Opulence

Literature & Fiction

Ellis, Stephen

Poetry

theenk Books

Rugh Stuff

Tills, Steve

Poetry. "Hey there 'data clump'! Yeah, you with that 'digital plant' on your desk, get down from your 'general behavior (box),' 'lifelong debt' is 'bio triggering'! Comparison shopping operates at the neuronal level; synaptic plasticity in language spores 'eternally logged in.' Back away from your 'colluder tool'! Corporeal logos or corporate logo, we know ourselves in 'metered waves,' 'bank cabbage,' computational biology. Not to get poetic but the 'CSI beach' pounds just beyond this 'military hedge'; Target is retail experience and war, 'deployment occurs at scented intervals.' In GLOWBALL, Steve Farmer infiltrates the 'technical staff of Accepted Sanctuaries of Respite & Commonality' and is deftly 'handling drafts of the design.' He reminds us that login itself is a 'content affirmation exercise,' that we are 'liquid data' experiencing 'ijoy' 'in beta.' 'You have (taken) my dream face.' Save your 'fictive depth' for someone who hasn't read this book. Then grab your 'inner media' (and all of Farmer's books) and head for the hills"--Yedda Morrison.

glowball

Farmer, Steven

Poetry. "An unexpected treasure, ROAD GHOSTS is an on-the-ground poetic document of radicalized students coming of age in the late 60s & early 70s. Its clarity of external & internal detail is often startling. Its detached camera eye lucidly documents the process of portent, pretense & Utopian fervor associated with that brief opening in U.S. dissident cultures & the generational clashes inspired by idealism, psychedelics, & quest fever. It's a profound personal essay on being & becoming"—David Meltzer.

Road Ghosts

Roche, John

Object States

Selland, Eric

Women: Poetry: Migration is a 328 page anthology of 50 acclaimed international women poets, all living in countries other than countries in which they were born. 
Jane Joritz-Nakagawa has undertaken a remarkable editorial task in bringing together avant-garde women poets who are also migrants. If, as Susan Suleiman wrote, the avant-garde woman poet is doubly marginalised, then these poets are in a triple lock of marginalisation. Yet, as the anthology demonstrates, this can be a source of strength and transformation, which gives them a centrality, not only in their own lives, but in the cultural development of their adopted country. Indeed, some of these poets have played a crucial role in shaking up mainstream poetics.
- Frances Presley

Women: Poetry: Migration

History & Criticism

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