Published by SITE Santa Fe – 152 pages, 84 color plates softback, 11 1/2 x 9 1/4 inches – Introduction by Louis Grachos Essays by Lisa Phillips, Susan Fisher Sterling and Dave Hickey -1997.

Sarah Charlesworth: A Retrospective

Arts & Photography

Phillips, LIsa

Hickey, Dave

Sterling, Susan Fisher

Collections, Catalogs & Exhibitions

SITE, Santa Fe

Published by SITE Santa Fe – 36 pages, 14 color plates, softback with vellum cover, 9 3/4 inches x 7 1/2 inches – Introduction by Louis Grachos, Essay by David Clemmer – 1999.

Tom Sachs: Sony outsider = [autosaidā]

Sachs, Tom

Published by SITE Santa Fe – 87 pages, 56 color plates, softback, 12 x 8 1/2 inches – Introduction by Louis Grachos, Essays by David Moos, David Pagel and Bruce W. Ferguson – Participating Artists: Polly Apfelbaum, David Batchelor, Martha Benzing, Linda Besemer, Ingrid Calame, Paul Campbell, Helmut Dorner, Mark Francis, Barbara Gallucci, Jason Martin, Kirk McCarthy, John McCracken, Olivier Mosset, Cornelia Parker, Florence Pierce, Carter Potter, David Reed, Paul Sarkisian, Linda Stark, Jennifer Steinkamp, John Torreano, Robert Youds.

Postmark : An Abstract Effect

PAGEL, David

Ferguson, Bruce W.

Grachos, Louis

King, Sarah S.

Hardcover, no dust jacket. 2000 Site Santa Fe. Tape damage inside cover.

As real as thinking: Alan Graham/TH

Shields, Kathleen

Brazilian artist Ernesto Neto (born 1964) draws on a variety of sources for inspiration, ranging from the natural world to department stores, modernists like Alexander Calder and Constantin Brancusi to Brazilian predecessors like Lygia Clark and Hélio Oiticica. Neto's multi-sensory environments exist, in the artist's words, "as a place of sensations, a place of exchange and continuity between people." This important survey is published to accompany an exhibition at London's Hayward Gallery, in which Neto reimagines the gallery's concrete spaces and brutalist architecture with a new site-specific commission and a number of new sculptural works. The artist's works incorporate the Hayward's outdoor sculpture terraces, creating an interrelated series of spaces in which the relationships between inside and outside are provocatively reconfigured. Spanning Neto's career to date, this publication contains texts by key international scholars.

Ernesto Neto

Neto, Ernesto

Published by SITE Santa Fe - 36 pages, 19 color plates, hardback, 9 1/4 x 11 3/4 inches Text by Erin Shirreff, Allen S. Weiss, Louis Grachos 2001.

Teresita Fernandez

(SITE Santa Fe’s 4th International Biennial Catalogue) Published by SITE Santa Fe – 144 pages, hardback 11 x 14 inches Text by Dave Hickey &amp; Louis Grachos Participating Artists: Kenneth Anger, Jo Baer, Jeff Burton, James Lee Byars, Pia Fries, Gaijin Fujita, Graft Design, Frederick Hammersley, Marine Huggonier, Jim Iserman, Ellsworth Kelly, Josiah McElheney, Darryl Montana, Sarah Morris, Takashi Murakami, Nic Nicosia, Kermit Oliver, Jorge Pardo, Ken Price, Stephen Prina, Bridge Riley, Ed Ruscha, Alexis Smith, Jesus Rafael Soto, Jennifer Steinkamp, Jessica Stockholder, Jane &amp; Louise Wilson 2002.

Beau Monde: Toward a Redeemed Cosmopolitanism

Politics & Social Sciences

Hickey, Dave (Curated by)

Politics & Government

Published by SITE Santa Fe – 66 pages, 19 color plates, hardback 10 1/4 x 12 1/4 inches Text by Avery Gordon and Louis Grachos 2002.

Gary Simmons: Ghost House

Simmons, Gary

Uta Barth aims her camera at the everyday places that are ignored or overlooked, taking note of the incidental and the passage of time, while being deeply engaged with looking at nothing. Included here are photographs from the series nowhere near, ...end of time, and white blind (bright red).

Uta Barth: White Blind (Bright Red)

Jan Tumlir

Individual Artists

Historically speaking, "grotesque" first referred to the bizarre motifs discovered in Nero's palaces in the 15th century--strange hybridities of plant, animal, and human forms. Such whimsies became fodder for Renaissance masters and later for Baroque, Rococo, Romantic, modern, and postmodern artists. For the Site Sante Fe Fifth International Biennial Exhibition, invited curator Robert Storr examines contemporary embodiments of the grotesque tradition in art, a spirit which unites formal opposites: emotional and intellectual conflicts, beauty and ugliness, delight and delirium, tragedy and comedy. Producing an art of revelatory impurities that encompasses both the wondrous and the disturbing, the grotesque has informed many of the key postmodern movements in art and culture. The Biennial brings together internationally known artists working in a wide range of media, subject matter, and conceptual and aesthetic approaches, including Louise Bourgeois, Bruce Conner, Inka Essenhigh, Tom Friedman, Ellen Gallagher, Robert Gober, Douglas Gordon, Paul McCarthy, Sigmar Polke, Susan Rothenberg, Jenny Saville, Cindy Sherman, and Kara Walker.

Disparities & Deformations: Our Grotesque [exhibition: Jul. 18, 2004-Jan. 9, 2005]

Robert. Storr

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Books by SITE, Santa Fe