Fritz Scholder: Paintings and Monotypes

Scholder, Fritz

Arts & Photography

TWIN PALMS

This retrospective look at Duane Michals ouevre by the esteemed writer Max Kozloff is the first major critical evaluation of the artist's contribution to the history of photography. Many of Duane Michals' early sequences and portraits are published here as well as previously unpublished new work. This publication accompanied a three year traveling museum exhibition which opened December 11, 1990 at San Diego's Museum of Photographic Art.

Now Becoming Then

Max Kozloff

Photography & Video

Stivers takes us into alcoholic twilight. Shuddering exiles in watery purgatory, the human figures as well as forests, clouds, plants, works of art and even architecture seem never actually to have existed.... Each photograph visualizes the anguished lament of the current that runs through him... All of this mirrors his dream books and journals, where the trials of actual experience and his mind's nocturnal dream machinery are indistinguishable. Stivers' pictures are figments of his material philosophy of escape. -Eugenia Parry

Robert Stivers: Sanctum

Robert Stivers

Individual Artists

BRYAN SCHUTMAAT ISLANDS OF THE BLEST (2ND EDITION) /ANGLAIS

Schutmaat, Bryan

BEACH PICTURES, 1969-70 ANTHONY HERNANDEZ /ANGLAIS

Hernández

At 17 Mike Brodie hopped his first train close to his home in Pensacola, FL thinking he would visit a friend in Mobile, AL. Instead the train went in the opposite direction to Jacksonville, FL. Days later, Brodie rode the same train home, arriving back where he started. Nonetheless, it sparked something and Brodie began to wander across the U.S. by any means that were free - walking, hitchhiking and train hopping. Shortly after, Brodie found a Polaroid camera stuffed behind a carseat. With no training in photography and coke-bottle glasses, the instant camera was an opening for Brodie to document his experiences. As a way of staying in touch with his transient community, Brodie shared his pictures on various websites gaining the moniker "The Polaroid Kidd" [sic]. When the Polaroid film he used was discontinued, Brodie switched to 35mm film and a sturdy 1980's camera. Brodie spent years crisscrossing the U.S. amassing a collection, now appreciated as one of the most impressive archives

A Period of Juvenile Prosperity

Brodie, Mike

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