) – Isabella Banks; On Board the “Eagle” (1882) – G. L. Worrall; Mrs. Zant and the Ghost (1885) – Wilkie Collins; The Upper Berth (1885) – F. Marion Crawford; “The Case of Lady Lukestan” (1893) – Lettice Galbraith; Lost Hearts (1895) – M. R. James; The Crimson Portrait (1896) – Wilhelmina FitzClarence; The Spectre of Rislip Abbey (1899) – J. E. P. Muddock.

The Wimbourne Book of Victorian Ghost Stories: Volume 9

Bennett, Emerson

Bird, Mary Ann

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