Poetry. These poems are steam punk on steroids. They're plutoniumpowered and neon-lit. These poems describe the world as it should be, as we want it to be, as we fear it will be, as it is every morning between 3:00 and 5:00 when our dreams are invaded by Godzilla, Tarzan, Wonder Woman, King Kong, Sinatra. If ATTACK OF THE FIFTY-FOOT CENTERFOLD were a holiday, it'd be Hallowe'en for grown-ups, Christmas for space aliens, and the Fourth of July for everybody, because each of these poems is a little present, and like the best presents, they don't just please us--they set us free.

Attack of the Fifty-Foot Centerfold

Literature & Fiction

Chan, Dorothy

Poetry

Spork Press

Poetry. LUNCH POEMS, first published in 1964 as Number 19 in the City Lights Pocket Poets series, is widely considered to be Frank O'Hara's freshest and most accomplished collection of poetry. That's what it says on the back of his book. Fifty years later, Paul Legault clicked the refresh button. This expanded and enhanced version was written by Legault during his lunch breaks. Often this poet, strolling through the noisy splintered glare of a Manhattan noon, has opened a window on his laptop to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened dive or gay bar to limn his computed misunderstandings of the eternal questions of life, co-existence and depth, while never forgetting to eat Lunch his favorite meal...

Lunch Poems 2

Legault, Paul

Poetry. EVERYONE WHO IS DEAD revives a language of fable to open a space in which the natural and the spectral cannot be told apart. Here, the boy proceeds as a philosopher, explores the unfinished character of creation, and reveals to his audience an uncertain glimmer in the darkness. In this, Welch's debut is also a world.

Everyone Who Is Dead

Welch, David

Poetry. In GLASS IS GLASS WATER IS WATER, Rae Gouirand challenges the body of the poem to accommodate maximalist tensions as she names the dangers of figuration, the simultaneities and echoes and hauntings in intimate relationships, the queer bridges between living and ending. What breaks in these poems is not just the line but "the word saying itself."

Glass Is Glass Water Is Water

Gouirand, Rae

Lunch Poems, first published in 1964 as Number 19 in the City Lights Pocket Poets series, is widely considered to be Frank O'Hara's freshest and most accomplished collection of poetry. That's what it says on the back of his book. Fifty years later, Paul Legault clicked the refresh button. This expanded and enhanced version was written by Legault during his lunch breaks. Often this poet, strolling through the noisy splintered glare of a Manhattan noon, has opened a window on his laptop to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened dive or gay bar to limn his computed misunderstandings of the eternal questions of life, co-existence and depth, while never forgetting to eat Lunch, his favorite meal. . . .

Paul Legault

In Glass is Glass Water is Water, Rae Gouirand challenges the body of the poem to accommodate maximalist tensions as she names the dangers of figuration, the simultaneities and echoes and hauntings in intimate relationships, the queer bridges between living and ending. What breaks in these poems is not just the line but 'the word saying itself.'

Rae Gouirand

David Welch

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Books by Spork Press

See the best price to sell, buy or rent books by the Spork Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Attack of the Fifty-Foot Centerfold

Lunch Poems 2

Everyone Who Is Dead

Glass Is Glass Water Is Water

Lunch Poems 2

Glass Is Glass Water Is Water

Everyone Who Is Dead