Music and Literature - A Comparison of the Arts

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Arts & Photography

BROWN, CALVIN S.

Music

Thompson Press

At Whatever Cost - The Story Of The Dieppe Raid

History

Thompson, R.W.

Military

<p>Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.</p>

Calculus for the Practical Man

Science & Math

Thompson, J.E.

Mathematics

MUSIC and LITERATURE- A Comparison of the Arts by CALVIN S. BROWN. Contents include: Acknowledgments ix Preface xi I. Science and Art 1 II. The Fine Arts 7 III. Rhythm and Pitch IS IV. Timbre, Harmony, and Counterpoint 31 V. Vocal Music General Considerations 44 VI. The Literal Setting of Vocal Music 53 VII. The Dramatic Setting of Vocal Music 62 VIII. The Dilemma of Opera 87 IX. Repetition and Variation 100 X. Balance and Contrast 114 XI. Theme and Variations 127 XII. ABA Form and the Rondo 135 XIII. The Fugue 149 XIV. Sonata Form 161 XV. The Musical Development of Symbols Whitman 178 XVI. The Poetry of Conrad Aiken 195 XVII. Fiction and the Leitmotiv 208 XVIII. Literary Types in Music 219 XIX. Program Music a Short Guide to the Battlefield 229 XX. Descriptive Music 245 XXI. Narrative Music 257 XXII. Conclusion-268 Notes 272 Index 279 Tii Acknowledgments THE author wishes to express his thanks to the University System of Georgia for their grant in aid of research and to the General Research Fund of the University of Georgia for a grant in aid of publication. The author also wishes to express his thanks to the following per sons and firms for their kind permission to quote material on which they own copyrights To Mr. Conrad Aiken for passages from Ms Nocturne of Remembered Spring, Selected Poems, Blue Voyage, Time in the Rock, and The Coming Forth by Day of Osiris Jones and to Mr. Aiken and the editors of Poetry for passages from his review of The Charnel Rose. To A. C. Black, Ltd., London, and The Macmillan Co., New York American publishers, for a passage from Albert Schweitzer s . S. Bach. To Dodd, Mead Company, Inc., for three passages from quot Lepanto, quot from The Collected Poems of G. K. Chesterton. Reprinted by permission of Dodd, Mead Company, Inc. Copyright, 1911, by Dodd, Mead Company, Inc. Thanks are also due to A. P. Watt and Son and the executrix of the Chesterton estate for the use of this material. To Mr. John Gould Fletcher for passages from his Goblins and Pagodas and Preludes and Symphonies. To Harper Brothers for passages from Lawrence Oilman s Stories of Symphonic Music and Aldous Huxley s Point Counter Point. To Alfred A. Knopf, Inc., for passages from Ernest Newman s A Musical Motley and Thomas Mann s Stories of Three Decades, translated by H. T. Lowe-Porter. To J. B. Lippincott Co. for a passage from P. H. Goepp s Symphonies and their Meaning reprinted as Great Works of Music , vol. III. To Novello Co., Ltd., for a passage from F. Niecks Programme Music in the Last Four Centuries. To the Oxford University Press for passages from Collected Essays, Papers, Etc., of Robert Bridges, Essay No. XXI from Tovey s Essays in Musical Analysis, Vol. IV and for the rondeau quot In After Days, quot from Collected Poems of Austin Dobson. To G. Schirmer, Inc., and the editors of the Musical Quarterly for material reprinted from the author s articles, quot The Musical Structure of De Quincey s Dream Fugue quot and quot The Poetic Use of Musical Forms.

<p>CALCULUS For the Practical Man by J. E. THOMPSON. Originally published in 1931. PREFACE: THIS book on simplified calculus is one of a series designed by the author and publisher for the reader with an interest in the meaning and simpler technique of mathematical science, and for those who wish to obtain a practical mastery of some of the more usual and directly useful branches of the science without the aid of a teacher. Like the other books in the series it is the outgrowth of the author's experience with students such as those mentioned and the demand experienced by the publisher for books which may be read as well as studied. One of the outstanding features of the book is the use of the method of rates instead of the method of limits. To the conven tional teacher of mathematics, whose students work for a college degree and look toward the modern theory of functions, the author hastens to say that for their purposes the limit method is the only method which can profitably be used. To the readers contem plated in the preparation of this book, however, the notion of a limit and any method of calculation based upon it always seem artificial and not hi any way connected with the familiar ideas of numbers, algebraic symbolism or natural phenomena. On the other hand, the method of rates seems a direct application of the principle which such a reader has often heard mentioned as the extension of arithmetic and algebra with which he must become acquainted before he can perform calculations which involve changing quantities. The familiarity of examples of changing quantities in every-day life also makes it a simple matter to in troduce the terminology of the calculus; teachers and readers will recall the difficulty encountered in this connection in more formal treatments. The scope and range of the book are evident from the table of contents. The topics usually found in books on the calculus but not appearing here are omitted in conformity with the plan of the book as stated in the first paragraph above. An attempt has been made to approach the several parts of the subject as naturally and directly as possible, to show as clearly as possible the unity and continuity of the subject as a whole, to show what the calculus is all about and how it is used, and to present the material in as simple, straightforward and informal a style as it will permit. It is hoped thus that the book will be of the greatest interest and usefulness to the readers mentioned above. The first edition of this book was prepared before the other volumes of the series were written and the arrangement of the material in this volume was not the same as in the others. In this revised edition the arrangement has been changed somewhat so that it is now the same in all the volumes of the series.</p>

Handbook of Greek and Latin Palaeography

THE HANDBOOK OF GREEK AND LATIN PALAEOGRAPHY by EDWARD MATJNDE THOMPSON. Originally published in 1893. PREFACE. THIS Hand-book does not pretend to give more than an outline of the very large subject of Greek and Latin Palaeography. It must be regarded as an introduction to tlie study of the subject, indicating tlie different branches into which it is divided and suggesting the lines to be followed, rather than attempting full in struction. It in. no way supersedes the use of such works as the collections of facsimiles issued by the Palasographical Society and by other societies and scholars at home and abroad; but it is hoped that it will serve as an aid to the more intelligent and profitable study of them. Our conclusions as to the course of development of the handwritings of former ages are based on our know ledge and experience of the development of modern forms of writing. Children at school learn to write by copying formal text-hands in their copy-books, and the handwriting of each child will bear the impress of the models. But as he grows up the child developes a handwriting of his own, diverging more and more from the models, but never altogether divesting itself of their first influence. Thus, at all times, we have numerous individual handwritings, but each bearing the stamp of its school and of its period ; and they, in their turn, re act upon and modify the writing of the next generation. In this way have arisen the handwritings of nations viii Preface. and districts, of centuries and periods, all distinguish able from eacli other by the trained eye. And tlie i acuity o distinction is not entirely, but to a very great degree, dependent on familiarity. Anyone will readily distinguish the handwritings of individuals of his own time, and will recognise his friend's writing at a glance as easily as he recognizes his face ; he has more difficulty in discriminating between the individual handwritings of a foreign country. Set before him specimens of the writing of the last century, and he will confuse the hands of different persons. Take him still farther back, and he will pronounce the writing of a whole school to be the writing of one man ; and he will see no difference between the hands, for example, of an Englishman, a Frenchman, and a Fleming. Still farther back, the writing of one century is to him the same as the writing of another, and he may fail to name the locality where a MS. was written by the breadth of a whole continent. Palaeographical knowledge was formerly confined to a few, chiefly to the custodians or owners of collections of manuscripts ; works of reference on the subject were scarce and expensive; and facsimiles, with certain excep tions, were of no critical value. In these days, when photography has made accurate reproduction so simple a matter, the knowledge is within the reach of all who care to acquire it. The collections of facsimiles which have been issued during the last twenty years have brought into the private study materials which the student could formerly have gathered only by travel and personal research. And more than this : these facsimiles enable us to compare, side by side, specimens from manuscripts which lie scattered in the different libraries of Europe and which could never have been brought together. There is no longer any lack of Preface, ix material for tlie ready attainment} of palceographical knowledge. Abroad, this attainment is encoaraged In various countries by endowments and schools. In our own country, where the development of such studies is usually left

Thompson, Edward Maunde

Europe

History Of Lochleven Castle - With Details Of The Imprisonment And Escape Of Mary Queen Of Scots

Burns-Begg, Robert

The Autobiography Of Elder Joseph Bates; Embracing A Long Life On Shipboard, With Sketches Of Voyages On The Atlantic And Pacific Oceans, The Baltic And Mediterranean Seas

Bates, Joseph

Biographies & Memoirs

Elements Of The Differential And Integral Calculus

DAVIES, CHARLES

Americas

How to Make a Ship in a Bottle

Crafts, Hobbies & Home

Monk, Clive

Crafts & Hobbies

See the best price to sell, buy or rent books by the Thompson Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Thompson Press