Stefan Rinck: Stones. Gods. Humans. Animals.

Arts & Photography

Rinck, Monica

Photography & Video

This Side Up

Besides her literary works, the celebrated Lebanese-American poet, essayist, and scholar Etel Adnan (1925–2021) also created visual works such as films, oil paintings, and tapestries. Published in conjunction with the first exhibition in Spain to survey her career, ‘Behind the Horizon Line’ presents a selection of more than 60 works since the 1960s, with a special emphasis on her output from the last two decades. All the artist’s creative media – painting, drawing, leporellos, ceramics, textiles, and video – are represented. As such, the collection clearly reflects her stylistic evolution from the pure geometric abstraction of her early years to her interpretations of landscape in the 1970s.

Etel Adnan: Tras la línea de horizonte / Behind the Horizon Line (Spanish and English Edition)

Rodríguez-Fominaya, Álvaro

Lina Bo Bardi & Studio de Arte Palma: Revived Masterpieces from Bittencourt House

Campos, Sergio

Jimeno, Lucas

Graphic Design

Ana Mendieta: En búsqueda del origen

Honoré, Vincent

Boutayeb, Rahmouna

Ana Mendieta: Aux Commencements / Search for Origin

Conversaciones con Marcel Duchamp

Cabanne, Pierre

DUCHAMP, MARCEL

Motherwell, Robert

Genealogías feministas en el arte español, 1960-2010

Aliaga, Juan Vicente

Mayayo Bost, Patricia

History & Criticism

Samples is a handsome collection of 220 images of the gorgeously detailed notebooks of Colombian artist José Antonio Suárez Londoño (born 1955). These notebooks include drawings, engravings and rubber stamps, and often are themed around literary figures such as Rimbaud, Walser or the Beat Generation.

José Antonio Suárez Londoño: Samples

Sonseca, Yara

The austere, sculptural installations of Mexican artist Jose Dávila (born 1974) occupy a fruitful mid-ground between architecture and art. This beautifully produced overview features a clothbound cover with die-cut squares that reference the negative spaces in his work.

Jose Dávila: Daylight Found Me with No Answer

Fernandes, João

CIFO is pleased to present Adiós Utopia: Art in Cuba Since 1950, a publication that offers a new vision of artistic development and production and which centers on associations with the utopian spirit that defines Cuba's revolutionary period and its impact on art. Through research and critique, the publication establishes a meaningful dialogue that demystifies the preconceived narratives that have characterized Cuban art during the Revolution. Aesthetics, politics and culture are often inextricably interlinked in the artworks created during this period, which in turn exemplify the global transcendence of how art can respond to a dynamic context. This publication reveals a broad range of trends and approaches from the 1950s until the present, covering a variety of mediums such as painting, sculpture, installation, photography and poster art, among others. With over 150 images of artworks produced in Cuba during this time and more than 100 images from archival documents spanning over 60 years, the book includes essays by historians, art critics, curators, artists and other academics as well as a comprehensive chronology.

Adios Utopía. Art in Cuba since 1960

Weiss, Rachel

Mosquera, Gérardo

de La Nuez, Iván

Eligio Tonel, Antonio

Vega, Elsa

Francisco, René

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