Conceived by architect Charles W. Moore and begun in the context of social activism and dramatic institutional change during the 1960s, the Yale Building Project has contributed to the education of many of this country’s leading architects, serving as the model for “design-build” programs at universities nationwide. The Yale Building Project: The First 40 Years is the first comprehensive history of this important initiative. Every year since 1967, graduate students in the Yale School of Architecture have designed and constructed a building for a community–based client. This book documents each of the projects alongside essays that situate the program in its historical context, from students’ journeys to rural Appalachia to build community centers and a health clinic, to pavilions and recreational structures constructed throughout Connecticut, and affordable housing built in New Haven. Describing a program that has had a profound effect on American architectural culture, this book will serve as a valuable resource for architects, historians, students, and community planners.

The Yale Building Project: The First 40 Years

History

Hayes, Richard W.

Americas

The Yale School of Architecture

The first collection of writings by one of the most innovative architects and educators of the 1950s and 1960s, this book includes a wealth of recently discovered archival materials and many previously unpublished photographs. Featured texts include a selection of Paul Rudolph’s published critical writings, which cover such topics as Rudolph’s views about the architecture and city planning of his time and the proper way to educate an architectural student. Recent controversies about the preservation of many of Rudolph’s buildings―including the landmark Art and Architecture Building at Yale, which celebrates its 45th anniversary and grand reopening in November 2008―make this a timely publication.

Writings on Architecture

Arts & Photography

Rudolph, Paul

Architecture

Throughout the history of the built environment there has been no more significant endeavor than the construction of houses of worship, which were once the focal point around which civilizations and city-states developed. Constructing the Ineffable is the first book to examine this topic across continents and from the perspective of multiple faiths, including Christianity, Judaism, Islam, and Baha'i. It addresses how sacred buildings such as churches, mosques, synagogues, and memorials are viewed in the context of contemporary architecture and religious practice. 
Featuring more than a dozen essays by a broad range of leading international architects, historians, and theologians, Constructing the Ineffable offers a fundamental exploration of defining and understanding contemporary sacred spaces. This thought-provoking book also invites readers to consider the powerful influence of religion on civic life and to discuss the role that design and construction play in religious buildings.

Constructing the Ineffable: Contemporary Sacred Architecture

History & Criticism

American architect Paul Rudolph (1918–1997) was internationally known in the 1950s and early 1960s for his powerful, large-scale concrete buildings. Hugely influential during his lifetime, Rudolph was one of the most significant American architects of his generation. To a remarkable extent, his reputation rose and fell with the fortunes of postwar modernism in America. This insightful book reconsiders Rudolph’s architecture and the discipline’s assessment of his projects. It includes nearly a dozen essays by well-known scholars in the fields of architectural and urban history, all of which shed new light on Rudolph’s theories and practices. Contributions explore the architect’s innovative use of materials, including plywood, Plexiglas, and exposed concrete; the places he lived and worked, from the Anglo-American axis to the Bengal delta; his affiliation with CIAM (Congrès Internationaux d’Architecture Moderne); and currents within his philosophy of architecture.

Reassessing Rudolph

<div>A celebration of renowned sculptor and educator Kent Bloomer's work, examining the role of ornament in contemporary architecture and society Best known for New York's Central Park luminaires (1982), the ornamentation at Rice University's Baker Hall in Houston (1997), and his work on Yale University's Bass Library entrance pavilion and Sterling Memorial Library stairwell entrance (2007), the sculptor Kent Bloomer (b. 1935) has not only influenced the discussion around ornament in contemporary architectural practice, but has inspired developments in a range of disciplines that include history, music, art, philosophy, and biology. With a retrospective look at Bloomer's work as a point of departure, scholars from a variety of different fields explore his contributions to the history of ornament as both a social and an artistic phenomenon. Through the lens of Bloomer's groundbreaking oeuvre, this volume reorients the discourse of ornament from a contentious vestige of modernity toward its active relationship to architecture, landscape, urbanism, and a sense of place.</div>

Kent Bloomer: Nature as Ornament

Notes on Peter Eisenman: The Gradual Vanishing of Architecture

Retrospecta: Yale School of Architecture 1999-2000

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Books by The Yale School of Architecture