Riptide

Sharon Blackie

Two Ravens Press

Types of Everlasting Rest

Gray, Clio

Leaving the Nest

The Zig Zag Woman

Maggie Sawkins

The Perfect Loaf

Angus Dunn

One True Void

Dexter Petley

The Last Bear

Mandy Haggith

'I have been asleep for forty years. This is what I need: this fear, this risk, this wind rocking my wings. This is what I have been missing. This is what it means to be alive - up here, on the edge of death.' Cat Munro's safe, carefully-controlled world as a corporate lawyer in Phoenix is disintegrating, and she is diagnosed with panic disorder just before her fortieth birthday. In a last-ditch attempt to regain control of her life, she faces up to her greatest fear of all: she decides to learn to fly. As she struggles to let go of old memories and the anxieties that have always held her back, Cat faces a choice: should she try to piece her old life back together again, or should she give in to the increasingly urgent compulsion to throw it all away? Several thousand miles away in Scotland, Cat's mother Laura faces retirement and a growing sense of failure and futility. Alone for the first time in her life, she is forced to face the memories of her violent and abusive marriage, the alcoholism that followed, and her resulting fragile relationship with Cat. But then she joins the local storytelling circle. And as she becomes attuned to the mythical, watery landscape around her, she begins to reconstruct the story of her own life ... From the excoriating heat of the Arizona desert to the misty flow of a north-west Highland sea-loch, Sharon Blackie's first novel presents us with landscape in all its transformative power. An honest and moving exploration of the complexities of mother-daughter relationships, 'The Long Delirious Burning Blue' is above all a story of courage, endurance and redemption.

The Long Delirious Burning Blue

Literature & Fiction

Literary

Auschwitz: a place where millions were killed and which thousands now visit each year. A mass grave - and a tourist destination. The focus of this work of autobiographical fiction is on the sightseers - the curious that are drawn to visit. It is a book that questions our need to look: what is there to uncover, other than the difficulty of peering into such a place and into a subject that has been obsessively documented, yet can never really be understood? How to write about Auschwitz in the twenty-first century, in a time when the last generation of survivors is soon to be lost? This is also a book that searches for a personal story. It opens on a local bus that takes Angela, her husband En (whose mother survived the holocaust where most of her family did not) and their two sons to Auschwitz sixty years after the holocaust, and ends in a pine forest outside Minsk where En's grandparents were shot in May 1942. The backbone of Auschwitz is a series of e-mails between the author and acclaimed Franco-American writer Raymond Federman. At the age of 14, Federman (now approaching 80) was hastily thrust into the small upstairs closet of their Paris apartment by his mother just before she, his father and two sisters were taken to Auschwitz, where they were killed. Federman also has spent a lifetime trying to find a language appropriate for the enormity of the holocaust and his part in its legacy, ultimately espousing laughterature - laughter as a means of survival. This beautiful, powerful and innovative work experiments with new forms - correspondence, reflections, dreams, a travelogue - that mirror the fragmentary legacy of the holocaust itself and that, at the same time, capture its contradictions - and sometimes its absurdity.

Auschwitz

Angela Morgan Cutler

In the Hanging Valley

Yvonne Gray

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