De Reisgenoten

Science Fiction & Fantasy

J.R.R.Tolkien

Fantasy

Uitgeverij

Tralievader

Friedman, Carl

Architectural guide to Moscow

Engineering & Transportation

Anisimov A.V.

Engineering

Writing Death opens a meditation on the possibility of mourning; of whether there is a subject, or even object, that one mourns--of whether one is mourning, can only mourn, the very impossibility of mourning itself. The manuscript is framed by two attempts at mourning--Avital Ronell's "The Tactlessness of an Unending Fadeout" and Jeremy Fernando's "adieu." In-between--for this is where both pieces posit the possibility of attending to the passing, the memory, the fading of the person--is an attempt to think this impossibility. The text is continually haunted by the question of whether one is mourning the person as such, or a particular version of the person, a reading of the person. And in reading another, in attempting to respond to the other, one can never have the metaphysical comfort that one is reading accurately, correctly; in fact, one may always already be re-writing the person. Thus, all one can do is attempt to mourn the name of that person, whilst never being certain of whether her name even refers to her any longer. All one can do is write death."Ask not for whom the bell tolls... Eulogy: one of the many English words combining legein (to gather together) and logos (the word, the law). With eulogy though the speech-act itself is all important (eu-) and its impossibility evident in a written work. The site of the gathering together of words, of scattered sounds, disappears in the act of writing, itself scatter--all too forcefully underlining the cause, the event of dispersion that creates the need for gathering together. Jeremy Fernando's eulogy, this particular eulogy, is called Writing Death, and it reminds us that eulogy in its impossibility may well be the primary genre of writing. Writing and death have always gone together, hence Plato's suspicions of chirographic technologies. The author is absent, as is the subject. The text brooks no questions and gives no answers. Fernando's gathering of scatterings in the form of mini-meditations unfolds the weaving of textus that makes writing possible and makes death comprehensible in all of its paradoxical mystery and awe-ful presence. His is a book of catalysts: use them with care." --Ryan Bishop, Professor of Global Arts and Politics, the Winchester School of Art , the University of Southampton

Writing Death

Politics & Social Sciences

Jeremy Fernando

Philosophy

paq'batlh: The Klingon Epic is the definitive edition of the grand Klingon epic of the Kahless the Unforgettable (qeylIS lIjlaHbogh pagh). The story of Kahless is a tale of legendary proportions comparable to those of our own ancient heroes Hercules, Ulysses and Gilgamesh. Betrayed by his brother and witness to his father's brutal slaying, Kahless is pitted against his bitter enemy, the mighty tyrant Molor. To regain his honor he must travel into the Underworld, create the first bat'leth, and unite with his true love, Lady Lukara, to fight many epic battles. Through this awe-inspiring adventure Kahless redefines what its is to be truly Klingon. Reconstructed from several sources, this bilingual Klingon/English edition provides a keen insight into the nature of Klingon culture and mythology, and features the first publication of Ancient Klingon (no'Hol) fragments. Meticulously translated by the world's leading Klingon language expert, Marc Okrand, this classic epic is a must have for anyone interested in Klingon culture and language.

paq'batlh: The Klingon Epic

Euripides wrote two plays called "Hippolytus." In this, the second, he dramatized the tragic failure of perfection. This translation comes in two forms; the first presents a simulacrum of the text as it might have appeared in unprocessed form to a reader sometime shortly after Euripides' death. The second processes the drama into the reduced but much more distinct form of modern print translations.

Hippolytus

Literature & Fiction

Eurípides

Dramas & Plays

An Anthology of Asemic Handwriting is the first book-length publication to collect the work of a community of writers on the edges of illegibility. Asemic writing is a galaxy-sized style of writing, which is everywhere yet remains largely unknown. For human observers, asemic writing may appear as lightning from a storm, a crack in the sidewalk, or the tail of a comet. But despite these observations, asemic writing is not everything: it is just an essential component, a newborn supernova dropped from a calligrapher's hand. Asemic writing is simultaneously communicating with the past and the future of writing, from the earliest undeciphered writing systems to the xenolinguistics of the stars; it follows a peregrination from the preliterate, beyond the verbal, finally ending in a postliterate condition in which visual language has superseded words. An Anthology of Asemic Handwriting is compiled and edited by Tim Gaze from Asemic magazine and Michael Jacobson from The New Post-Literate blog. Contributors include: Reed Altemus, mIEKAL aND, Rosaire Appel, Francesco Aprile, Roy Arenella, Derek Beaulieu, Pat Bell, John M. Bennett, Francesca Biasetton, Volodymyr Bilyk, Tony Burhouse &amp; Rob Glew, Nancy Burr, Riccardo Cavallo, Mauro Césari, Peter Ciccariello, Andrew Clark, Carlfriedrich Claus, Bob Cobbing, Patrick Collier, Robert Corydon, Jeff Crouch, Marilyn Dammann, Donna Maria Decreeft, Alessandro De Francesco, Monica Dengo, Mirtha Dermisache, Bill Dimichele, Christian Dotremont, Jean Dubuffet, Max Ernst, Mark Firth, Eckhard Gerdes, Mike Getsiv, Jean-Christophe Giacottino, Marco Giovenale, Meg Green, Brion Gysin, Jefferson Hansen, Huai Su, Geof Huth, Isidore Isou, Michael Jacobson, Satu Kaikkonen, Jukka-Pekka Kervinen, Rashid Koraishi, Irene Koronas, Edward Kulemin, Le Quoc Viet &amp; Tran Tr?ng Duong, Jim Leftwich, Misha Magazinnik, Matt Margo, André Masson, Nuno de Matos, Willi Melnikov, Morita Shiryu, Sheila E. Murphy, Nguyen Duc Dung, Nguyen Quang Thang, Pham Van Tuan, François Poyet, Kerri Pullo, Lars Px, Marilyn R. Rosenberg, Roland Sabatier, Ekaterina Samigulina &amp; Yuli Ilyshchanska, Alain Satié, Karen L. Schiff, Spencer Selby, Peggy Shearn, Ahmed Shibrain, Gary Shipley, Christopher Skinner, Hélène Smith, Lin Tarczynski, Morgan Taubert, Andrew Topel, Cecil Touchon, Louise Tournay, Tran Tr?ng Duong, Lawrence Upton, Sergio Uzal, Marc van Elburg, Nico Vassilakis, Glynda Velasco, Simon Vinkenoog, Vsevolod Vlaskine, Cornelis Vleeskens, Anthony Vodraska, Voynich Manuscript, Jim Wittenberg, Michael Yip, Logan K. Young, Yorda Yuan, Camille Zehenne, Zhang Xu, &amp; others.

An Anthology of Asemic Handwriting

Reference

Words, Language & Grammar

This book is titled after the world-renowned poem of Jose Maria Sison, "The Guerrilla Is Like a Poet," which celebrates with natural imagery and in a lyrical way the Filipino people's revolutionary struggle for national liberation and democracy against foreign and feudal oppression and exploitation. The book contains poems from Sison's Prison and Beyond, which won the Southeast Asia WRITE Award, as well as new poems that further develop the theme of struggle for national and social liberation as well as exile. It also carries articles of creative writers on the significance and relevance of his poetry. Sison is a Filipino revolutionary with extensive guerrilla experience and has been a recognized poet since his student days at the University of the Philippines. The publication of this book has been sparked by the effort of the Academy for Cultural Activism of the New World Summit to present the people's culture in the national democratic struggle in the Philippines.

The Guerrilla Is Like a Poet

Sison, José Maria

History & Criticism

Poetry from Beyond the Grave is the first English publication of a large selection of poems by the Brazilian medium and Spiritist leader Francisco Cândido "Chico" Xavier. These poems, originally collected in the volume Parnaso de Além-Túmulo, were dictated to Xavier by a variety of spirits of Brazilian poets from the afterlife, as journeying souls or as witnesses of the spiritual city Nosso Lar, "our house." Poetry from Beyond the Grave is a veritable collection of haunted writing, in which poets present their posthumous work as if they were alive. The brilliant translation by Vitor Pequeno is supplemented by an extensive afterword by Jeremy Fernando, who traces what it means to speak through the other.

Poetry from Beyond the Grave

Xavier, Francisco Cândido

Poetry

Pen in the Park / Pen Parkta

Meseri, Rasel

Mythology & Folk Tales

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