A culture that has brought us legendary musicians such as RL Burnside, Big Jack Johnson, T-Model Ford and drummer Sam Carr. In this exhibition, musicians, juke joints, barber shops and the expansive landscape of the Delta are recorded in Miller's extensive travels through the land where the blues began.

Notes from the Mississippi Delta

Arts & Photography

MILLER, Nathan

Photography & Video

T & G Pub Pty Ltd

"Blush brings together strands of Janina Green's practice from 1988 to the present. The obsessions and themes which have underpinned her work meander together in a dream - like stream of consciousness to form a whole body of work which is simultaneously delicate, intimate, sensual and faintly disconcerting. Green's beautiful hand coloured portraits of young adults and images from the natural world sit beside her constructed photographs of domestic dysfunction and constructed narrative images dealing with childhood, motherhood, female friendship and fantasy. Running throughout are small punctuations of tiny moments of fragile beauty. Sofia Ahlberg writing in an essay in the publication says: "Blush is writing on the body: instinctive, transparent, immediate. Suggestive of modesty, embarrassment, and shame, blushing has become the signifier of femininity. However, a blush is also something applied by women on their own bodies in order to enhance their womanliness and perhaps disguise something in the process." The work in Blush is embedded within a profoundly feminine sensibility and animated by Green's curiosity about the way the camera obfuscates or clarifies reality."

Blush: Janina Green, Photographs 1988 - 2010

Ahlberg, Sofia

Individual Artists

"Christopher Köller's photographs don't strive for the 'ideal' view, but for a view that is different, unexpectedly beautiful or jarring. The blurred edges of plants and buildings bleed into one another and generate a sense of restless movement, a feeling that we can't quite focus on any one point - as though we were moving though the landscape of a dream. Produced between 1997 and 2009, the scope of Parádeisos is vast, taking us from Zen Gardens in Kyoto to a roadside in West Hollywood, from Marie Antoinette's simulations of peasant life in Versailles to the grounds of the Heide Museum of Modern Art in Melbourne. The diversity of locations portrayed reflects both Köller's insatiable curiosity for travel and also the nomadic lifestyle of many contemporary artists. Residencies in Italy, Japan, Spain and the USA have allowed the expansion of the Parádeisos series and have also helped to define Köller's artistic practice more broadly. Gardens always embody a tension between order and predictability as planned designs are subject to the random workings of the natural world. Christopher Köller's choice of equipment - a cheap plastic camera - doubles this. The photographer's control of the photograph is in constant play with the unpredictable effects of the camera and its distortions. Köller delights in the camera's 'mistakes': its limited focus, unexpected bursts of colour, and tendency to reveal artefacts of the negative. In Parádeisos, these camera-effects blend with the gardens, and with the tension and play that we find in the combination of careful organisation with unruly nature."

Christopher Koller: Paradeisos

Grant, Katrina

"Ray Cook is one of Australia's most influencial and significant photo-media artists. His practice spans twenty years, and is charactarised by his innovative experimentation with photographic tableaux and hand-toned prints.This publication is the first monograph of Ray Cook's work, presenting his practice from early explorations to his later serial works. It contains texts by Alasdair Foster, David Broker, Timothy Morrell and the artist himself, with a foreword by QCP's director Maurice Ortega."

Ray Cook Photographs: Diary of a Fortunate Man

Cook, Ray

"Martin Smith is one of Australia's most promising photo-media artists. He has exhibited extensively in Australia and his work has been featured at Photo Los Angeles the past two years. This publication is the first monograph of Martin Smith's work, presenting his series In response to... in context of his earlier works. It contains essays by Karra Rees (curator, Centre for Contemporary Photography),"

Martin Smith Photographs: In Response To

Robb, Charles

Rees, Karra

Peter Elliston has climbed many volcanoes to add to his portfolio of photographs, sometimes at personal risk. The photographs are not just about the beauty and majesty of volcanoes but also refer to the presence of modern visitors and ancient worshipers like the Incas in South America.

Volcano

Elliston, Peter

Rare photographs, never published before, range from vignettes of family and social life in between-war Victoria, not to mention a peep into the psychology of the two photographers themselves. Overall, this volume is a charming portrait of times gone by, an Australian ambience that no longer exists.

The Windmill Collection: Photographs by Rose & Emma Windmill

Max Pam is one of Australia's most important contemporary photographers. His success is based on a body of provocative and compellingly intimate images of people from all over the world. This substantial publication with notes gives an emotional, sometimes lyrical, provocative, always intimate portrait of the artist as much as the people and places he has witnessed.

Max Pam: Atlas Monographs

"These remarkable photojournalists came together under the name of °SOUTH to collaborate and share their experiences rather than compete. They have all worked independently, free from commercial influences, all are acclaimed and all have dedicated their careers to recording what they see in a fair, truthful and informative way."

War: A Degree South Collection #1

Page, Tim

Coyne, Michael

Gilbertson, Ashley

Picone, Jack

Flynn,Sean

Dupont, Stephen

Dare Parker, David

Bohane, Ben

"Silence is Brad Rimmer's intensely personal and sometimes painful monograph of life in the once-thriving wheatbelt towns of Western Australia. In Silence, he presents images that capture the region's isolation and negotiates a delicate balance between hope, despair in his frank portraits of those who remain."

Silence: The Western Australian Wheatbelt

Rimmer, Brad

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