This volume is related to the Russian Army during the zar Paul I era, and are about Guard infantry and cavalry regiments. Compiled at Saint Petersburg during the year from 1837 and 1851, the Historical Description of the Clothing and Arms of the Russian Army has had an enormous impact and great importance for the study on the history of Russian costume and uniformology development over the past centuries .There are various ancient editions of the work but Mark Conrad’s translation is the first one and the best, remaining true to the original structure and essential style of the text. Conrad’s comprehensive translation is an indispensable resource for today’s historian, strategists, and scholars. The Viskovatov’s enormous work is based on a great quantity of archival documents and contains four thousand colored and b/w illustrations. It is composed by 30 or 34 volumes (1st edition 1-30, St. Petersburg, 1841-62, and 2nd edition Vols. 1-34, St. Petersburg - Novosibirsk - Leningrad, 1899-1948). The topics discussed start from the early czars until the late nineteenth century. Our new edition has enriched the book with the plates: we revised and colored many of the images so far available just in black and white, as well we found some rare color plates with the collaboration of private collectors. These, together with the first ever English translation, make our collection exclusive and of great value.

Uniforms of Russian army during the Napoleonic war vol.4: Artillery, engineers and garrisons 1796-1801 (Soldiers, weapons & uniforms)

History

Cristini, Luca Stefano

Conrad, Mark

Viskovatov, Aleksandr Vasilevich

Military

Soldiershop

This volume is related to the Russian Army during the zar Paul I era, and are about infantry: fusiliers, grenadiers and muskeeter regiments. Compiled at Saint Petersburg during the year from 1837 and 1851, the Historical Description of the Clothing and Arms of the Russian Army has had an enormous impact and great importance for the study on the history of Russian costume and uniformology development over the past centuries .There are various ancient editions of the work but Mark Conrad’s translation is the first one and the best, remaining true to the original structure and essential style of the text. Conrad’s comprehensive translation is an indispensable resource for today’s historian, strategists, and scholars. The Viskovatov’s enormous work is based on a great quantity of archival documents and contains four thousand colored and b/w illustrations. It is composed by 30 or 34 volumes (1st edition 1-30, St. Petersburg, 1841-62, and 2nd edition Vols. 1-34, St. Petersburg - Novosibirsk - Leningrad, 1899-1948). The topics discussed start from the early czars until the late nineteenth century.  Our new edition has enriched the book with the plates: we revised and colored many of the images so far available just in black and white, as well we found some rare color plates with the collaboration of private collectors.  These, together with the first ever English translation, make our collection exclusive and of great value.

Uniforms of Russian army during the Napoleonic war vol.1: The Infantry Fusiliers, Grenadiers and Musketeers (Soldiers, Weapons & Uniforms)

Viskovatov, A.V.

This volume is related to the Russian Army during the zar Paul I era, and are about infantry: grenadiers,muskeeter & jager regiments. Compiled at Saint Petersburg during the year from 1837 and 1851, the Historical Description of the Clothing and Arms of the Russian Army has had an enormous impact and great importance for the study on the history of Russian costume and uniformology development over the past centuries .There are various ancient editions of the work but Mark Conrad's translation is the first one and the best, remaining true to the original structure and essential style of the text. Conrad's comprehensive translation is an indispensable resource for today's historian, strategists, and scholars. The Viskovatov's enormous work is based on a great quantity of archival documents and contains four thousand colored and b/w illustrations. It is composed by 30 or 34 volumes (1st edition 1-30, St. Petersburg, 1841-62, and 2nd edition Vols. 1-34, St. Petersburg - Novosibirsk - Leningrad, 1899-1948). The topics discussed start from the early czars until the late nineteenth century. Our new edition has enriched the book with the plates: we revised and colored many of the images so far available just in black and white, as well we found some rare color plates with the collaboration of private collectors. These, together with the first ever English translation, make our collection exclusive and of great value.

Uniforms of Russian army during the Napoleonic war vol.2: The Infantry Grenadiers, Musketeers & Jägers (Soldiers, Weapons & Uniforms NAP)

This volume is related to the Russian Army during the zar Paul I era, and are about the cavalry regiments of cuirassiers, dragoons and hussars. Compiled at Saint Petersburg during the year from 1837 and 1851, the Historical Description of the Clothing and Arms of the Russian Army has had an enormous impact and great importance for the study on the history of Russian costume and uniformology development over the past centuries .There are various ancient editions of the work but Mark Conrad's translation is the first one and the best, remaining true to the original structure and essential style of the text. Conrad's comprehensive translation is an indispensable resource for today's historian, strategists, and scholars. The Viskovatov's enormous work is based on a great quantity of archival documents and contains four thousand colored and b/w illustrations. It is composed by 30 or 34 volumes (1st edition 1-30, St. Petersburg, 1841-62, and 2nd edition Vols. 1-34, St. Petersburg - Novosibirsk - Leningrad, 1899-1948). The topics discussed start from the early czars until the late nineteenth century. Our new edition has enriched the book with the plates: we revised and colored many of the images so far available just in black and white, as well we found some rare color plates with the collaboration of private collectors. These, together with the first ever English translation, make our collection exclusive and of great value.

Uniforms of Russian army during the Napoleonic war vol.3: The cavalry (Soldiers, Weapons & Uniforms NAP)

Il ducato di Maria Luigia “I Ducati di Parma, Piacenza e Guastalla apparterranno in tutta proprietà e sovranità a sua Maestà l'Imperatrice Marie-Louise (Maria Luigia). Questi andranno a suo figlio alla sua discendenza in linea diretta. Il principe, suo figlio, prenderà a partire da questo momento il titolo di Principe di Parma, Piacenza e Guastalla... “ Questo è il primo volume dei Quaderni Cenni, dedicati alle opere inedite del grande uniformologo italiano, dedicati in questa prima serie agli stati iatlaini preunitari. In questo primo volume si parla dell'esercito di maria Luigia dal 1814 al 1847. Un volume con oltre 130 tavole a colori, un cult per ogni collezionista !!

L'esercito del Ducato di Parma: parte prima 1814-1847 (QC) (Italian Edition)

Europe

L'esercito del Ducato di Parma parte terza 1848-1859 (QC) (Italian Edition)

This volume is related to the Russian Army during the zar Paul I era, and are about the Guard infantry and cavalry regiments (part 1). Compiled at Saint Petersburg during the year from 1837 and 1851, the Historical Description of the Clothing and Arms of the Russian Army has had an enormous impact and great importance for the study on the history of Russian costume and uniformology development over the past centuries .There are various ancient editions of the work but Mark Conrad's translation is the first one and the best, remaining true to the original structure and essential style of the text. Conrad's comprehensive translation is an indispensable resource for today's historian, strategists, and scholars. The Viskovatov's enormous work is based on a great quantity of archival documents and contains four thousand colored and b/w illustrations. It is composed by 30 or 34 volumes (1st edition 1-30, St. Petersburg, 1841-62, and 2nd edition Vols. 1-34, St. Petersburg - Novosibirsk - Leningrad, 1899-1948). The topics discussed start from the early czars until the late nineteenth century. Our new edition has enriched the book with the plates: we revised and colored many of the images so far available just in black and white, as well we found some rare color plates with the collaboration of private collectors. These, together with the first ever English translation, make our collection exclusive and of great value.

Uniforms of Russian army during the Napoleonic war vol.5: Guard infantry and cavalry 1 1796-1801 (Soldiers, weapons & uniforms NAP)

This volume is related to the Russian Army during the zar Paul I era, and are about the Guards various corps (part 2). Compiled at Saint Petersburg during the year from 1837 and 1851, the Historical Description of the Clothing and Arms of the Russian Army has had an enormous impact and great importance for the study on the history of Russian costume and uniformology development over the past centuries .There are various ancient editions of the work but Mark Conrad's translation is the first one and the best, remaining true to the original structure and essential style of the text. Conrad's comprehensive translation is an indispensable resource for today's historian, strategists, and scholars. The Viskovatov's enormous work is based on a great quantity of archival documents and contains four thousand colored and b/w illustrations. It is composed by 30 or 34 volumes (1st edition 1-30, St. Petersburg, 1841-62, and 2nd edition Vols. 1-34, St. Petersburg - Novosibirsk - Leningrad, 1899-1948). The topics discussed start from the early czars until the late nineteenth century. Our new edition has enriched the book with the plates: we revised and colored many of the images so far available just in black and white, as well we found some rare color plates with the collaboration of private collectors. These, together with the first ever English translation, make our collection exclusive and of great value.

Uniforms of Russian army during the Napoleonic war vol.6: Guards 2 1796-1801 (Soldiers, weapons & uniforms NAP)

This volume is related to the Russian Army during the zar Paul I era, and are about the Flags and standards in use from 1796 to 1801. Compiled at Saint Petersburg during the year from 1837 and 1851, the Historical Description of the Clothing and Arms of the Russian Army has had an enormous impact and great importance for the study on the history of Russian costume and uniformology development over the past centuries .There are various ancient editions of the work but Mark Conrad's translation is the first one and the best, remaining true to the original structure and essential style of the text. Conrad's comprehensive translation is an indispensable resource for today's historian, strategists, and scholars. The Viskovatov's enormous work is based on a great quantity of archival documents and contains four thousand colored and b/w illustrations. It is composed by 30 or 34 volumes (1st edition 1-30, St. Petersburg, 1841-62, and 2nd edition Vols. 1-34, St. Petersburg - Novosibirsk - Leningrad, 1899-1948). The topics discussed start from the early czars until the late nineteenth century. Our new edition has enriched the book with the plates: we revised and colored many of the images so far available just in black and white, as well we found some rare color plates with the collaboration of private collectors. These, together with the first ever English translation, make our collection exclusive and of great value.

Uniforms of Russian army during the Napoleonic war vol.7: Flags and Standards (Soldiers, weapons & uniforms NAP)

L’arte di Paolo Uccello ha una profondità prospettica. Si può affermare ciò pensando non solo alla sua passione per quella tecnica rappresentativa che negli anni fiorentini in cui visse conobbe una rinascita esemplare grazie al contributo di Brunelleschi e dell’Alberti, ma anche considerando la densità del suo stile e la cultura pittorica di cui era impregnato. Nel primo caso avviene che, osservando un suo quadro, si rimanga colpiti dall’eleganza fantasiosa della scena, e che poi, da quella sintesi in perfetto equilibrio, emergano un numero inaspettato di particolari che la rendono così compatta. Mazzocchi e calici, zoccoli e sfere puntute, lance spezzate, elmi, brandelli di armature: il ripostiglio di uno scienziato alchemico che ha il suo ordine mentale non subito comprensibile, tutti particolari accurati e perfettamente finiti che il maestro ha pensato come tessere di un unico mosaico. Nel secondo caso apprezziamo il grande sapere di un pittore che ha attinto dall’arte del passato e ha fatto propri gli stili e i temi trascorsi senza curarsi delle mode che lo circondavano; un pennello enciclopedico che sapeva anche fondere il contemporaneo patinandolo di luccicante arcaismo, la prova di un maestro senza tempo ma anche solitario perché poco capito, poco seguito. Profondità prospettica, si diceva, un modo per avere una vista d’insieme della costellazione pittorica di Paolo Uccello.

Paolo Uccello: Maestro solitario (Bookmoon Art) (Italian Edition)

Arts & Photography

Unia, Flavio

History & Criticism

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