Michael Schmeltzer's Empire of Surrender asks us to look, to feel-deep in the guts-the vibrating aftershocks of war. Each poem powerfully speaks to the ache of what it means to witness war, especially at a young age. Full of visceral lyricism and tender epistolaries, Schmeltzer dives into the intimate depths of war, violence, familial history, empathy, and lineage. This is a book that is not afraid to ask: how and why do we hurt each other? What is lost in such acts of cruelty? And how can we cling to kindness as resistance? In this complexity, Empire of Surrender returns us to the heart: "with each clang I hear the heart//quiet a bit more. In the great war I become cake." -Jane Wong, author of How to Not Be Afraid of Everything (Alice James Books) "We have misplaced our gentleness," writes Michael Schmeltzer in his stunning collection, Empire of Surrender, where he brilliantly weaves tenderness, vulnerability, and love into a realm of war and brutality. Rooted in history and family, these poems do not hold back, fearless and poignant, they ache to be read more than once-"We are hostage to sorrow./Lay down. Rest your head./We can be each other's pillow." Schmeltzer is a voice I need and the world needs. I can't remember the last time I have been so taken by a collection; Michael Schmeltzer has written the best poems of his life, make no mistake, this book will open you in the very best ways. -Kelli Russell Agodon, author of Dialogues with Rising Tides (Copper Canyon Press) In these harrowing poems, Michael Schmeltzer meditates on the failures of empire, on war and cruelty, on the fragility of goodness. This book is steeped in brutality and horror, yet the voice that speaks these poems is above all humane, tender, filled with wonder. "What weapon," Schmeltzer asks, considering the sharpness of axes, "can be made of me?" It is a complex question in a world that overwhelms anyone who imagines the end of violence as "pushing a pin back into a grenade." At the same time, it elevates the power of our words, rendering them urgent and vital. This is an important book for our age of war and empire, one that discovers in the individual consciousness both truth and the potential for good. -Kevin Prufer, author of The Art of Fiction (Four Way Books)

Empire of Surrender

Literature & Fiction

Schmeltzer, Michael

Poetry

Wandering Aengus Press

Poetry can speak most resonantly at those times when the distance between our lives and death shrinks, times such as when a parent dies, and we relearn what intimacy in a family context can mean. Such is the beautiful intensity of Andrew Gottlieb's poems in this collection, written with crystalline images and mindful presence. I'm especially captured by how rivers, animals, and landscapes of the American West inhabit the poems as talismans for the inseparability of mind and nature. And for the mystery of how we find beauty while living on the edge of peril. 
-Alison Hawthorne Deming, author of A Woven World and Stairway to Heaven\nThere is scant rhyme but abundant reason to get close to Andrew Gottlieb's Tales of a Distance. Intimacy resides in his far away as comfort winds its way into his wildness. Broken form seems his fix for convention. There's much to admire in Andy's artistry but perhaps most endearing is the invitation the words make to sit and absorb beasts and human beings, the out there and the inside, with equal ease. 
-J. Drew Lanham, author of The Home Place and Sparrow Envy\nWith a pleasant density that is relished and an enacted physicality that is revered, Gottlieb's robust cosmology comes to us via field sermon and tourist canoe, via wheelchair fugue and coyote anthem. Everywhere there is rare sense of the poet having fully inhabited not only locations but his own "inner wild." What is gifted the reader, then, (through formal mastery, it should be added) are not mere snapshots but an elemental authenticity that grounds us, again and again, on the edge of the luminous void. 
-Chris Dombrowski, author of Body of Water and Ragged Anthem

Tales of a Distance

Gottlieb, Andrew C.

Going Feral: Field Notes on Wonder and Wanderlust

Biographies & Memoirs

Durham, Heather

Professionals & Academics

After the Southern Resident orca Tahlequah swam with her newly born dead calf for 17 days, scientists, poets, and writers responded to her grief and the plight of the endangered orcas in this moving anthology. Edited by poets Andrew Shattuck McBride and Jill McCabe Johnson, the anthology features poetry, essays, and environmental writing from more than ninety esteemed authors. Wandering Aengus Press is donating proceeds from the book to the SeaDoc Society for their efforts in helping restore the Southern Resident orca population. Contributors include: Kelli Russell Agodon, Luther Allen, James Bertolino, Yvonne Blomer, Anita K. Boyle, Allen Braden, Jennifer Bullis, Nancy Canyon, Terry Ann Carter, Susan Chase-Foster, Barbara Clarke, Christine Clarke, Sarah DeWeerdt, Chelsea Dingman, Victoria Doerper, Heather Durham, Ryler Dustin, Seren Fargo, Daryl Farmer, Gail Folkins, Bob Friel, Yvonne Garrett, Joseph K. Gaydos, Jessica Gigot, Mary Elizabeth Gillilan, Iris Graville, Carol Guess, Sam Hamill, Ernestine Saankalaxt Hayes, Christopher Howell, Holly J. Hughes, Julie B. Hunter, Devin Gael Kelly, Nima Kian, J.I. Kleinberg, Jenne Knight, Jenifer Browne Lawrence, David M. Laws, Mark Leiren-Young, Rob Lewis, Priscilla Long, Paula MacKay, Carol MacRury, David Mason, Christen Mattix, Tim McNulty, Brenda Miller, JM Miller, Jim Milstead, Jed Myers, JS Nahani, Cynthia Neely, Paul E. Nelson, Sheila Nickerson, J.L. Oakley, Rebecca Hart Olander, Nancy Pagh, Dayna Patterson, Craig Santos Perez, Ronda Piszk Broatch, Rena Priest, Diane Raptosh, Bethany Reid, Paisley Rekdal, Rachel Rose, Adrienne Ross Scanlan, Stan Sanvel Rubin, Eva Saulitis, Tina Schumann, Betty Scott, Carla Shafer, Derek Sheffield, Tara K. Shepersky, Tim Sherry, Peggy Shumaker, Martha Silano, Sheila Sondik, Ana Maria Spagna, Kim Stafford, Joannie Stangeland, Scott T. Starbuck, Alina Stefanescu, M. Stone, Ira Sukrungruang, Robert Sund, Julie Trimingham, Jeremy Voigt, Michael Dylan Welch, Ellen Welcker, Brooke Williams, Carolyne Wright, Maya Jewell Zeller.

For Love of Orcas: An Anthology

Science & Math

Nature & Ecology

Passenger pigeon. Carolina parakeet. Eskimo curlew. In this timely collection of elegies, award-winning poet Holly J. Hughes gives voice to these and other bird species that no longer fill our skies. If their names sound a litany of the hundreds of species we've lost, these fifteen poems serve as a reminder that their stories are still with us, offering a cautionary tale for the many species whose habitats face threats from climate change. In her afterword, Hughes reminds us that it's not too late to learn from these birds' extinction and take action to protect the species that remain. "Take note," she writes. "These birds are still singing to us. We must listen." "In poems at once heartbreaking and illuminating, Holly Hughes gives extinction a very personal face," writes environmental editor Lorraine Anderson. "She makes it clear that the bell tolls not only for the fifteen species she elegizes, but for us as well." Recipient of an American Book Award from the Before Columbus Foundation in 2017, the first printing of Passings by Expedition Press sold out. Wandering Aengus Press is honored to bring this chapbook back into print and give the birds a voice again.

Passings

Hughes, Holly J

In these deeply personal and intellectually curious essays, Heather Durham explores wild America weaving the unique perspectives of trained ecologist, inquisitive philosopher, and restless nomad, probing intricacies of the natural world as profoundly as she does herself. She wanders from New England vernal pools to Pacific Northwest salmon runs, Rocky Mountain pine forests to Desert Southwest sage flats in search of adventure, solace, authenticity, and belonging in the more-than-human world. Part scientifically-informed nature writing, part soul-searching memoir, Going Feral is the story of a human animal learning to belong to the earth. As one way to be the restoration architects of Eden, we can kindle a saving kinship with earth through the kind of sensory immersion, and resulting engine of discovery, described evocatively by Heather Durham's Going Feral. To go into the wild like this requires a kind of rich hurt that teaches viscerally, and Durham takes the reader through accounts of deep engagement that pay dividends in awareness, curiosity, and wisdom. She's not afraid to be afraid, not timid about the threshold to true encounter, and we are lucky for that. Read this book as a field guide to building your own agenda for going feral for moments of insight, and a life of change. --Kim Stafford, author of A Hundred Tricks Every Boy Can Do: How My Brother Disappeared "Is this loneliness for people, or for earth?" To answer, Going Feral sets out on a quest conveyed in many small epics. These are the essays kicked up by a rowdy wanderlust. . . but also won in quietness and long attentiveness to the natural world. Durham might find that she belongs in forests or in deserts, on mountain peaks waiting for raptors, or in ferny, rooty hemlock hideouts. The payoff: She sees things. Dragonfly. Butterfly. Bunny-eared bat, bison hanging out in rural restrooms, a decapitated Bambi, and more cougars than anyone has a right to. "Who am I now?"she wonders, captivated. A reader could be stirred up here, could be reminded to wander a little (or a lot), could be inspired to shut up and hunker down and let the awkward perfection of the wild reveal itself. Something like hope could appear. Something like spirit. --David Oates, author of The Heron Place (Swan Scythe) and Paradise Wild: Reimagining American Nature (Oregon State) In Going Feral, Heather Durham pries our world wide open to expose marvels everywhere--frogs in ice, kites with bumblefoot, baby possums, a cougar in her path, a bat in her palm, heart racing, the smell of sagebrush, and the clackety clack of a train --and she's a marvelous narrator, too, full of gentle humor and deep passion, rueful and joyful, and always attentive. This book is a delight! --Ana Maria Spagna, author of Uplake: Restless Essays of Coming and Going Heather Durham is a nature essayist and naturalist who holds a Master of Science in Environmental Biology from Antioch New England University and a Master of Fine Arts from the Northwest Institute of Literary Arts. She currently lives and writes in a feral river valley northeast of Seattle where she serves as an administrator at Wilderness Awareness School. Her essays have been published in a variety of literary journals; Going Feral is her first book.

Vanish is exquisite, painful, tender -- a book of ghosts - mother, father, friends, lovers, intermingled with the ghosts of the poet's earlier selves. Kevin Miller takes on difficult topics about family, aging, and love, his voice embodying a cherished privacy, while generously giving clarity to our own lives. These masterful poems feel like sacred stones, concentric, smooth, each word solid, needed. For anyone who has been in a long relationship, his poems on marriage are so honest they awaken us to, and we find humor in, our own daily reckonings on devotion. Vanish begins with lost memory "this tremor of fear/when the ripples left by the stone fail to reach the edge, and the pond is a space as dark as swallows...." However, it becomes the threshold where with heartfelt exploration, Miller gives us poems that are superb and passionate, as we search our way with him through his fine intellect and blazing images. --Nancy Takacs, author of The Worrier, Juniper Prize winner This collection teems with ghosts and their reckonings, and in their service Miller raises narrative to new elegiac heights in exceptional poems that both contain and release his quiet and unquiet dead. To the living he offers wisdom hard won; he celebrates the eternal verities of endurance, common decency and compassion, and unveils the mysteries behind the everyday interinanimation of friends, neighbors, family. This book, so rich with epiphanies, charts the songlines of Washington State, the magnificent watersheds and mountains and the memory held in her human communities. Clear eyed and visionary, this work is a triumph. --Paula Meehan, 2013 Ireland Professor of Poetry Turn the pages of Vanish, and you're met by beguiling surprises: quirky narratives, the heartfelt voice, jazzy soliloquy, and lyric meditation. These poems feel pressured into being by what remains peripheral: at the edges of memory, at the rim of experience. --Nance Van Winckel, author of Our Foreigner Kevin Miller's collection Vanish exists in the quiet certitude of lives lived moment to moment, hour by hour and generation to generation. The poems illustrate that it is the varied stuff of this life that makes us whole; farmhouses, sparrows and mackerel, smoke from a cigarette, candles in a window, a question asked over dinner; illuminating each small gesture and ache as they vanish into time, but permeate the living and the land they occupy. --Tina Schumann. Author of Praising the Paradox

Vanish

Miller, Kevin

Gigot's Feeding Hour deftly reimagines motherhood and devotion in the most tender of ways. This book will remind you how to care and be cared for. I'm so smitten with these love poems that dare promise a possible landscape where "...we can finally have everything, be everything we are called to be; Ourselves, in our own parade. Riding the elephant in the room, back and forth between home and away." -Aimee Nezhukumatathil, author of Oceanic and World of Wonders It might perhaps come as a surprise that a book immersed in the experience of motherhood-carrying, birthing, and raising a child-would also be so replete with hunger. But motherhood is all about the mutual desire of bodies and their ability to sate our endless thirst: the mother's body, the child's, and, in Jessica Gigot's new collection, the earth's, as well. From new lambs to tulip bulbs, from pelicans to pink moons, these poems are a meditation on the world's generous offerings. These tender poems, like bare-rooted, spare-spined saplings waiting to be planted, possess the delicate heft of haiku and a heavier weight, too-that of all the promising leaves those trees will someday bear. As Gigot says, "what we care for comes / back to us in hard / and mysterious ways." -Keetje Kuipers, author of All Its Charms and The Keys to the Jail Jessica Gigot tells us "the earth laughs in grass," as she composes a poetry of hard-earned joy sewn in the fertile soil of motherhood and farming. A shepherdess, Gigot speaks with authority about the sacrifices of care, the shared happiness and grief that braid like an old rope around the life she has chosen. There is magic in this collection as the poet "dreams herself into the bodies of these sheep" and tells us about the changing landscape, strands of past and present, the possible futures that her own pregnancies remind her still await. She proclaims, "I sing to / The one I am welcoming to this strange world," and her poems are an openhearted host for lucky readers like us. -Todd Davis, author of Native Species and Winterkill The Buddhist teacher Jack Kornfield said, "everything has a beginning and an end. Make peace with this and all will be well." In Jessica Gigot's Feeding Hour we encounter this basic truth again and again. What can one animal teach another about the harsh hours of labor, mothering, and letting go? How much are we part of a universal family of beings? As Gigot states our lives are "...separate / and also glaringly interwoven." As a farmer engaged with the life cycle of her sheep on a daily bases and her own experiences of motherhood Gigot turns a keen eye on the vacillations of birth, growth and departures evident in the instinctual nature of all animals. These poems reveal that "life spawns more life/ and what we care for comes/back to us in hard and mysterious ways." -Tina Schumann, author of Praising the Paradox

Feeding Hour

Gigot, Jessica

Winner of the Wandering Aengus Press Book Award, Tarn Wilson's memoir in essays In Praise of Inadequate Gifts explores the varied ways we process trauma and loss-and the miraculous, awkward, and imperfect process of renewal. Wilson touches on a wide range of topics: her obsession with teeth, why she doesn't have children, the summer she spent soldering keyboards for Chrysler Le Barons. She traces the after effects of her mother's rape, her confusion after her friend's mother is murdered, her own divorce and struggle with anxiety, and her complex grief after the death of her distant father and mentally ill mother. The topics are difficult, but Wilson addresses them with curiosity and gentle humor. Her honesty, empathy, and lack of self-pity make us feel we are sitting down with a trusted friend, ready to confess our own hard journey. Ultimately, this collection is not just about suffering, but about the redemptive power of kindness and connection, that inadequate gift. "Love's gestures are so unassuming, so ordinary, so clumsy, so imperfect - yet, miraculously, they hold something larger than themselves, big enough to press back against the darkness." Her experimentation with form, with a segmented essay and two essays in lists, allow her to reflect in a multi-faceted way, not just on the events, but on how we tell our stories, the choices we make as we construct the narrative of our lives. Dinty W. Moore calls these essays, "honest, powerful, and necessary." Brenda Miller writes, "Wilson shows us how we can tell stories that matter, even when our hearts have broken." Scott Russell Sanders says "These essays will surely resonate with readers who have faced their own hard questions." Abigail Thomas, bestselling author of What Comes Next and How to Like It says, "I fell in love on the very first page. Tarn Wilson is an irresistible writer and her new book is a treasure. Buy it, read it, tell everyone you know."

In Praise of Inadequate Gifts

Self-Help

Wilson, Tarn

Relationships

"You must write a self/ out of waiting/ to speak" asserts Alina &#536;tef&#259;nescu's Dor and oh, what a prismatic, many-headed self has been written into existence within these pages. In her stunning second full-length collection, &#536;tef&#259;nescu explores the worlds contained in the Romanian word Dor- a word close to longing but with no exact English equivalent-as it relates to the speaker's life as a daughter, a mother, a foreign body in a country that harms and holds us conditionally. Simultaneously tender and incisive, witty and full transformations, this book and its many ecosystems of longing and belonging begs to be re-read and promises new wonders each time. - Jihyun Yun, author of Some Are Always Hungry In one of the beautiful poems in the collection, Dor, Alina &#536;tef&#259;nescu writes of a "heart shaped like a shovel." Indeed, &#536;tef&#259;nescu's heart unearths the rich mysteries of an amalgam of Romanian and southern American culture in language deeply shadowed but attentive to the most telling of details. This is a collection that twists form and content into poems that are by turns tender or incendiary, or both. - Erin Coughlin Hollowell, author of Every Atom Alina &#536;tef&#259;nescu's Dor is a compendium of desire, displacement, longing, and belonging. While the word "dor" itself "serves as a bridge which creates its own territory from fusion," here Stefanescu's words do their own act of bridging the spaces between the body and language. In these poems, tongues, like nations, have borders; nouns and verbs come alive with ownership and agency. Part genealogy of influences, part meditation on love, lust, and loss, and part pointed feminist critique, Dor is a multi-faceted collection that creates a newly textured landscape of language. - Emily Holland, author of Lineage and editor of Poet Lore Looking at what makes her heart soar with Dor, Alina &#536;tef&#259;nescu leads us through undilluted layers of loss, love, time, language and identity, showing that "the verb for longing in Romanian is a mouth." The condensed nature of the poems and their wordplay invite the reader into a world of sensation and memory where language shifts and blooms, filling mouth and eyes with delight, where, "any body is a bow, tuned to tremble." - Clara Burghelea, author of The Flavor of the Other Some of the most complicated and haunting songs live inside these poems: nocturnes and fugues, the humming of wordless lullabies, birds who "sing in unpredatored darkness," and most significantly, the doina-a traditional Romanian folk song of intense longing. That longing charges and electrifies this book: an attempt to hold the uncontainable, to name the unnamable, to translate an emotion that can't quite be translated from one language to another. From inside these uncharted spaces, Alina &#536;tef&#259;nescu gifts us with this moving collection and all its rare, disquieting music. - Matthew Olzmann, author of Contradictions in the Design "And what is memory / if not fondled ache..." From the Romanian Republic of Alabama, "where longing is /a homeland", Alina &#536;tef&#259;nescu's Dor sings us back to the forgotten, the lost, the silences we hold and grow; here we learn, "looking back is a way of looking within." These are poems that bruise in the way they remind us we are alive. The book will singe your fingertips, show the life you are sewn into, feed you missing language, and cut through the deep-fake of not feeling. As the poet reminds us, "The danger is not dying but living in exile from / longing." - Amelia Martens, author of The Spoons in the Grass Are There to Dig a Moat

Stefanescu, Alina

See the best price to sell, buy or rent books by the Wandering Aengus Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Wandering Aengus Press

See the best price to sell, buy or rent books by the Wandering Aengus Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Empire of Surrender

Tales of a Distance

Going Feral: Field Notes on Wonder and Wanderlust

For Love of Orcas: An Anthology

Passings

Going Feral: Field Notes on Wonder and Wanderlust

Vanish

Feeding Hour

In Praise of Inadequate Gifts

Dor