A woman arrives alone in Kolkata, taking refuge in a deserted apartment while she waits to undergo an unspecified surgery. In this disorienting city, everything seems new and strange: the pavement-dwellers outside her block, the collective displays of religiosity, the power cuts and alarming acts of arson. Her sense of identity already shaken, when she finds a stained pair of leopard print panties in the otherwise-empty wardrobe she begins to fantasise about their former owner, whose imagined life comes to blur with and overlap her own.
Pairing manic energy with dark eroticism, Sangeeta Bandyopadhyay's writing has a surreal, feverish quality, slipping between fluid subjects with great stylistic daring. Credited with being 'the woman who reintroduced hardcore sexuality into Bengali literature', Bandyopadhyay is neither superficial nor sensationalistic, equally concerned with debates on religion and nationhood as with gender and sexuality.

Panty

Literature & Fiction

Bandyopadhyay, Sangeeta

Literary

Tilted Axis Press

One Hundred Shadows

Hwang Jungeun

History & Criticism

Indigenous Species

Sad Part Was

Yoon, Prabda

Short Stories & Anthologies

Abandon

On New Years' Eve 1938, the writer Abdulla Qodiriy is taken from his home by the Soviet secret police and thrown into a Tashkent prison. There, to distract himself from the physical and psychological torment of beatings and mindless interrogations, he attempts to mentally reconstruct the novel he was writing at the time of his arrest based on the tragic life of the Uzbek poet-queen Oyhon, married to three khans in succession, and living as Abdulla now does, with the threat of execution hanging over her. As he gets to know his cellmates, Abdulla discovers that the Great Game of Oyhon's time, when English and Russian spies infiltrated the courts of Central Asia, has echoes in the 1930s present, but as his identification with his protagonist increases and past and present overlap it seems that Abdulla's inability to tell fact from fiction will be his undoing. The Devils' Dance brings to life the extraordinary culture of 19th century Turkestan, a world of lavish poetry recitals, brutal polo matches, and a cosmopolitan and culturally diverse Islam rarely described in western literature. Hamid Ismailov's virtuosic prose recreates this multilingual milieu in a digressive, intricately structured novel, dense with allusion, studded with quotes and sayings, and threaded through with modern and classical poetry. With this poignant, loving resurrection of both a culture and a literary canon brutally suppressed by a dictatorship which continues today, Ismailov demonstrates yet again his masterful marriage of contemporary international fiction and the Central Asian literary traditions, and his deserved position in the pantheon of both.

The Devils' Dance

Hamid Ismailov

Contemporary

As a work of post-tsunami literature and a protest against the 2020 Tokyo Olympics, this novel is of utmost importance to this moment, a powerful rebuke to the Imperial system and a sensitive, deeply felt depiction of the lives of Japan's most vulnerable people. Kazu is dead. Born in Fukushima in 1933, the same year as the Emperor, his life is tied by a series of coincidences to the Imperial family and has been shaped at every turn by modern Japanese history. But his life story is also marked by bad luck, and now, in death, he is unable to rest easily, haunting the park near Ueno Station. It is here that Kazu s life in Tokyo began and ended, having arrived there to work as a labourer in the run up to the 1964 Tokyo Olympics before ending his days living in the vast homeless villages in the park, traumatised by the destruction of the 2011 tsunami and enraged by the announcement of the 2020 Olympics.

Tokyo Ueno Station

Yu, Miri

In a pink-walled motel, a teenage prostitute brings a grown man to tears. A lovestruck young boy holds the dismembered hand of his crush, only to find himself the object of a complex mnage trois. A naked body falls from the window of a twenty-storey building, while two female office workers offer each other consolation in the elevator In these wry and unsettling stories, Prabda Yoon once again illuminates something of the strangeness of modern cultural life in Bangkok. Disarming the reader with surprising charm, intensity and delicious horror, he explores what it means to have a body, and to interact with those of others.

Moving Parts

Prabda Yoon

That's how it generally is with Aeja's stories. They're as potent as a putrid peach. Listening to her words your head starts to droop with their sticky juice trickling down your ears, until all you can do is succumb to the saccharine flow.' From one of South Korea's most acclaimed young authors comes the story of two sisters, Sora and Nana. When Sora was ten years old, and Nana was nine, their father died in a freak accident at the factory where he worked, his body sucked under a huge cogwheel, crushed beyond recognition. Their mother Aeja, numb with grief, gives in to torpor, developing an unhealthy obsession with the paradoxical violence implicit in life. Now adults, Sora finds herself dreaming of the past when she discovers that Nana is pregnant. Her initial reaction is shock though they live together, she never even realised her younger sister had a lover and Nana's icy response to her attempt at being considerate ('You hate this, so don't pretend like I m some poor pregnant woman you have to pity') drives a wedge between the two. Can Naghi the boy who shared their childhood, and the simple, nourishing meals cooked by his mother help the sisters break free of Aeja's worldview in which life is ultimately futile and love is always doomed? A delicate stylist with an unflinching social gaze, in I'll Go On Hwang Jungeun has crafted a poignant novel with an uncanny ear for the unspoken secrets and heartaches buried beneath daily life and family ritual. Above all, it is a stunning exploration of the intensity of early bonds and the traces they leave on us as we grow up.

I'll Go On

A collection of poetry that speaks of the lives of queer individuals in Indonesia. It won first prize in the 2015 Jakarta Arts Council Poetry Manuscript Competition and was a finalist of Khatulistiwa Literary Award for Poetry.

Sergius Seeks Bacchus

Norman Erikson Pasaribu

Erotica

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