Lou Andreas-Salome: Her Life and Work

Livingstone, Angela

The Bristol Press

Erasmus and His Times

ERASMUS

Religion & Spirituality

This is a reproduction of a book published before 1923. This book may have occasional imperfections                                      such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,                                       or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,                                       have elected to bring it back into print as part of our continuing commitment to the preservation of printed works                                       worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.                                                                             ++++                                      The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification:                                      ++++                                       The Duchess Of Malfi: A Play; The Temple Dramatists John Webster Charles Edwyn Vaughan J.M. Dent and Co., 1896

The Duchess of Malfi (Plays in performance)

Webster, John.

At last, from an author uniquely qualified and ideally equipped to discuss all the elements (words, movement, music, light, use of space, narrative, vocal technique) that make up the "New Singing Theatre,", here is a book that lucidly recounts both the evolution and the content of this new and still-forming art.  The book attempts a first definition that brings under the heading "New Singing Theatre" all the disparate works loosely known as musical theatre, everything from Broadway musicals to complex chamber works by avant-garde composers, through voguish multimedia events to whittled-down traditional opera too embarrassed to call itself opera.  The book also is a first blueprint for the new form which has so rapidly evolved from anticipatory works in the 1920s and 1930s to the flowering of new works and new ways in the years since World War II.  Based on Bawtree's worldwide experience working in the U.S., Canada, England, the Soviet Union, Germany, and Cuba, The New Singing Theatre will be required reading for all those concerned with staging dramatic works with music--producers, directors, administrators, designers, and singing actors.

The New Singing Theatre

Arts & Photography

Bawtree, Michael

Performing Arts

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